IMDb RATING
6.6/10
156K
YOUR RATING
The attempted assassination of the American President is told and re-told from several different perspectives.The attempted assassination of the American President is told and re-told from several different perspectives.The attempted assassination of the American President is told and re-told from several different perspectives.
- Awards
- 2 wins & 2 nominations total
Edgar Ramírez
- Javier
- (as Edgar Ramirez)
Zoe Saldaña
- Angie Jones
- (as Zoë Saldana)
Alicia Jaziz
- Anna
- (as Alicia Jaziz Zapien)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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US President Henry Ashton (William Hurt) is in Salamanca, Spain , accompanied by his security agents (Matthew Fox and Dennis Quaid as agent newly returned from previous wounds) , for a world summit where an international treaty dealing with the fight against global terrorism will be signed and which was highly promoted by the USA . Then an unknown sniper is able to shoot him and a bomb goes off in the square and it causes panic , destruction , mass confusion and hysteria . Meanwhile , TV Executive Rex Brooks (Sigourney Weaver whose role was originally written as a male but filmmaker changed it to a woman because he felt the movie lacked a strong female character) is shooting the surprising deeds . The attempted assassination of the American President is told and re-told from several different perspectives , as from a tourist (in the original screenplay, the tourist was a Russian , as when Forest Whitaker auditioned for a different role, filmmaker was so impressed that he rewrote as an American tourist) or a Spanish police (Eduardo Noriega) o terrorists (Edgar Ramirez ,Saïd Taghmaoui , Ayelet Zurer) and fourth is the president himself . At the end new vantage point is shown revealing additional details, which definitively completes the flick of what really took place during the incident and who was involved in the conspiracy.
Stirring as well as exciting film packs noisy action , thrills , suspense , explosions , violence , twits and turns . Thrilling film with a peculiar edition narrated under several sight points , as various minutes are retold, emphasizing different characters' actions and gradually, we discover who's behind the script . The studio originally wanted to shoot the entire film in Salamanca, Spain, but the local government refused to close the Plaza Mayor for nearly 3 months and only the scenes filmed from the air were shot in Spain , as production was moved to Cuernavaca and Puebla, Mexico . Nevertheless , Matthew Fox, Eduardo Noriega, Forest Whitaker and director Pete Travis attended the premiere, held in Salamanca, Spain, on February 12, 2008 and City Hall declared them "Distinguished Guests". The original script set the story in Madrid, but the producers wanted a more "exotic" location. The fact is revealed in some scenes, like the secret service guy who says they can't locate a single person among "5 or 6 million" (Madrid's population; Salamanca's is much smaller), or when the cop enters a Muslim neighborhood during the foot chase , as Madrid has one, but Salamanca doesn't . Very good production design by Brigitte Boch , when shooting was moved to Mexico, the production design team built a replica of Salamanca's Plaza Mayor, which is slightly smaller than the original . There happens an impressive explosion on the Plaza , it was filmed by fifteen different cameras under direction of excellent photographer Amir Mokri who makes a colorful and evocative cinematography . Moving and adequate Original Music by Atli Örvarsson .
The motion picture was compellingly directed by Pete Travis . He is a director and writer, known for Dredd (2012) , Omagh (2004) , End game (2008) , TV Henry VIII (2003) and Falcón (TV Series) 2012 , set in Sevilla , Spain . The precocious technical mastery displayed by Peter Travis in ¨Vantage Point¨ is magnificent and he delivers narrative fluidity , being helped by a splendid editor , Stuart Baird , both of whom carry out a complex story paced from multiple viewpoints . Rating : 7 . Interesting action film and it will appeal to thriller fans .
Stirring as well as exciting film packs noisy action , thrills , suspense , explosions , violence , twits and turns . Thrilling film with a peculiar edition narrated under several sight points , as various minutes are retold, emphasizing different characters' actions and gradually, we discover who's behind the script . The studio originally wanted to shoot the entire film in Salamanca, Spain, but the local government refused to close the Plaza Mayor for nearly 3 months and only the scenes filmed from the air were shot in Spain , as production was moved to Cuernavaca and Puebla, Mexico . Nevertheless , Matthew Fox, Eduardo Noriega, Forest Whitaker and director Pete Travis attended the premiere, held in Salamanca, Spain, on February 12, 2008 and City Hall declared them "Distinguished Guests". The original script set the story in Madrid, but the producers wanted a more "exotic" location. The fact is revealed in some scenes, like the secret service guy who says they can't locate a single person among "5 or 6 million" (Madrid's population; Salamanca's is much smaller), or when the cop enters a Muslim neighborhood during the foot chase , as Madrid has one, but Salamanca doesn't . Very good production design by Brigitte Boch , when shooting was moved to Mexico, the production design team built a replica of Salamanca's Plaza Mayor, which is slightly smaller than the original . There happens an impressive explosion on the Plaza , it was filmed by fifteen different cameras under direction of excellent photographer Amir Mokri who makes a colorful and evocative cinematography . Moving and adequate Original Music by Atli Örvarsson .
The motion picture was compellingly directed by Pete Travis . He is a director and writer, known for Dredd (2012) , Omagh (2004) , End game (2008) , TV Henry VIII (2003) and Falcón (TV Series) 2012 , set in Sevilla , Spain . The precocious technical mastery displayed by Peter Travis in ¨Vantage Point¨ is magnificent and he delivers narrative fluidity , being helped by a splendid editor , Stuart Baird , both of whom carry out a complex story paced from multiple viewpoints . Rating : 7 . Interesting action film and it will appeal to thriller fans .
What can I say? This film is a gimmick film that relates the same event through the eyes of eight different characters that each hold a piece of the puzzle. The film stops and rewinds back to 20 minutes before the event for each character. It gets a little annoying because each time it stops, the audience is left on a cliffhanger which carries the film's tension into the next character.
As for what the film promises, it promises a good puzzle, suspense and intense action. It delivers on all accounts. This plot has twists and turns and is completely logical. Half way through this movie, if you think you got it all figured out, you haven't got a clue.
The action is fairly balanced through out the film and keeps the film moving. The car chase in this film is one of the better ones I have seen in a long long time. It had some shots in it that I think were a small homage of the original The Italian Job (1969) car chase scene.
Even though I personally thought that some of the characters were paper thin, many of the actors gave strong performances that made the characters believable. Forest Whitaker was the best. I had a little problem with Dennis Quaid's character, Secret Service Agent Thomas Barnes, starting out as the thinnest of all the characters but he grows in the film. Of course, Edgar Ramirez, Saïd Taghmaoui, and Eduardo Noriega were right on and make the film (but not as much as Whitaker).
The premise of this film makes a refreshing change from the ordinary style of mainstream movies.
As for what the film promises, it promises a good puzzle, suspense and intense action. It delivers on all accounts. This plot has twists and turns and is completely logical. Half way through this movie, if you think you got it all figured out, you haven't got a clue.
The action is fairly balanced through out the film and keeps the film moving. The car chase in this film is one of the better ones I have seen in a long long time. It had some shots in it that I think were a small homage of the original The Italian Job (1969) car chase scene.
Even though I personally thought that some of the characters were paper thin, many of the actors gave strong performances that made the characters believable. Forest Whitaker was the best. I had a little problem with Dennis Quaid's character, Secret Service Agent Thomas Barnes, starting out as the thinnest of all the characters but he grows in the film. Of course, Edgar Ramirez, Saïd Taghmaoui, and Eduardo Noriega were right on and make the film (but not as much as Whitaker).
The premise of this film makes a refreshing change from the ordinary style of mainstream movies.
Some reviewers make it out to almost be a B-movie, but it isn't, not by a long shot.
The story revolves around the assassination of the US president who is attending a counter-terrorism summit in Spain. The film is told from multiple viewpoints and the events that transpire within a 23-minute time frame, thus a Groundhog Day-like experience.
Vantage Point is really just an action film . . . pure and simple. When seeing this film, don't expect a complex and deep storyline; it certainly isn't that. The proper approach is to just take it for what it is. I liked this film because it had no pretensions. It didn't want to pretend that it needs to be over-analyzed by the viewer. There are no lengthy sub-plots and behind-the-back conspiracy pieces, no need to explain who is fighting for what cause. And if you approach with this frame of mind, then I assure you, you won't get bored or disappointed.
It's a movie that doesn't need to be analyzed ad nauseam. It doesn't care about needing to tie up lose ends and explain all the circumstances surrounding the assassination. Approach it from *that* "vantage point" and you'll appreciate it more.
The story revolves around the assassination of the US president who is attending a counter-terrorism summit in Spain. The film is told from multiple viewpoints and the events that transpire within a 23-minute time frame, thus a Groundhog Day-like experience.
Vantage Point is really just an action film . . . pure and simple. When seeing this film, don't expect a complex and deep storyline; it certainly isn't that. The proper approach is to just take it for what it is. I liked this film because it had no pretensions. It didn't want to pretend that it needs to be over-analyzed by the viewer. There are no lengthy sub-plots and behind-the-back conspiracy pieces, no need to explain who is fighting for what cause. And if you approach with this frame of mind, then I assure you, you won't get bored or disappointed.
It's a movie that doesn't need to be analyzed ad nauseam. It doesn't care about needing to tie up lose ends and explain all the circumstances surrounding the assassination. Approach it from *that* "vantage point" and you'll appreciate it more.
One crime, multiple vantage points. Sounds cool right? Yes. But "Vantage Point" never really pulls it off quite how it sets itself up to. The result is a cool action flick with some clever storytelling that sort of fizzles in the end.
In "Vantage Point," the President of the United States (William Hurt) arrives in Salamanca, Spain to give a speech on global terrorism efforts and ties with Spain to improve them. He gets shot and then a bomb goes off killing many people. We get this story through the eyes of a variety of characters and by the end of the film know exactly what happened.
The cast is a solid mix of familiar and old faces. Dennis Quaid, Forest Whitaker, William Hurt, Matthew Fox (of LOST fame) and even Sigorney Weaver give this film the star power it requires. The terrorists are entirely new faces, which is no real surprise.
As the film first presents the vantage point concept, the first thirty or forty-five minutes develop a redundancy. You do get many new perspectives, but seeing the same events happen over and over again and the cheesy rewind sequences to establish a change in POV really gets a bit boring. Sometimes you're not really seeing something new, just the same old thing in a new way that doesn't really bring more insight into the plot. Sometime it does and it really helps the film, but mostly it's not the vantage points, but cutting the story off at pivotal moments and clues into the mystery so that when they're revealed in another perspective you can get excited. It's just good storytelling, nothing unique.
The film really loses its appeal, however, with the "final perspective." In fact, it's not really anyone's perspective. The writers sort of realized that adding five more perspectives to reveal the full mystery (which is what it would have taken) would really bother viewers and get absurdly repetitive, so they combined them all into a final twenty minute action sequence that is like any other normal action movie.
Was deviating from the concept in order to please viewers and keep the film short the best course of action? For this film, yes. Sticking to the concept would have made it bad considering the complexity of the plot. But even the ending can also be seen about 15 minutes prior to when it happens, so it's not really all that great. This film would have been better, however, if it could both stay true to the structural concept and please the viewer, which means first-time writer Barry Levy stretched his idea just a bit too far. ~Steven C
Visit my site at http://moviemusereviews.blogspot.com/
In "Vantage Point," the President of the United States (William Hurt) arrives in Salamanca, Spain to give a speech on global terrorism efforts and ties with Spain to improve them. He gets shot and then a bomb goes off killing many people. We get this story through the eyes of a variety of characters and by the end of the film know exactly what happened.
The cast is a solid mix of familiar and old faces. Dennis Quaid, Forest Whitaker, William Hurt, Matthew Fox (of LOST fame) and even Sigorney Weaver give this film the star power it requires. The terrorists are entirely new faces, which is no real surprise.
As the film first presents the vantage point concept, the first thirty or forty-five minutes develop a redundancy. You do get many new perspectives, but seeing the same events happen over and over again and the cheesy rewind sequences to establish a change in POV really gets a bit boring. Sometimes you're not really seeing something new, just the same old thing in a new way that doesn't really bring more insight into the plot. Sometime it does and it really helps the film, but mostly it's not the vantage points, but cutting the story off at pivotal moments and clues into the mystery so that when they're revealed in another perspective you can get excited. It's just good storytelling, nothing unique.
The film really loses its appeal, however, with the "final perspective." In fact, it's not really anyone's perspective. The writers sort of realized that adding five more perspectives to reveal the full mystery (which is what it would have taken) would really bother viewers and get absurdly repetitive, so they combined them all into a final twenty minute action sequence that is like any other normal action movie.
Was deviating from the concept in order to please viewers and keep the film short the best course of action? For this film, yes. Sticking to the concept would have made it bad considering the complexity of the plot. But even the ending can also be seen about 15 minutes prior to when it happens, so it's not really all that great. This film would have been better, however, if it could both stay true to the structural concept and please the viewer, which means first-time writer Barry Levy stretched his idea just a bit too far. ~Steven C
Visit my site at http://moviemusereviews.blogspot.com/
As the Bourne series raises the bar for action films, and audiences balk at two-plus hour runtimes, the filmmakers of Vantage Point seem like they are trying to bring a fresh, new, unconventional take on the action/thriller genre. Though it may annoy some people, I felt the new take turns Vantage Point into a taut terrorist thriller.
The new take or approach is jumping right into the moment (everything is already planned out, people and weapons in place, etc.) of the action and then telling it from eight different points of view. This is where some people may be mildly irritated because after you see one point of view everything is suddenly rewound and shown from the next person's point of view (this is done six times) before they all converge into a thrilling finale filled with one massive adrenaline-fuelled car/chase sequence.
Because of the complex twists and turns of the plot and characters I will be brief, very brief actually, on the plot. It starts with a TV network covering a large gathering of leaders from all over the world (including the President of the United States) who have come together to form an alliance against the war on terror. At the beginning of this meeting the US president is assassinated as he takes the stage, and it begins replaying the assassination through all the different points of view. The editing must be commended in this film as it blends all the points of views so sophisticatedly you cannot help being engrossed, and the star-studded cast includes Dennis Quaid, Mathew Fox, Forest Whitaker, William Hurt, and Sigourney Weaver simply adds to everything.
In the theater I was watching some people called out their annoyance of "again?!" on the fifth rewind, which I find amusing as the filmmakers are simply trying to come up with something new in these sequel-ridden times. And probably as those same people say Hollywood is "out of ideas" they get angry when it tries something "different" and would rather go spend their money on Spider-man 8.
I felt Vantage Point was an intelligent thriller, and yes it had its' share of implausible plot points, but these were minor as the new technique makes you feel like you have an all-seeing surveillance system. I kind of felt like I was putting a puzzle together, piece by piece, and as you see a new point of view it adds more to the story and just when you think you have it figured out it changes again.
The new take or approach is jumping right into the moment (everything is already planned out, people and weapons in place, etc.) of the action and then telling it from eight different points of view. This is where some people may be mildly irritated because after you see one point of view everything is suddenly rewound and shown from the next person's point of view (this is done six times) before they all converge into a thrilling finale filled with one massive adrenaline-fuelled car/chase sequence.
Because of the complex twists and turns of the plot and characters I will be brief, very brief actually, on the plot. It starts with a TV network covering a large gathering of leaders from all over the world (including the President of the United States) who have come together to form an alliance against the war on terror. At the beginning of this meeting the US president is assassinated as he takes the stage, and it begins replaying the assassination through all the different points of view. The editing must be commended in this film as it blends all the points of views so sophisticatedly you cannot help being engrossed, and the star-studded cast includes Dennis Quaid, Mathew Fox, Forest Whitaker, William Hurt, and Sigourney Weaver simply adds to everything.
In the theater I was watching some people called out their annoyance of "again?!" on the fifth rewind, which I find amusing as the filmmakers are simply trying to come up with something new in these sequel-ridden times. And probably as those same people say Hollywood is "out of ideas" they get angry when it tries something "different" and would rather go spend their money on Spider-man 8.
I felt Vantage Point was an intelligent thriller, and yes it had its' share of implausible plot points, but these were minor as the new technique makes you feel like you have an all-seeing surveillance system. I kind of felt like I was putting a puzzle together, piece by piece, and as you see a new point of view it adds more to the story and just when you think you have it figured out it changes again.
Did you know
- TriviaIn the original script, the tourist was a Russian named Lewicki. When Forest Whitaker auditioned for a different role, Pete Travis was so impressed that he rewrote the tourist as an American and offered the role to him.
- GoofsWhen the blue Astra crashes between two parked cars, and when it crashes into the truck, it's going fast enough that the front and side airbags should have deployed.
Details
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $72,266,306
- Opening weekend US & Canada
- $22,874,936
- Feb 24, 2008
- Gross worldwide
- $152,039,882
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
- 2.39 : 1
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