When her marriage fails Sylvia is forced to move with her children into a brothel on the Chaussée d'Amour. Out of financial necessity she decides to exploit the bar. Meanwhile a detective tries to solve an old murder case.
Anna breaks up with Bruno after he has cheated on her with their son Boris's schoolteacher. But her far too young lover can only temporarily offer distraction. Arno and her best friend ... See full summary »
Michel van Dousselaere,
In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the ... See full summary »
Antje de Boeck
Five close friends, all of them married, share a loft to meet their mistresses. One day they find the body of a young woman in the loft. Since there are only five keys to the loft, the five men begin to suspect each other of murder.
Erik Van Looy
Koen De Bouw,
Businessman Christian Vandenheuvel planned to spend the long weekend with his young mistress, Lisa. Instead, they're taken hostage by Jos Diels and Nick, two of the 46 laborers who lost their job recently when Christian had his family firm bankrupted. Each victim fails to escape, even the fire alarm doesn't get them freed. After Jos realizes the mistress is his only daughter, and Nick falls in love with Lisa, the masked men's mood evolves as they progress to truth time, when the police arrives.Written by
Verlengd weekend is about two workers of a closed down factory who hold their boss hostage in his mansion. The movie is shot on a very low budget, even for a Belgian one. But- as the producer said in the advance screening-it doesn't show. Jan Decleir is as great as ever, and so are the other actors. The writing is full of funny one liners, maybe one to many, but hey, it's a social comedy (dixit Koen De Bouw. Expect some laughs, even some the scriptwriter didn't intend. I enjoyed this movie, but it was very hard to overcome the very irritating cheap keyboard music by Fonny De Wulf. He gets the award for ruining a perfectly good movie, especially the beginning (very Flikken-esquire) and the end (melodrama anyone?). If only they had spend more on the music...
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