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A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long-lost uncle. The initial suspicion with which they greet the man slowly dissolves... See full summary »
A rib-tickling comedy about a group of spirits who, in their various idiosyncrasies, try and save their only haunt, their resting place, when some unscrupulous builders try and break it down to build a modern monstrosity.
The book, Binodini, is the story of a young woman, who is left to her own devices when her sickly husband dies soon after they are married. She returns to her village and lives there for a ... See full summary »
Aishwarya Rai Bachchan,
The plot revolves around a man who runs a school called "Hemlock Society" which teaches aspirants how to successfully commit suicide. He develops a bond with one of its students, Meghna (... See full summary »
A woman breaks with traditional Muslim culture by living with her boyfriend before getting married, but when the relationship ends, she must face the harsh consequences of being an outcast in her community.
Mostofa Sarwar Farooki
Nusrat Imroz Tisha,
Rashed Uddin Ahmed Topu
The plot revolves around three lives - a superstar, a young director and a theatre actress - and how their coming together during the process of making a film, changes them forever. The ... See full summary »
Tarak is a professional foley artist whose obsession with creating sound effects for films makes him oblivious to all the talking around him. As his family and friends struggle to cope up ... See full summary »
Rahul Chatterjee is a second-generation East Indian who lives in Birmingham, England, along with his wife, Nandita, and works as a Designer. Rahul's late father used to work in England, ... See full summary »
Set in World War II, the reverend Krishnendu runs a military hospital in Bankura. A drunken Anglo-Indian woman soldier is brought to him for treatment and he recognized her as his former love Rina Brown.
This movie like any other Buddhadeb Dasgupta movies is wondering without a plot or story line. Even an aimless movie can be good movie if the execution is perfect. But in this 'art movie' of Buddhadeb, he fails in that department too. Ad nauseating overdose of 'symbolism' (he never abandoned his ambition to create at least one scene like the legendary filmmaker Ray), anachronistic events of rural Bengal, clichés galore and obsession with the nihilism make this movie a mess. If you really like to see good Bengali movies, go for old classics of Ray or Ghatak or for that matter go for the new movies by a few contemporary directors who make good movies without being 'artificial arty'. Buddhadeb, it seems, never learns from the past.
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