The death of a child in mysterious circumstances sparks a series of events that seem to represent biblical plagues, which start occurring in, of all places, a town called "Haven" that is located deep in the bowels of Bible belt country in the bayous of Louisiana. A former Christian missionary turned religious phenomena debunker and her top open minded student turned personal assistant are sent to investigate.Written by
Katherine's missing bracelet appears on her wrist when she goes inside Lorens house, despite being lost at the dam. See more »
[on killing Loren]
[Katherine throws the knife onto the ground]
You do it.
[Doug picks up the knife but doesn't use it]
You can't do it, can you? Because you already tried and she survived.
No, that's not true.
[beginning to get upset]
You deceived me so I would murder her. This... this innocent child.
[helps Loren to her feet and into her arms]
She's not innocent, Katherine.
[...] See more »
The opening logos are unique and blend into one another: a red Warner Bros. logo crumbles into dust to reveal a pink-tinted Village Roadshow Pictures logo, which in turn is obscured by clouds that part to reveal the Dark Castle Entertainment logo. See more »
Good thriller is perfect with a bag of popcorn, a soda and rainy Sunday afternoon
Well I'm shocked-this is a pretty good little thriller.
Hillary Swank is an ex-missionary turned scientist and debunker, she's called into investigate a small town in the deep South where the river has turned red or as some suspect to blood. this is followed in close order by other Biblical plagues. They all seem to to be tied to a young girl living in the woods.
Creepy little movie thats better than many recent Bible thrillers. Here we start off with science and find as time goes on that it can't explain whats going on. well acted with a couple of nice set pieces this is a movie that works mostly by simple visualization, we see a red river, we see flies, we see frogs. except for a plague of locusts and some fire in the sky what we see out side of dreams is all simple effects given weight by the sincerity of the script and the performances. This is a film where the classic idea of its all better in the mind works to great effect with just a small push.
Is it a great film? No, but its a good one. Its the sort of thing you sit and watch on a Saturday night with a big bag of popcorn and a soda. Is it worth paying ten bucks in the theater for? I doubt it but on a rainy Sunday afternoon it may fit the bill on the bargain priced matinée. (Certainly worth a rental) Somewhere between six and seven out of ten.
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