7.3/10
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The lifelong romance between Lolita (Balan) and Shekar (Khan) is upset by the arrival of another man.

Director:

Pradeep Sarkar

Writers:

Saratchandra Chatterjee (novel) (as Saratchandra Chattopadhyay), Vidhu Vinod Chopra (screenplay and dialogue) | 2 more credits »
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Top Rated Indian Movies #227 | 13 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Saif Ali Khan ... Shekhar Roy
Vidya Balan ... Lalita
Sanjay Dutt ... Girish Sharma
Dia Mirza ... Gayetri Tatya (as Diya Mirza)
Raima Sen ... Koel
Sabyasachi Chakraborty ... Navinchandra Roy
Ninad Kamat Ninad Kamat ... Ajit
Achyut Potdar Achyut Potdar ... Gurcharan (as Achyut Poddar)
Rekha ... Moulin Rouge singer (singing voice)
Surinder Kaur ... Rajeshwari
Kumkum Bhattacharya Kumkum Bhattacharya ... Vasundhara
Supriya Shukla ... Sunita
Smita Malhotra Smita Malhotra ... Charu
Rajesh Sharma ... Ratan
Howard Rosemeyer ... Siddhart Tantiya
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Storyline

Circa 1962 in Calcutta, India, live three neighboring families in a upper middle-class area. Gurcharan lives in a palatial home (Haveli) with his wife, and two beautiful daughters, Lolita and Koyal. He is retired,unable to find suitable work and must live off of his savings, ends up mortgaging his house with his neighbor, Navinchandra Roy, and hopes to get his daughters married within his means; there is Charu Sharma, who lives with her brother and sister-in-law, who has a wealthy brother, Girish, who lives in Britain. And finally there are the Roys - Navinchandra, a hard-nosed businessman, who will never undertake anything unless there is a high level of profit for him, his son, Shekhar, who he hopes to groom after himself, and his quiet, devout wife. Navin realizes Gurcharan's plight and offers Lolita a job at his office in order to enable the family to survive. Shekhar and Lolita are attracted to each other, but Navin does not approve of this, as he wants Shekhar to get married to ... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Genres:

Drama | Musical | Romance

Certificate:

See all certifications »
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Details

Official Sites:

Official site

Country:

India

Language:

Hindi

Release Date:

10 June 2005 (India) See more »

Also Known As:

A Married Woman See more »

Filming Locations:

Calcutta, West Bengal, India See more »

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Box Office

Opening Weekend:

INR 74,232,000 (India), 17 June 2005

Opening Weekend USA:

$201,956, 12 June 2005, Limited Release

Gross USA:

$802,758, 24 July 2005
See more on IMDbPro »

Company Credits

Production Co:

Vinod Chopra Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

At a special preview of the film Amitabh Bachchan asked to provide narration for the film, saying it reminded him of his time as a struggling actor in Calcutta. See more »

Goofs

The first Elvis record disk they show in the film towards the beginning shows Elvis in his White diamond-studded suit and bloated look. This was how Elvis looked in the 1970s. The film is set in 1962. See more »

Quotes

Shekhar Rai: Quite a weak business man you are, Dad. Entered into such a loss inducing bargain.
Nabin Roy: [shocked] What?! How much did the bargain settle for?
Shekhar Rai: For free! And still you paid such a heavy price. Becasue you gained the land, yes. But you lost your son in the process.
Nabin Roy: Have you lost your mind! In a few minutes Mr. Lala will be here and-
Shekhar Rai: First will you aks Mr. Lala whether he is willing to give his daughter to a married man?!
Nabin Roy: [Mother and father are both shocked] What!
Shekhar Rai: That's right! I'm already married!
Nabin Roy: To ...
[...]
See more »

Connections

Version of Parineeta (1953) See more »

Soundtracks

Kaisi Paheli Zindagi
Written by Swanand Kirkire
Composed by Shantanu Moitra
Performed by Sunidhi Chauhan
Courtesy of Tips Cassettes & Records Co.
See more »

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User Reviews

 
Beautiful portrayal of the city Calcutta(Kolkata) and its culture
30 March 2006 | by nedtheoneSee all my reviews

For a nation starved of creatively fulfilling cinema, Vidhu Vinod Chopra's Parineeta is like a dream come true. If you overlook the overindulgence in melodrama in the last few reels of the film, Parineeta may well classify as a classic entertainer with brilliant performances, outstanding music and superb production values. Based on Saratchandra Chatterjee's novel, Parineeta is the story of two childhood friends - Lolita (newcomer Vidya Balan) and Shekhar (Saif Ali Khan), both hailing from different strata of society. They share an unspoken bond of love. Enter Girish (Sanjay Dutt) from London. Shekhar is driven to jealousy by the growing affections between Girish and Lolita. A series of circumstances manipulated by Shekhar's father Naveen Rai force the two lovers apart amidst a series of misunderstandings and betrayals. Parineeta is the story of a woman's endless wait for her love and director Pradeep Sarkar weaves the story like magic, especially in the first half. The relationship between Lolita and Shekhar is beautifully established right from the beginning. Sarkar excels in the detailing - the vintage look of the film stands out with authentic costumes, props and even the roads of Kolkata. Which makes the deliberate plugs of brands like Saridon and Cadbury stand out sorely. Some of the sequences haunt you much after the film is over: Shekhar's complex state of mind during his marriage with Gayatri (Dia Mirza) and his confrontation scenes with Lolita. Girish's first encounter with Lolita and Saif's anguish as he helplessly watches his love slip by are excellent. The scene in the recording studio is worth a mention. Full marks to Vinod Chopra and Sarkar for a deft screenplay. Sarkar's picturisations of Piyu Bole and Soona Mann Ka Aangan are mesmerising. The background score is heavily inspired by 1942: A Love Story. Perhaps the only problem with the film lies in its script and maybe contemporarising it would have helped. In the second half, the script stumbles. And then comes the worst part - the climax. The wall breaking scene between shouts from family and friends screaming, "Todh, Shekhar todh!" is so amateur that it dilutes the whole film's impact. All the performances are top class - Vidya Balan makes a sensational debut. Whether it's her coy demeanour with Saif or her confusion with Sanjay, Vidya is an absolute delight. Sanjay Dutt is in super form. Sabyasachi Chakraborty as Saif's father is brilliant. Among the others, Raima Sen and Ninad Kamat (as Shekhar's friend) add enormously to the film despite their miniscule parts. But Parineeta really belongs to Saif Ali Khan. It's his best performance to date. Khan showcases a plethora of emotions, all in right doses - jealousy, compassion, callousness, insecurity, resentment and joy. It's hard to imagine any other actor playing the role. With this film, Saif rightfully acquires his position in the top rung of the industry. If Parineeta falls short of being a masterpiece, it's only due to the few howlers in the latter half. But even the chinks in the armour can't rob the film of its sheen. For Hindi cinema, it's a big step forward.


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