6.5/10
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513 user 235 critic

Dreamgirls (2006)

PG-13 | | Drama, Music, Musical | 25 December 2006 (USA)
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A trio of black female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

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(based on the original broadway production book by), (screenplay)
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4,139 ( 489)
Won 2 Oscars. Another 66 wins & 91 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Curtis Taylor Jr.
... Deena Jones (as Beyoncé Knowles)
... James 'Thunder' Early
... Marty Madison
... Effie White
... Lorrell Robinson
... C.C. White
... Michelle Morris
... Wayne
... Magic (as Mariah Wilson)
Yvette Cason ... May
... Max Washington
... M.C. (as Ralph Harris)
... Tiny Joe Dixon
... Jazz Singer
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Storyline

Detroit, the early 1960s. Curtis Taylor, Jr., a car salesman, breaks into the music business with big dreams. He signs a trio of young women, the Dreamettes, gets them a job backing an R&B performer, James "Thunder" Early, establishes his own record label and starts wheeling and dealing. When Early flames out, Curtis makes the Dreamettes into headliners as the Dreams, but not before demoting their hefty big-voiced lead singer, Effie White, and putting the softer-voiced looker, Deena Jones, in front. Soon after, he fires Effie, sends her into a life of proud poverty, and takes Deena and the Dreams to the top. How long can Curtis stay there, and will Effie ever get her due? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

One Dream Will Change Everything See more »

Genres:

Drama | Music | Musical

Motion Picture Rating (MPAA)

Rated PG-13 for language, some sexuality and drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 December 2006 (USA)  »

Also Known As:

Soñadoras  »

Filming Locations:

 »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$378,950, 17 December 2006, Limited Release

Gross USA:

$103,365,956

Cumulative Worldwide Gross:

$154,937,680
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Runtime:

| (Director's Extended Edition)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Usher Raymond was the first choice for the role of C.C. White, but turned it down due to scheduling conflicts. Omarion Grandberry was also briefly considered. See more »

Goofs

Fluorescent floor tape for the actors' marks are visible in the tracking shot during the second verse of "And I Am Telling You I'm Not Going". See more »

Quotes

C.C. White: Isn't music supposed to express what people are feeling?
Curtis Taylor Jr.: Music is supposed to sell.
See more »

Crazy Credits

The motion picture is dedicated to Michael Bennett, the director, producer, and choreographer of the original Broadway production. See more »

Connections

References American Bandstand (1952) See more »

Soundtracks

Move
Written by Henry Krieger and Tom Eyen
Performed by Jennifer Hudson, Beyoncé, and Anika Noni Rose
Produced by The Underdogs (Harvey Mason Jr. and Damon Thomas)
Published by Dreamgirls Music (ASCAP) admin. by Universal-Geffen Music and Dreamettes Music (BMI) admin. by Universal-Geffen Music
See more »

Frequently Asked Questions

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User Reviews

 
What WERE they thinking?

Yes there are great performances here. Unfortunately, they happen in the context of a movie that doesn't seem to have a clue what it's doing. During the first 45-60 minutes of this all the music takes place as realistic performance. Suddenly, about an hour in, the characters who, until this point, had always spoken to each other, suddenly start singing to each other. To further confuse things, a little further in, out of nowhere, they actually do about 15 minutes of sung-through dialog, then seem to drop that idea and move on to other things, such as a number that begins in a jazz club with a drummer and two electric guitars suddenly turning into a fully orchestrated piece with a massive unseen string section. On top of all this inconsistency in how the music is used, is the composers' clear inability to actually write music in the style that is supposedly being portrayed. While the first couple of pieces do sort of mimic the 1950s Motown sound, the rest of the film is just (bad) Broadway show music. Then there's the pure silliness of snippets of a group doing a bad Jackson family imitation and Eddie Murphy morphing from Little Richard to James Brown to Lionel Richie. When he started channeling Stevie Wonder I couldn't help laughing out loud. This was clearly one of those films that make me appreciate how little time I have on earth and resent that I wasted two hours of it watching this film.


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