6.8/10
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3 user 2 critic

Fuyu no hi (2003)

A compilation of short animated clips on winter days in Japan

Writer:

Bashô Matsuo
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Cast

Credited cast:
Ryuta Kashiwagi Ryuta Kashiwagi ... Kakei (voice)
Kyôko Kishida ... Yasui (voice)
Noboru Mitani Noboru Mitani ... Bashô (voice)
Mutsumi Sasaki Mutsumi Sasaki ... (voice)
Joe Watanabe Joe Watanabe ... (voice)
Kazutoyo Yoshimi Kazutoyo Yoshimi ... (voice)
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Storyline

A compilation of short animated clips on winter days in Japan

Plot Summary | Add Synopsis

Genres:

Animation | Short

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Details

Country:

Japan

Language:

Japanese

Release Date:

17 October 2007 (France) See more »

Also Known As:

Dias de Inverno See more »

Company Credits

Production Co:

Imagica Corp. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color
See full technical specs »
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Did You Know?

Connections

Featured in Magia Russica (2004) See more »

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User Reviews

 
"Suddenly remembering that master of mad verse"
13 February 2011 | by ackstasisSee all my reviews

'Winter Days (2003)' first came to my attention through the involvement of Russian masters Yuriy Norshteyn and Aleksandr Petrov. Otherwise, I've never really explored Asian animation, and this seemed as good a place as any: 36 animators, most from Japan, but others from all over the world, each capturing a moment from the haiku poetry of Matsuo Bashō (1644 – 1694). Each animator was assigned a stanza, and asked to contribute a work of between 30 and 60 seconds; Norshteyn, being perhaps the greatest animator of all time, is allowed two minutes. The array of short films represents a wealth of startlingly different animation styles, each produced independently of the other. Most don't tell a story – that is, apart from the wider arc of the Bashō poem itself – but instead capture a mood, a moment.

Norshteyn's contribution, which opens the feature, stands head-and- shoulders above the rest. His trademark cut-out animation is breathtaking, conjuring up a blistering windstorm that you can almost feel battering against your face. Petrov draws on his richly-textured paint-on-glass animation to create a distinctive atmosphere, as a giant raven ominously stalks outside the window of an old house. The film also introduced me to some unfamiliar talents: I enjoyed the stark black-and- white angles of Belgian animator Raoul Servais, the eerie surrealism of Tatsuo Shimamura, the surprisingly-expressive puppetry of Břetislav Pojar, and the dreary, rich textures of Keita Kurosaka. Several I didn't like – the bizarre and undignified crassness of Yoji Kuri and Mark Baker, for example – but you can't win them all, and the successes nevertheless make 'Winter Days' very much worthwhile.


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