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Silsila is the "manager" of one traffic signal, that is he collects the "hafta" (protection tax) from each signal squatter plying his trade. There's Tsunami, a little scavenger boy, there's... See full summary »
An honest cop named Sadhu Agashe makes a name for himself by killing criminals in sting operations instead of locking them up in prison. The film follows his method of working, gives an ... See full summary »
Madhavi is a newspaper journalist in Mumbai whose task is to fill the Page 3 column. Her job consists of attending parties among the socialite and small-time celebrity circle and reporting on it. Her roommates are Pearl, an air-hostess who wants to marry a rich man and settle down to a life of comfort; and Gayatri, a struggling actress. Gayatri is seduced by a leading married actor Rohit Kumar. When she finds out that she is pregnant, he advises her to abort the baby. Dejected, Gayatri tries to commit suicide but Madhavi and Pearl save her. She loses the baby and leaves Mumbai. Madhavi's job of interacting with shallow high-society people is depressing her. She wants to do some substantial reporting for a change, so she is assigned to the Crime beat alongwith veteran reporter Vinayak Mane.Written by
Konkana Sen's first film with Madhur Bhandarkar. See more »
I don't know what has happened to journalism.
Who told you that you are a journalist? This is what you write in the page 3 column isn't it? Who went in whose party, with whom who went... And with whom who came back... What one wore, ate and drank what... And what one didn't wear. Miss Madhavi Sharma, this is called entertainment, not journalism.
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Yet again, Madhur Bhandarkar takes you on a ride to the wild side. And a remarkable one it is, literally and figuratively.
Mumbai hi-society -- stars and starlets, glam dolls and witch doctors, business tycoons and broker types, yep the whole stinking lot -- are in sharp focus here. In typical tabloid fashion, their worlds unfold, with every colorful story a clever sub-plot in itself.
A struggling starlet dumped by the producer after getting her pregnant, the stewardess and her high-profile husband, the pedophile businessman and his neurotic wife, the reporters and the police captain; all shades on display and countless hues in between.
Bhandarkar does a swell job of digging up the dirt on the drama kings, the dancing queens and the living dead. Atul Kulkarni packs a punch, as does Boman Irani and Sandhya Mrudul. Konkona Sen Sharma is effective as the ex-crime beat reporter, but she could have been dolled up a little in keeping with the job change and the party circuit.
Highly focused (running time 140 min) and refreshingly different film, well worth the money.
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