| Cast overview, first billed only: | |||
| Cory Knauf | ... | Francis Hamilton | |
| Samuel Child | ... | David Hamilton | |
| Joseph McKelheer | ... | Wendell Hamilton | |
| Mackenzie Firgens | ... | Darlene Hamilton | |
| Rebekah Hoyle | ... | Samantha Teal | |
| Brittany Daniel | ... | Dani Cummings | |
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Al Liner | ... | Paul Glenn |
| Jena Hunt | ... | Kitty Davies (as Jenna Hunt) | |
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Tara Glass | ... | Jenna Smith |
| Larry Laverty | ... | Larry Davies | |
| Joe Egender | ... | Allen Davies | |
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Nicholas Fanella | ... | Lenny Hamilton |
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Jackie Honea | ... | Mrs. Hamilton |
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John Krause | ... | Mr. Hamilton |
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Nathan Parker | ... | Hot Pants |
Trying to move on with their lives, and keep their family together after the untimely demise of their parents, the four Hamilton siblings are left all alone to fend for themselves. At first glance, the Hamiltons seem like an ordinary family, and they will do everything in their power to adjust to their new neighbourhood; however, troubled Francis' video camera reveals that there is more to the grieving newcomers than meets the eye. After all, is it normal to keep people captive in your basement? Written by Nick Riganas
"The Hamiltons" has a great premise, and the ending of the film is inches from being extremely satisfying. On its own, an excellent ending...it's getting there that's the problem with the film.
The fundamental flaw of "The Hamiltons" is that it's caught between being a serial killer film and a family drama, and unlike "Suburban Nightmare" - which was similar, also an indie, and much better in my opinion - "The Hamiltons" refuses to commit to its characters. It wants you to empathize with them at the same time it paints them as violent sociopaths. In doing this I found the ending disingenuous, and most of the movie was simply too scattered.
There ARE strong points to the film. The main character, Francis, is easily the most well-developed character. Although he gets too whiny and, frankly, useless at times, he's able to make the transition into action with aplomb. His relationship with one of the women being held in the cellar of the house is particularly well-written and potent.
The problem is that the movie feels forced to bend to genre conventions, and in doing so it makes the other three members of the family unsympathetic in the extreme. The characters of Wendell and Darlene are written well as sociopaths, but the problem comes when the film wants you to identify with them and accept them as part of this family, and you can't imagine why anyone would love them even if they WERE family.
The film is worth watching, but the script really could've used another run through editing to work out the kinks.