A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. They return to Madrid, and after a hard day of work, Raimunda meets her daughter completely distraught at the bus stop waiting for her. When they arrive home, Paula tells her mother that she killed her unemployed father Paco, who was completely drunk and tried to rape her. While Raimunda hides his body, Sole calls her to tell that their beloved aunt Paula has died. The next morning, Sole travels alone to the funeral, and when she returns to Madrid, she finds her mother hidden in the trunk of her car...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The movie that Irene watches on TV is Bellissima (1951), starring Anna Magnani as a fame-hungry, working class mother who drags her unwilling daughter to the Cinecitta film studios in Rome for a movie audition. There is a parallel in the film, as Raimunda mentions that Agustina's fame-hungry sister once dragged her to Madrid for a singing audition. See more »
(at around 1h 30 mins) When Agustina is talking on the TV show about her mother's vanishing, she says that it happened "hace ya casi cuatro años" ("nearly four years ago"), yet her lips are clearly saying "hace ya casi tres años" ("nearly three years ago"). See more »
There's something you want me to do, isn't?
Cut my hair.
I mean if there's something you couldn't do alive and doesn't let you rest.
There are always things undone. Or bad done. And my life has been no exception. Look, I don't know if I can fix them, but if I can, it's up to me to do it.
[after a long silence]
Customers will arrive soon. What are we going to do?
We attend to them. I'll help you.
But I can't introduce you as my mother. They all know I'm an orphan.
Then I'll pretend to ...
[...] See more »
I'm not going to tell you what the film is about because what was about for me it may not be for you and one of the many pleasures of the film is to find yourself there. Just let me say that after the Sahara, Vanilla Sky and Captain Corelli's Mandolin's adventures in Hollywood, I had discarded Penelope Cruz as an actress, completely. Well, "Volver" made me swallow my judgment. She is, quite simply, spectacular. A sort of Sophia Loren when Sophia worked with Vittorio De Sica. She is a mass of contradictions and not for a moment she tries to play for sympathy.Her emotion is contagious and makes us comprehend the incomprehensible. Carmen Maura makes a chilling, beautiful and unique entrance into this sublime Almodovar film based on his most scrumptious screenplay. The women stick together for each other's sake, they may even cross unspeakable boundaries for sheer compassion. The film uplifted me in a way that no other film has done in a long, long time.
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