Realising a dishonest deal has been found out a diamond merchant commits suicide, leaving the gems in question for his wife. Knowing the business from the time before drink largely took ... See full summary »
Baptiste is a solitary type. A teacher in southern France, he never stays more than three weeks in the same job. One Friday, he finds himself in charge of Mathias, one of his pupils, who ... See full summary »
Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours ... See full summary »
Nicole Garcia's film shows a family through an adult man's figure, and his weekdays. The main character is one of the sons of an old and ill man who is in hospital nowadays. The father has ... See full summary »
Camille, a mercurial César-winning actress, has seen better times. Estranged from her husband, she's with her children only every other weekend. It's her weekend, but her agent has booked ... See full summary »
Bruno Dumont follows up the controversial Twentynine Palms with this tale of a group of young soldiers who go off to war and experience some life-changing events. Flandres won the Grand Prix Prize at the 2006 Cannes Film Festival.
In 1950s France, Gabrielle is a passionate, free-spirited woman who is in a loveless marriage and falls for another man when she is sent away to the Alps to treat her kidney stones. Gabrielle yearns to free herself and run away with André.
Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then ... See full summary »
The choral film genre is pretty difficult to make. The script needs to be very sharp to justify such a choice. Here, it only is an excuse to see different actors playing different characters, with one main theme in common: loneliness.
First problem: all the actor are not so good: Vincent Lindon is, in my opinion, really bad like usual; Bacri is, as usual, really great; Pooelveorde is funny, but that's all, and the other's are OK.
Second problem: the systematization of the film making. Garcia shoot in 2.35, a choice I cannot understand for that kind of movie. She alternates "low-fi" movement and stabilized, clean pan, but empty.
Third problem: a terrible use of the music. They are totally inappropriate, and their use are useless.
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