In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Following the events of The Matrix (1999), Neo and the rebel leaders estimate they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. Neo must decide how he can save Trinity from a dark fate in his dreams.
In 2003, in the Longview State Correctional Facility, the criminal Marcus Wright is on death row, and is convinced by the cancerous Dr. Serena Kogan to donate his body to her research and he accepts. In 2018, after an unsuccessful attack to a Skynet facility, only John Connor survives, but he discovers that Skynet is developing the powerful new model T-800. Out of the blue, Marcus appears naked and with amnesia in the location. Marcus befriends the teenager Kyle Reese and the girl Star who help him to survive the lethal machines and they travel together in a Jeep. Meanwhile the resistance discovers a signal that might turn-off the machines and John offers to test it. When Kyle is captured by a machine and brought to the Skynet headquarters, Marcus decides to help the youngster and heads to Skynet; on the way, he saves Blair Williams who suggests to him that he should meet John Connor first. But Marcus steps on a mine and is submitted to surgery, when a secret about his origins is ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
(at around 5 mins) In the opening execution scene, there are six loaded syringes in a row, all extended. Syringe five descends first, and in this shot syringe three is returning to its fully extended position, when previously it was already extended. Then syringe three descends again. See more »
Released on Blu-Ray as an R-rated director's cut with about three minutes of extra footage:
When John Connor and company infiltrate the underground base, a sentry robot pops up and is quickly dispatched. This scene was present in the teaser trailer.
Extra dialogue between Connor and Ashdown on the submarine. Ashdown points a gun at Connor's head and says he doesn't believe in prophecy.
Blair bathes in the rain for a moment then sees Marcus looking at her. She covers herself and Marcus turns away.
The scene with the two marauders is more violent. Marcus is actually showing stabbing one of them in the shoulder with a screwdriver, the fistfight with the second guy is longer, and a bloody impact is seen when Blair shoots one of the marauders in the leg.
Longer dialogue from Blair during the campfire scene with Marcus.
The sequence of the man being shot trying to scale the fence at the Skynet processing center is slightly longer.
John Connor's speech to the remaining resistance forces is extended.
The fight between the T-800 and Marcus is a few seconds longer.
Marcus trying to revive John Connor is slightly longer.
I had doubts about this film when it was released but despite all the negative feedback that it has received, I really liked it.
John Connor, for once, is portrayed as a strong albeit reluctant hero and leader instead of a whiny kid afraid of his future and Christian Bale portrays him very well, capturing the desperation and tortured emotions of a man who has to fulfil a destiny that he is starting to doubt. However, the main focus of this film is given to Marcus Wright, a mystery man portrayed by Sam Worthington who awakens in a post apocalyptic future and tries to figure out how he ended up there. The emotions that the character goes through as he discovers startling revelations about himself are all shown convincingly by Worthington, who brings a tough but also remorseful and vulnerable appeal to Marcus's plight.
The third important character in the movie is Kyle Reese, the paradoxical father of John Connor who at this point is only a teenager and portrayed by Anton Yelchin, who played Chekov in the recent Star Trek movie. Reese is shown to be a hero worshipper of the resistance, especially Connor and is compelled to join him, showing traits that would be associated with the character when played by Michael Biehn back in 1984.
The story of the film mostly revolves around Connor trying to find Reese but also about Marcus figuring out how he arrived in the wartorn future, and the story works pretty well. The camera style is mostly hand held, which adds a more natural and first hand look to the film and makes it feel more like the audience is in a warzone. Instead of the shiny Terminators from James Cameron's movies, the machines in Salvation are dark, sinister and have a more industrial look to them and there aren't any laser rifles, the only energy weapons in existence are employed by the huge Skynet machines so generally, bullets and missiles are still the favoured artillery of the resistance.
Salvation does have its flaws, but for the first Terminator movie to be set entirely in the future, it does a good job of continuing the franchise and making it distinct from the Schwarzenegger-dominated past. While 'Ar-Nulhd' made this franchise a household name, it is refreshing to see new blood taking it in a different direction and the one thing I didn't like about the earlier films was how there was always an epic fight at the beginning of the film before they turned into a long and drawn out chase before another fight at the end. Salvation isn't a chase movie, it's a war movie and it's not ashamed to be different from its predecessors.
It could have been better but it is still a good movie, ideal for sci-fi and action fans and on a personal note, it's also fun to guess which scene Christian Bale was doing when he exploded in the now infamous rant against the lighting technician.
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