Walter Goodfellow (Rowan Atkinson), the vicar for the small English country parish of Little Wallop, has allowed his marriage to Gloria (Kristin Scott Thomas) go stale, and he is so detached from his family, that he has not taken notice that his seventeen-year-old daughter Holly (Tamsin Egerton) is going through a succession of relationships with unsuitable boyfriends, and his son Petey (Toby Parkes) fears going to school, owing to being bullied. Out of desperation for affection, Gloria begins to fall for the advances of Lance (Patrick Swayze), an American golf pro who is giving her "private" lessons. The problems upsetting the family start to fade away after Grace Hawkins (Dame Maggie Smith), the new housekeeper, arrives and starts tending to matters as an older, and rather darkly mysterious version of Mary Poppins.Written by
The film is dedicated to James Booth (Mr. Brown), who died four months before the first release. This was his final film. See more »
The blue Volvo family car parked outside of school has mud on its front-right door, but one minute later it's clean. See more »
[Petey has just seen his bullies' bikes give way under them, not knowing that Grace cut the brake cables]
Billy Martin's dead! Mummy! Mummy! Billy Martin came after me, but Grace was there and all I said was "broccoli" and now he's dead! Billy Martin's dead! Woo Hoo!
[Petey runs inside cheering]
[whispering to Grace]
Could we have a word? Is Billy Martin really dead?
No, just unconscious if I'm any judge. But please don't tell Petey; he's so excited.
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I went to this movie looking forward to a mindless comedy. I was very pleasantly surprised. Very! I was first introduced to Rowan Atkinson in the 70's and have only seen him in silly, caricature ( a caricature of himself) type roles and I love him in these roles. But he did an amazing job as a serious, thoughtful (bordering on glum) Vicar, and was absolutely believable as his journey and his attitude changed ... I would never have put him in such a role, but he really pulled it off. I was also surprised, pleasantly, at the intense spiritual undertones (okay, at times overtones) woven throughout this most enjoyable film. It was interesting to see a movie use religion as a backdrop for such a deep look into what (in my humble opinion) is clearly a non-religious aspect of human spirituality.
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