Photos and Videos
Cast
Mickey Rourke | ... |
Blackbird
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Brandon McGibbon | ... |
Blackbird's Kid Brother
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Peter Kelly Gaudreault | ... |
Blackbird's Brother
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Michelle Arvizu | ... |
Nurse
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Richard Zeppieri | ... |
Son-in-Law / Mafia Boss
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Alexis Butler | ... |
Girl in Hotel Room
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Hal Holbrook | ... |
Papa
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Diane Lane | ... |
Carmen
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Robert Gow | ... |
Prospective Buyer
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Catherine Hayos | ... |
Prospective Buyer
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Thomas Jane | ... |
Wayne Colson
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Craig Blair | ... |
Construction Site Foreman
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Joseph Gordon-Levitt | ... |
Richie
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Lynne Deragon | ... |
Mrs. Palino
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Rosario Dawson | ... |
Donna
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Hazel Desjarlais | ... |
Old Woman, Walpole Island
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Aldred Montoya | ... |
Lionel
(as Aldred Wesley Montoya)
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Don McManus | ... |
Nelson Davies
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Tim Campbell | ... |
Michigan Officer
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Tim Eddis | ... |
Michigan Officer
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Beatriz Yuste | ... |
Checkout Girl
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Tom McCamus | ... |
Paul Scallen / FBI Chief
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Michael Joseph Bernier | ... |
Mechanic
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Jim Codrington | ... |
1st FBI Agent
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Karen Robinson | ... |
2nd FBI Agent
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Lois Smith | ... |
Lenore
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Steve Cumyn | ... |
3rd FBI Agent / Real Estate Guy
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James Anthony | ... |
Drydock Foreman
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Craig Eldridge | ... |
Cape Girardeau Buyer / Gerald
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Mark-Cameron Fraser | ... |
Dockworker
(as Mark Cameron Fraser)
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Tony Nappo | ... |
Dockworker
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Michael Rhoades | ... |
Dockworker
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Inga Cadranel | ... |
Linda
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Christine Brubaker | ... |
Dockworker's Wife
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Rest of cast listed alphabetically: | |||
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Mike Bernier | ... |
Mechanic
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DTeflon | ... |
Agent Daniels
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Joshua Rollins | ... |
Deck
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Michael Sercerchi | ... |
Mafia Head
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Shanly Trinidad | ... |
Mob Boss's Wife
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Directed by
John Madden |
Written by
Hossein Amini | ... | (screenplay) |
Elmore Leonard | ... | (novel) |
Produced by
Lawrence Bender | ... | producer |
Richard N. Gladstein | ... | producer |
Mathew Hart | ... | line producer: additional photography |
Elmore Leonard | ... | executive producer |
John Madden | ... | executive producer |
Jim Powers | ... | co-producer |
Erica Steinberg | ... | executive producer |
David Webb | ... | co-producer |
Bob Weinstein | ... | executive producer |
Harvey Weinstein | ... | executive producer |
Music by
Klaus Badelt |
Cinematography by
Caleb Deschanel | ... | director of photography |
Editing by
Mick Audsley | ||
Lisa Gunning |
Editorial Department
Jens Baylis | ... | co-first assistant editor |
William Blunden | ... | assistant editor |
Trevor Brown | ... | hd colorist |
Kathryn Cole | ... | second assistant editor (as Kathryn Morey) |
Adam Glasman | ... | digital intermediate colorist |
Jan Hogevold | ... | digital intermediate executive producer |
Wayne Jones | ... | negative cutter |
Rui Martins | ... | telecine operator |
Steve Mercer | ... | first assistant editor |
Mike Morrison | ... | digital intermediate producer |
Mark Neale | ... | co-first assistant editor |
Alex Panton | ... | digital intermediate producer |
Mila Patriki | ... | dailies colorist |
Dan Roberts | ... | assembly editor |
Natasha Westlake | ... | second assistant editor |
Zoran Trajkovic | ... | additional editor (uncredited) |
Casting By
Kerry Barden | ||
Billy Hopkins | ||
Diane Kerbel | ||
Suzanne Smith Crowley |
Production Design by
Andrew Jackness |
Art Direction by
Brandt Gordon |
Set Decoration by
Steven Essam |
Costume Design by
Beth Pasternak |
Makeup Department
Lisa Brockman-Kalz | ... | assistant makeup artist: Cape Girardeau, MO |
Renee Chan | ... | assistant hair stylist |
Burton LeBlanc | ... | assistant makeup artist (as Burton Leblanc) |
Jordan Samuel | ... | makeup department head |
Production Management
Aisha Bicknell | ... | post-production supervisor |
Tania Blunden | ... | post-production supervisor (as Tania Windsor Blunden) |
Mathew Hart | ... | unit production manager: additional photography |
Scott Knollenberg | ... | production manager: Cape Girardeau, MO |
Jeff Maynard | ... | executive in charge of post-production |
Ted Miller | ... | unit production manager |
Jim Powers | ... | unit production manager |
Second Unit Director or Assistant Director
Jeff J.J. Authors | ... | first assistant director: additional photography (as Jeff Authors) |
Bruno Bryniarski | ... | second assistant director |
Tyler Delben | ... | third assistant director |
Dylan Hopkins | ... | second assistant director: Missouri |
Jordana Lieberman | ... | third assistant director |
Nick Lopez | ... | trainee assistant director (as Nicolas Lopez) |
Craig Newman | ... | third assistant director |
Eric S. Potechin | ... | second assistant director: additional photography (as Eric Potechin) |
John R. Saunders | ... | second second assistant director |
David Webb | ... | first assistant director |
Art Department
Darleen Abbott | ... | construction accountant |
Rob Ballantyne | ... | storyboard artist |
Cameron S. Brooke | ... | key scenic artist |
Robert C. Brooke | ... | lead scenic artist |
Collingwood Brown | ... | art department coordinator |
Neil Crawford | ... | labourer |
David DiCorpo | ... | assistant head carpenter |
Alistair Edwardson | ... | set designer |
Travis Eisenberg | ... | carpenter |
Thomas Gallina | ... | carpenter |
Chris Hanson | ... | key scenic laborer |
Brent Jaimes | ... | lead man: Cape Girardeau |
Jonathan Kovacs | ... | assistant property master |
Kelsey Lapoint | ... | on-set painter: Cape Girardeau |
John Mackenzie | ... | construction coordinator |
Rob McCallum | ... | storyboard artist |
Steve Middlebrook | ... | greensman |
Russell Moore | ... | set designer |
Victor 'Chikko' Quon | ... | assistant head painter |
David Ritchie | ... | second on-set dresser |
Dawn Rivard | ... | set decoration buyer |
Dave Rosa | ... | head painter |
Chris Shader | ... | on-set dresser: Cape Girardeau |
Robert S. Smith | ... | carpenter |
Paul To | ... | trainee assistant art director |
Jim Tudor | ... | set dresser: Cape Girardeau |
Brian van de Valk | ... | co-head carpenter |
Clark Woodman | ... | assistant property master: Cape Girardeau |
Colin Woods | ... | first assistant art director |
Sound Department
Joseph Adorisio II | ... | sound |
Mark Auguste | ... | additional audio / supervising sound editor |
Sam Auguste | ... | additional audio / dialogue editor |
Stuart Bagshaw | ... | foley editor |
Jeremy Balko | ... | adr mixer |
Howard Bargroff | ... | re-recording mixer |
Thom Berryman | ... | assistant re-recording mixer |
Owen Bleasdale | ... | foley editor |
Ricky Butt | ... | foley artist |
Christopher Carmichael | ... | assistant sound engineer |
Tim Cavagin | ... | additional audio |
Laura Civiello | ... | sound editor |
Tony Currie | ... | adr editor / dialogue editor |
Glen Gauthier | ... | sound mixer |
Judah Getz | ... | adr mixer |
Robin Knapp | ... | assistant sound editor |
Daniel Laurie | ... | additional audio (as Dan Laurie) / adr editor / dialogue editor |
Michael Miller | ... | adr mixer |
Emma Pegram | ... | assistant sound re-recording mixer |
Steve Single | ... | additional audio |
Alastair Sirkett | ... | dialogue and adr editor |
Barnaby Smyth | ... | foley supervisor |
Jack Stew | ... | foley artist |
Andrew Stirk | ... | additional audio (as Andy Stirk) |
Steve Switzer | ... | boom operator |
Matthew Tomkins | ... | sound trainee |
Ian Wilson | ... | supervising sound editor |
Andrew Caller | ... | sound mix technician (uncredited) |
Special Effects by
Mike Kavanagh | ... | on-set special effects |
John MacGillivray | ... | special effects supervisor |
Fiona MacPherson | ... | special effects shop coordinator |
Rob Sanderson | ... | special effects coordinator / special effects director |
Daniel White | ... | special effects key |
Skyler Wilson | ... | special effects key on-set (as Skyler T. Wilson) |
Visual Effects by
Louie Alexander | ... | digital compositor: Framestore-CFC |
Zachary Bloom | ... | scanning and recording: Framestore CFC |
Turea Blyth | ... | visual effects editorial: Framestore |
Decharne Brian | ... | digital compositor |
Clare Brody | ... | digital intermediate: data operator: Framestore |
Paul Burke | ... | scanning and recording: Framestore |
Andy Burrow | ... | scanning & recording manager |
Francesca Canducci | ... | retouch and restoration |
Bret Culp | ... | visual effects on-set supervisor |
Jerome Dewhurst | ... | di engineer |
Richard Edwards | ... | data operator: Framestore |
Stephen Elson | ... | visual effects producer: Baseblack |
Gabriele Filippelli | ... | digital compositor: Baseblack |
Joss Flores | ... | digital compositor |
David Gibbons | ... | digital matte painter |
Adam Glasman | ... | digital intermediate colourist |
Elysia Greening | ... | digital compositor: Baseblack |
Alistair Hamer | ... | film mastering engineer |
Adam Hawkes | ... | digital compositor |
Karsten Hecker | ... | scanning & film recording assistant manager: Framestore CFC |
John Inch | ... | retouch and restoration |
Yan Jennings | ... | film mastering engineer |
Kelvin Kanagaraj | ... | previsualization artist/animator |
Kevin Lowery | ... | film mastering engineer |
Vaibhav Marathe | ... | digital compositor: Baseblack |
Veronica Marcano | ... | scanning and recording operator: Framestore |
Tristan Porter | ... | digital compositor: Baseblack |
Edward Randolph | ... | visual effects coordinator: Baseblack |
Lee Rankin | ... | scanning and recording: Framestore CFC |
Jimmy Saul | ... | scanning and recording operator |
Michael Adam Thompson | ... | matchmover: Framestore CFC |
Odean Thompson | ... | digital paint artist: restoration: Framestore |
Martin Tori | ... | visual effects on-set supervisor |
Esme Long | ... | production assistant (uncredited) |
Stunts
Tom Farr | ... | stunts |
Jamie Jones | ... | stunt coordinator / stunt double |
Duncan McLeod | ... | stunt double: Mickey Rourke |
Daryl Patchett | ... | stunt double: Thomas Jane |
Edward A. Queffelec | ... | stunt performer |
Ken Quinn | ... | stunt double |
Steve 'Shack' Shackleton | ... | stunt rigger |
John Stead | ... | stunt double |
Camera and Electrical Department
Mongo Andrews | ... | assistant key rigging grip |
Chris Bangma | ... | technician: libra remote head |
Mark Beauchamp | ... | second assistant camera |
Chris Benson | ... | camera operator: Cape Girardeau |
Sean Bourdeau | ... | assistant key grip |
Brendan Bresnahan | ... | key video assist operator |
Chris Chanda | ... | camera technician: Wescam camera |
Angelo Colavecchia | ... | camera operator |
Shawn Cragin | ... | first assistant camera |
Mark Cyre | ... | first assistant camera "a" camera |
Heather Donald | ... | second assistant camera |
Roger Durhanto | ... | Lighting |
Autumn Eakin | ... | second assistant camera: Cape Girardeau |
Richard Emerson | ... | key grip: reshoot |
Brad Fanfalone | ... | second assistant camera |
Anne Freivogel | ... | second assistant camera: "b" camera |
Michael Galbraith | ... | gaffer |
Dan Gartner | ... | electrician: Cape Girardeau |
Guy Godfree | ... | assistant camera |
Tim Hawn | ... | electrician: Cape Girardeau |
Marty Hechinger | ... | electrician: Cape Girardeau |
Bill Hong | ... | camera car operator |
Marcel Janisse | ... | assistant camera: reshoot |
Robert Johnson | ... | key grip |
Paul Knubley | ... | video assist: Cape Girardeau |
Dave Kube | ... | grip: Cape Girardeau |
Doug Lawrance | ... | daily camera operator / director of photography: splinter unit |
Alex Lisman | ... | camera trainee |
Joseph Micomonaco | ... | first assistant camera: b camera |
Malcolm Nefsky | ... | grip |
Keith Ogier | ... | first assistant camera: Cape Girardeau |
Miguel Pask | ... | second assistant camera |
Michael Plant | ... | generator operator |
Marc Purdy | ... | best boy grip |
Jonah Ravine | ... | key video assist: Cape Girardeau |
Herb Reischl Jr. | ... | rigging electrician |
Ron Renzetti | ... | dolly grip |
Brent Robinson | ... | daily first assistant camera |
John Sennott | ... | electrician: Cape Girardeau |
Tracy Shaw | ... | assistant key rigging grip |
Richard Speed | ... | (segment "Cape Girardeau, MO") grip |
Tom Starnes | ... | rigging gaffer |
Robert Stecko | ... | camera operator: "b" camera |
James Toth | ... | camera trainee |
Neil Trafford | ... | second assistant camera |
John Trapman | ... | camera operator: Wescam camera |
Jerry Wheat | ... | lighting technician |
Amanda Wojtaszek | ... | assistant camera: re-shoots (as Amanda Buckland) |
Carolyn Cox | ... | first assistant camera (uncredited) |
Amanda Wojtaszek | ... | camera loader: re-shoots (uncredited) |
Casting Department
Deborah Maxwell Dion | ... | casting associate: Los Angeles |
Chantal Kemp | ... | local casting assistant (as Chantal Leblanc-Everett) |
Crystal Kramer | ... | casting assistant (as Crystal Olsen) |
Kathy Mooney | ... | extras casting |
Paul Schnee | ... | casting associate |
Marny Smith | ... | casting assistant |
Joni Tackette | ... | extras casting: missouri |
Costume and Wardrobe Department
Cori Burchell | ... | assistant costume designer |
Christina Cattle | ... | set costume supervisor |
Pauline Chung | ... | costume supervisor |
Jay Du Boisson | ... | costume supervisor: additional photography |
Gaye Gardiner | ... | key textile artist |
Joslyn Lawrence | ... | costume supervisor: MO crew |
Susan Nycz | ... | costume truck supervisor |
Mia Sturup | ... | assistant costume designer: additional photography |
Location Management
Drazen Baric | ... | location scout |
Patrick Bond | ... | location assistant: Cape Girardeau |
Brian Kaurich | ... | assistant location manager: Detroit |
Tristan Plant | ... | locations production assistant |
David Rumble | ... | location manager: Detroit |
John Shone | ... | key location production assistant |
Chris Moulson | ... | location scout (uncredited) |
Music Department
Klaus Badelt | ... | score producer |
Malona P. Badelt | ... | music production manager (as Malona P. Voigt) / score associate producer (as Malona P. Voigt) |
Christine Bergren | ... | music legal |
Christopher Brooks | ... | music editor (as Christopher S. Brooks) / score co-producer (as Christopher S. Brooks) |
Andy Brown | ... | conductor / music contractor |
Christopher Carmichael | ... | assistant music engineer |
Robert Elhai | ... | orchestrator |
Vic Fraser | ... | music preparation |
Andrew Glen | ... | music editor (as Andy Glen) |
Ian Honeyman | ... | music arranger |
Robyn Klein | ... | executive music consultant / executive music producer |
Rachel Levy | ... | executive in charge of music |
Stephen McLaughlin | ... | music engineer / music mixer |
Dana Niu | ... | orchestrator |
Andrew Raiher | ... | music arranger |
Jeff Toyne | ... | orchestrator |
Script and Continuity Department
Samantha Armstrong | ... | script supervisor |
Susan Marucci | ... | script supervisor: additional photography |
Transportation Department
Dan 'the Mayor' Cowden | ... | transportation coordinator |
Ron Hilts | ... | swamper |
Carla Klein | ... | driver: hair/makeup |
DJ Perry | ... | double driver |
Ted Repp | ... | driver |
Bob Templin | ... | driver |
Ian C. Harris | ... | daily driver (uncredited) |
David Schmidt | ... | unit driver (uncredited) |
Additional Crew
Kevin Alakas | ... | first assistant accountant: reshoots |
Gerry Alfonso | ... | payroll accountant: re-shoots |
Steven Aspinall | ... | title designer |
Cassandra Barbour | ... | rights and clearances |
John 'Frenchie' Berger | ... | armorer |
Stephanie Lee Berger | ... | weapons handler |
Lucie Bourgeau | ... | production assistant |
Ashley Bowen | ... | assistant to producer |
Benjamin T. Brammeier | ... | key production assistant: Cape Girardeau |
Rosa Camero | ... | marketing |
Talmadge Canty | ... | production assistant |
Connie Contardi | ... | production assistant |
Simon Crabtree | ... | title designer |
Heather K. Dahlstrom | ... | production assistant |
Melanie Donkers | ... | assistant to producer |
Noel Donnellon | ... | title sequence producer |
Bart Elfrink | ... | production assistant |
Prudence Emery | ... | unit publicist |
Geoff Ernst | ... | production assistant |
Tracy Fedak | ... | third assistant accountant |
Alex Fields | ... | production assistant |
Cheryl Francis | ... | assistant production coordinator |
Michael Franck | ... | aerial coordinator |
Michael Franks | ... | helicopter pilot |
Megan Freels Johnston | ... | assistant to director (as Megan Freels) / stock footage researcher (as Megan Freels) |
Nicholas Gartner | ... | loading intern: Cape Girardeau |
Cédric Gonella | ... | distribution |
Ted Gregg | ... | grip |
James Grim | ... | production assistant |
Marie-Claude Harnois | ... | production coordinator |
Dawn Hieger | ... | production coordinator: Cape Girardeau, MO |
Heather L. Hogan | ... | production assistant: Cape Girardeau |
Steve Holt | ... | on-set medic |
Mindy May Jenkins | ... | first assistant accountant |
Kaleigh Kavanagh | ... | production assistant |
Jonathan Kier | ... | International Sales |
Joey Kippax | ... | stand-in |
Nathalie Laporte | ... | production accountant |
Bill Leeking | ... | marine coordinator |
Kyla McFeat | ... | third assistant accountant |
Brad McIlroy | ... | on-set caterer |
Julie McLeod | ... | stand-in |
Megan Meganck | ... | key craft services: Detroit unit |
Eleanor Mendes | ... | production secretary |
J.P. O'Donnell | ... | craft service |
David Z. Obadiah | ... | titles producer |
DJ Perry | ... | body double |
Roger Phillips | ... | titles |
Jarod Powell | ... | production assistant |
Yan Regis | ... | medic: re-shoots |
Edgar Sandoval | ... | insurance underwriter |
Jonathan Schwartz | ... | production assistant |
Laura Sevier | ... | rights & clearances |
Todd Shannon Jr. | ... | water safety |
Martin Shannon | ... | title designer |
Kirsten Short | ... | assistant accountant |
Jenna Spesard | ... | production assistant: Cape Girardeau |
Alan Sutton | ... | fire safety |
Candace Tempelmeyer | ... | third assistant accountant (as Candace Kunderman) |
John Thomas | ... | travel coordinator |
Dave Tommasini | ... | aerial helicopter pilot |
Marshall Tully | ... | personal trainer: Thomas Jane |
Kai van Benthem | ... | production assistant |
Kay Watkins | ... | craft service: Cape Girardeau, MO |
Tucker Wells | ... | production assistant: Cape Girardeau |
Joanna Wende | ... | production assistant |
Greg Whiteside | ... | on-set satellite internet technician |
Angie Winstl | ... | assistant production coordinator: re-shoots |
Rena Hanover | ... | production assistant (uncredited) |
Chris Stiles | ... | researcher (uncredited) |
Thanks
William Horberg | ... | thanks |
Anthony Minghella | ... | dedicatee / very special thanks |
Sydney Pollack | ... | dedicatee / very special thanks |
Alvin Sargent | ... | thanks |
Warren Zavala | ... | thanks |
Laura Ziskin | ... | thanks |
Production Companies
Distributors
- Third Rail Releasing (2009) (United States) (theatrical)
- Ascot Elite Entertainment Group (2009) (Switzerland) (theatrical)
- Odeon (2009) (Greece) (theatrical)
- Senator Film (2009) (Germany) (theatrical)
- Distribution Company (2009) (Argentina) (theatrical)
- Golden Village Pictures (2009) (Singapore) (theatrical)
- Odeon (2009) (Cyprus) (theatrical)
- Roadshow Entertainment (2009) (Australia) (theatrical)
- Ascot Elite Entertainment Group (2009) (Switzerland) (DVD)
- Genius Products (2009) (United States) (DVD)
- Paradiso Home Entertainment (2009) (Netherlands) (DVD)
- PlayArte Pictures (2009) (Brazil)
- Sandrew Metronome Distribution (2009) (Finland) (DVD)
- Sandrews (2009) (Sweden) (DVD)
- Sandrews (2009) (Sweden) (Blu-ray) (DVD)
- West Video (2009) (Russia)
- Culture Publishers (CP) (2010) (Japan) (DVD)
- Film1 (2010) (Netherlands) (tv) (limited)
- Sundream Motion Pictures (2010) (Hong Kong) (DVD)
- Universum Film (UFA) (2010) (Germany) (DVD)
- Veronica (2011) (Netherlands) (tv)
- Tubi TV (United States) (video) (streaming)
Special Effects
- Acme F/X (special effects)
- Baseblack
- C.O.R.E. Digital Pictures
Other Companies
- VooDooDog (titles)
- Abbey Road Studios (orchestra recorded at)
- Canada Film Capital (tax incentive consulting services)
- Chapman/Leonard Studio Equipment (camera dollies)
- Cutting Edge (negative cutting)
- Entertainment Clearances (rights and clearances)
- Framestore (digital grade)
- Goldcrest Post Production London (adr facility)
- Goldcrest Post Production London (post-production facilities)
- Internet On Set (on-set satellite internet)
- London Editing Machines Ltd. (editing equipment)
- Mirage Enterprises (very special thanks)
- Pictorvision (aerial camera system)
- Pinewood Studios (sound re-recording)
- Pro-Cam Rentals (camera remote systems provided by)
- Sapex Scripts (post-production scripts)
- Sapex Scripts (post-production services)
- Sonic Magic (adr facility)
- The London Metropolitan Orchestra (orchestra)
- Twickenham Film Studios (adr facility)
- Urban Post Production (adr facility)
- Videosonics Cinema Sound (post-production sound editing facility)
- Videosonics Cinema Sound (temp mix re-recorded at)
- VooDooDog (end roller)
- Warner Bros. De Lane Lea (post-production facilities)
- William F. White International (production equipment)
Storyline
Plot Summary |
When the professional killer Armand 'Blackbird' Degas falls in disgrace with the Mafia, he flees to another city in Canada. He stumbles upon the psychopath Richie Nix, who lives with his girlfriend Donna. Armand teams up with him and moves to his house. Richie summons Armand to participate in a scheme to take money from a wealthy real estate agent, but he commits a mistake and the couple Wayne Colson and Carmen Colson witness their action. They are forced to join the Witness Protection Program by the FBI and they move to another town. But Armand and Ritchie are hunting them down since they are a threat. Written by Claudio Carvalho, Rio de Janeiro, Brazil |
Plot Keywords | |
Taglines | Yesterday she was a witness. Today she's a target. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Opening Weekend United States | $10,741, 25 Jan 2009 |
Did You Know?
Trivia | Originally set up in 2002 with Tony Scott directing, Robert De Niro playing Amand Degas, and Quentin Tarantino playing Richie Nix. See more » |
Goofs | After Richie pulls the deer head off the wall he has drywall dust all over him. When he stands up he's clean. See more » |
Movie Connections | Referenced in Unique Congratulation (2014). See more » |
Soundtracks | Monkey See more » |
Quotes |
[towards end of film]
Wayne Colson: Look, honey, just hear me out. I drove 400 miles. And 15 years to think about this. And a lot about what you've said lately. You're right, five's not a good number. It's terrible. So let's try six. And if we can make it to six, then we can try for seven. See more » |