Will the 30 y.o. Hlynur ever move out of his mother's apartment in Reykjavík? Social welfare keeps him passive but things change when his mother's Spanish friend, Lola, arrives and stays through Xmas and New Year's Eve.
Hilmir Snær Guðnason,
Hanna María Karlsdóttir
Is he the village idiot or a genius in disguise? 17 year old Noi drifts through life on a remote fjord in the north of Iceland. In winter, the fjord is cut off from the outside world, ... See full summary »
The dentist Oscar has been married for five years and lives with his wife and adopted children. On the surface everything seems to be fine but Oscar is not a happy man. His wants a baby of ... See full summary »
Ágústa Eva Erlendsdóttir
A 16-year old Icelandic boy's first kiss with another boy gives him "jitters"--feelings he can't deny. This is a well-written film that captures the confusion and excitement of being a ... See full summary »
Atli Oskar Fjalarsson,
Gísli Örn Garðarsson
Karitas is a single mother of four who desperately tries to make ends meet. Fighting a losing battle with her ex-husband for custody over her three daughters, she's oblivious to what's ... See full summary »
Gísli Örn Garðarsson,
Nína Dögg Filippusdóttir,
Ólafur Darri Ólafsson
Anyone who intends to review this movie will have to take into consideration the earlier film, Með Allt Á Hreinu, to which Í Takt Við Tímann is a sequel. 20 years after Með Allt á Hreinu ended, the story picks up again. Harpa and Stinni (whose parting at the end of the first movie was not entirely voluntary) are living separate lives but have never forgotten about each other. Stuðmenn, the band they were both members of, is now a miserable trio playing in bars in Spain, and Dúddi, their former roadie, has discovered new-ageism and become a "guru". None of them are entirely happy with their lot, and things start heating up between Harpa and Stinni when Stuðmenn re-form (without Harpa) and enter a band competition where they will be competing with the band Harpa's son is in. Like the first film, this one is full of good music and funny incidents. The humour is the same as in the earlier film - for example the costumes Stuðmenn always perform in, each more ridiculous than the last - and it's a nice way to spend a couple of hours. The movie is a bit self-conscious, and it feels staged in a way the first film was not. Með Allt Á Hreinu is a tough act to follow, and although this is a funny and well-made movie, I don't think it will ever reach the cult status of the previous effort.
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