Intimidated by Mr. Tulkinghorn to provide a sample of Capt. Hawdon's handwriting, Sgt. George has decided to submit, this time. With the writing sample, Tulkinghorn is satisfied that Nemo and Hawdon ...
Richard is deep in debt and trough with the Army. Ada offers him her inheritance to cover his debts, but he decides to leave service and devote himself to the trial full-time. Doctor Allan Woodcourt ...
Tulkinghorn now has Lady Dedlock in his grasp but his hardheartedness is beginning to catch up with him. Miss Flite returns to her lodgings to find that Smallweed has changed the locks on her rooms. ...
The series tells the story of Amy Dorrit, who spends her days earning money for the family and looking after her proud father, who is a long term inmate of Marshalsea debtors' prison in ... See full summary »
In the 1840s, Cranford is ruled by the ladies. They adore good gossip; and romance and change is in the air, as the unwelcome grasp of the Industrial Revolution rapidly approaches their beloved rural market-town.
The daughter of a country doctor copes with an unwanted stepmother, an impetuous stepsister, burdensome secrets, the town gossips, and the tug on her own heartstrings for a man who thinks of her only as a friend.
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19 century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
Emma Woodhouse seems to be perfectly content, to have a loving father whom she cares for, friends and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors ... See full summary »
Jonny Lee Miller
Although a single season of fifteen (15) episodes was aired, some video streaming services list only eight (8) episodes. Aside from the first episode which was an hour in length, the following episodes are only a half-hour each. In most instances, two half-hour episodes are streamed as a single episode, accounting for the discrepancy between some streaming services, databases, and review sites and the number of episodes listed. S01E01 (aired as E01 with one hour length) S01E02 (aired as E02 and E03) S01E03 (aired as E04 and E05) S01E04 (aired as E06 and E07) S01E05 (aired as E08 and E09) S01E06 (aired as E10 and E11) S01E07 (aired as E12 and E13) S01E08 (aired as E14 and E15) This was created to perhaps clear up some confusion regarding the "missing episodes" of E09 through E15. See more »
[Talking of Esther after she recovers from Small Pox]
I blame my self.
You blame yourself for an act of kindness. No sir, the person to blame is the one who calls himself God. What deity is it that would inflict such an illness on an innocent girl?
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Having worked in the cinema for most of my life, I tend to regard television - virtually all television - as shallow and second rate. But here is a totally magnificent adaptation of one of Dickens' more challenging novels.
As in most Dickens, here money - a surfeit and a lack of it - structures the complex comings and goings of a labyrinthine plot. The characters are fabulous and some of them - Skimpole and Mr Guppy, for example - may very well become well-known archetypes due to the popularity and power of this adaptation, in the same way that Micawber and Fagin are. The darkness of the sets makes for some wonderfully expressive design work, and the music is brilliantly chosen.
In fact it might be perfect...it's just that Anna Maxwell Martin as the central Esther Summerson is just a bit too simpering... But when you think how flaccid Charles Dance usually is, his Tulkinghorn is a truly creepy creation.... Plenty more to come, but to date (after four episodes), this looks to me better Dickens than anything outside Christine Edzard's 'Little Dorritt' and Lean's 'Great Expectations' - and it could even better them...
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