A deactivated cyborg's revived, but can't remember anything of her past and goes on a quest to find out who she is.A deactivated cyborg's revived, but can't remember anything of her past and goes on a quest to find out who she is.A deactivated cyborg's revived, but can't remember anything of her past and goes on a quest to find out who she is.
- Director
- Writers
- Stars
- Awards
- 10 wins & 25 nominations total
Racer Rodriguez
- Claymore
- (as Racer Maximiliano Rodriguez-Avellán)
- Director
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- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm a 47 year old man who went to film school. I loved this movie. There's no point in trying to dissect what Alita: Battle Angel got right or wrong in terms of script or pacing or character development or whatever else film snobs like to blather on about. This is just a fun, action-packed first installment of what I hope will at least be a trilogy, if not more. And they couldn't have cast Alita more perfectly, even if her on-screen form is completely digital. Great movie. Tons of fun. Don't overthink it.
Yes, every film these days isn't just a film. It's the beginning of a larger body of work, a shared universe, or trying to set up an ongoing franchise. And, besides the Marvel Shared Universe and a few pre-existing properties like 'Star Wars,' most fledgling film franchises struggles beyond the first offering. That's simply because they make setting up a wider universe more of a priority than actually simply telling a good story (that 'Dark Universe' saga that tried to get off the ground with Tom Cruise at the helm, anyone?).
Now, I'm not going to say that the producers of 'Alita: Battle Angel' wouldn't love the franchise to still be going in ten years time (complete with all sorts of spin-off tales of secondary characters and probably a TV series to boot), but at least it stands on its own as a great story and - if it doesn't get a sequel - can be looked at as a whole, rather than something that started and was never concluded.
It's set well into the future where the world has been ravaged by one giant war (aka 'The Fall') and half the (unlucky) population live in a junkyard of a city on Earth, while those better off live in a floating city above it, known as 'Zolum.' The status quo remains until a Dr Dyson Ido (Christoph Waltz) who specialises in creating cyborgs out of spare parts finds the remains of a young cyborg girl ('Alita,' in case you haven't guessed!) on the scrap heap and takes it upon himself to rebuild her. Of course the plot needs her to have forgotten who true identity and - naturally - this all links in with what will become her destiny to bring a little more equality between the two last cities on Earth and the mysterious ruler who 'watches all.'
So, it's kind of one of those 'prophecy/saviour' type films which certainly aren't that original, but, if done right, are very entertaining - and Alita is very entertaining. First of all Rosa Salazar is a very likable lead and, despite not having too many major roles to her credit, does brilliantly at holding the weight of the story on her shoulders. She's also got on hand Christoph Waltz, who always turns in a great performance in whatever he's in. This is no different and their relationship is the character-highpoint of the film.
Alita's love interest is 'Hugo' (Keean Johnson) and, although I couldn't really find fault with anything about his performance, I got the impression that his part could have been played by anyone. Jennifer Connelly is on the cast-list, but I felt she was a little underused and could have been in it a lot more. And, despite being a big fan, I only found out that Jackie Earle Haley was in the film after seeing his name on the credits and having to look up who he played online afterwards
It's all stylishly directed by Robert Rodriguez, despite having James Cameron as co-producer and writer, the directoral honours seemed to have gone to Rodriguez. His natural style of fast-paced shots work better for the action and amount of CGI used. I know Cameron did - practically - an entire film ('Avatar') in CGI, but in Alita (and this could just be because a more modern film can blend live action and computer effects together) better, the effects look for more polished and real when compared to 'Avatar.' The soundtrack is also pretty generic and you certainly won't be humming the theme tune for months to come after leaving the cinema.
But, that's just a minor gripe. Basically, if you're in the mood for some great action and don't mind the lengthy two-hour run-time, you should definitely check this one out. After only a couple of scenes you'll stop wondering why Alita's eyes are so (CGI) big and concentrate on her growth as a character (and, is it just me, or is she using 'Sting' i.e. the sword from 'Lord of the Rings' to save the world?).
I see that it's only got a big of a lukewarm reception from some critics, but, if you see what the fans are saying about it, I think you'll know who to believe. Bring on the next installment.
Now, I'm not going to say that the producers of 'Alita: Battle Angel' wouldn't love the franchise to still be going in ten years time (complete with all sorts of spin-off tales of secondary characters and probably a TV series to boot), but at least it stands on its own as a great story and - if it doesn't get a sequel - can be looked at as a whole, rather than something that started and was never concluded.
It's set well into the future where the world has been ravaged by one giant war (aka 'The Fall') and half the (unlucky) population live in a junkyard of a city on Earth, while those better off live in a floating city above it, known as 'Zolum.' The status quo remains until a Dr Dyson Ido (Christoph Waltz) who specialises in creating cyborgs out of spare parts finds the remains of a young cyborg girl ('Alita,' in case you haven't guessed!) on the scrap heap and takes it upon himself to rebuild her. Of course the plot needs her to have forgotten who true identity and - naturally - this all links in with what will become her destiny to bring a little more equality between the two last cities on Earth and the mysterious ruler who 'watches all.'
So, it's kind of one of those 'prophecy/saviour' type films which certainly aren't that original, but, if done right, are very entertaining - and Alita is very entertaining. First of all Rosa Salazar is a very likable lead and, despite not having too many major roles to her credit, does brilliantly at holding the weight of the story on her shoulders. She's also got on hand Christoph Waltz, who always turns in a great performance in whatever he's in. This is no different and their relationship is the character-highpoint of the film.
Alita's love interest is 'Hugo' (Keean Johnson) and, although I couldn't really find fault with anything about his performance, I got the impression that his part could have been played by anyone. Jennifer Connelly is on the cast-list, but I felt she was a little underused and could have been in it a lot more. And, despite being a big fan, I only found out that Jackie Earle Haley was in the film after seeing his name on the credits and having to look up who he played online afterwards
It's all stylishly directed by Robert Rodriguez, despite having James Cameron as co-producer and writer, the directoral honours seemed to have gone to Rodriguez. His natural style of fast-paced shots work better for the action and amount of CGI used. I know Cameron did - practically - an entire film ('Avatar') in CGI, but in Alita (and this could just be because a more modern film can blend live action and computer effects together) better, the effects look for more polished and real when compared to 'Avatar.' The soundtrack is also pretty generic and you certainly won't be humming the theme tune for months to come after leaving the cinema.
But, that's just a minor gripe. Basically, if you're in the mood for some great action and don't mind the lengthy two-hour run-time, you should definitely check this one out. After only a couple of scenes you'll stop wondering why Alita's eyes are so (CGI) big and concentrate on her growth as a character (and, is it just me, or is she using 'Sting' i.e. the sword from 'Lord of the Rings' to save the world?).
I see that it's only got a big of a lukewarm reception from some critics, but, if you see what the fans are saying about it, I think you'll know who to believe. Bring on the next installment.
As a longtime fan of Gunnm(Battle Angel Alita), I am satisfied. I appreciate the production team took their time to do the research of the original serials. The adaptation is great, they filtered out few "acquire taste" and swapped in elements that would make much more appeal to general public. The film really kept true to the original manga and reassembled almost everything from the manga the scenes, mechanical bodies, characters and the world they lived in. They did a great job on capturing Alita's slightly naïve stubbornness, the "all in or all out" euthanasic, and the pursuit of who she is.
Storywise, the film ingeniously weaved the first 11 books of manga together, brought up few events that was happening in the 2nd chapter of Alita's adventure to the 1st movie. Which is nice since I bet they're already thinking of the next Alita movie. But as few of Cameron's work, the dark side and the ugliness of irontown wasn't rendered enough. The lack of depth on the ugliness made the whole plot a bit light, the emotional conflict wasn't intense enough and the romance plotline which is very important in the 1st chapter a little bit lack of depth.
The overall CG is stunning. Other than the wanted flyer and the parasite's face the rest of CG is absolute marvelous.
All in all, definite a great Gunnm movie, will definite watch it again and again till the sequel is out!!!
The story is good, the pace is fast, the visuals are very good. And Alita's eyes are really big! I actually enjoyed this way more than I thought I would. I thought the ending was too abrupt - I wish the film was longer.
I'll be honest, when I went into to cinema to watch this movie I was expecting to not like it. I had seen a little bit of the trailer and it did not really "speak" to me and Alita's eyes were off putting. When the movie had begun I was actually searching for things to dislike but surprisingly there were none apart from a few cringeworthy moments. I quickly got used to Alita's eyes and they became in fact likeable. The story began to draw me in and I got completely absorbed into the story and the visuals.
The world is extraordinary and beautiful and the action scenes in this movie are fantastic, quite honestly some of the best I have seen. The story is a bit fast paced but not to a degree that it feels rushed. Alita as a character is great, she is kind-hearted, innocent, naive and protective. Throughout the movie Alita grows as a person and learns about sacrifice, loss, love and the horrors of the human mind. Alita is very likeable because she is such a good person in such a horrible world and you can't help feeling very sympathetic for an innocent being like her as she is exposed to the cruel world of Iron City.
I watched this movie without knowing the source material and I loved it. I was drawn in very early on and had to watch it a second time. I can definitely recommend this movie to anyone.
The world is extraordinary and beautiful and the action scenes in this movie are fantastic, quite honestly some of the best I have seen. The story is a bit fast paced but not to a degree that it feels rushed. Alita as a character is great, she is kind-hearted, innocent, naive and protective. Throughout the movie Alita grows as a person and learns about sacrifice, loss, love and the horrors of the human mind. Alita is very likeable because she is such a good person in such a horrible world and you can't help feeling very sympathetic for an innocent being like her as she is exposed to the cruel world of Iron City.
I watched this movie without knowing the source material and I loved it. I was drawn in very early on and had to watch it a second time. I can definitely recommend this movie to anyone.
How Rosa Salazar Brought 'Alita: Battle Angel' to Life
How Rosa Salazar Brought 'Alita: Battle Angel' to Life
Alita: Battle Angel star Rosa Salazar and the creative minds at Weta Digital reveal how they brought the cybernetic character to the big screen.
Storyline
Did you know
- TriviaThis marks the first professional collaboration between James Cameron and Robert Rodriguez. Due to his prior commitments to direct the four sequels to Avatar (2009), Cameron could only serve as the producer and co-screenwriter on this film, with Rodriguez taking the directorial duties. In an interview with Empire magazine on December 8, 2017, Rodriguez said of the collaboration with Cameron, "This just doesn't happen. Guys like Quentin Tarantino and Jim only write scripts for themselves to direct. When Avatar becomes the biggest movie of all time, he told me that he's going to spend the rest of his career making Avatars, so I said, 'What happens to Battle Angel then?', because as a fan I was just interested! And he said, 'I don't think I'll ever get to do that. Hey, if you can figure out the script, you can shoot it!' So I took it home, spent all summer working on it, cut it down to 130, 125 pages, without cutting anything that he missed. It was a great gift. We had a blast; anytime I had a question I could just call him or email him and he would send back these hugely detailed answers that were so helpful. He just loves being the producer that he always wants. The guy's just so freakin' smart. Getting to learn from someone like that was the greatest internship ever."
- GoofsJust before the motorball tryout, Alita fails to recognize the Hunter-Warriors on the phony practice team despite meeting and fighting them during the bar scene. Only a couple of them were Hunter-warriors. The rest were bounties. They also weren't a phony practice team. They were low-level players in a qualifying match for the championship, that group specifically hired by Vector to kill Alita. Not to mention, Alita may have recognized them. But there's no reason she'd assume they were there to kill her.
- Crazy creditsThe 20th Century Fox logo briefly changes to Iron City style, reading "26th Century".
- ConnectionsFeatured in Dua Lipa: Swan Song (2019)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Battle Angel: La última guerrera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $170,000,000 (estimated)
- Gross US & Canada
- $85,838,210
- Opening weekend US & Canada
- $28,525,613
- Feb 17, 2019
- Gross worldwide
- $404,980,543
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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