- 1 win & 3 nominations.
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Photos and Videos
Cast
Rest of cast listed alphabetically: | |||
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Larry Berry | ... |
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Tommy the Clown | ... |
Self
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Dragon | ... |
Self
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Jassy Marie | ... |
Lil Mama Dancer
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La Niña | ... |
Self
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Miss Prissy | ... |
Self
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Kevin Scott Richardson | ... |
Music producer
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Christopher Toler | ... |
Lil C
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Ceasare Willis | ... |
Tight Eyez
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Directed by
David LaChapelle |
Produced by
Drew Carolan | ... | line producer |
Marc Hawker | ... | producer |
Coleen Haynes | ... | line producer |
Ellen Jacobson | ... | executive producer / producer |
Scott F. Kaplan | ... | line producer |
David LaChapelle | ... | producer |
Stavros Merjos | ... | executive producer |
Oualid Mouaness | ... | line producer (as Walid J. Mouaness) |
Barry Peele | ... | executive producer |
Rebecca Skinner | ... | executive producer |
Anthony Talauega | ... | co-producer |
Richmond Talauega | ... | co-producer (as Richmond Taleuega) |
Karim Torki | ... | associate producer |
Ishbel Whitaker | ... | executive producer |
Music by
Amy Marie Beauchamp | ||
Jose Cancela |
Cinematography by
Morgan Susser |
Editing by
Fernando Villena |
Editorial Department
Sharice Babakhani | ... | assistant editor |
Denise Brown | ... | telecine producer |
Bob Fernley | ... | digital intermediate producer |
Kim Graville | ... | telecine producer |
Dave Hussey | ... | lead colorist |
Brian Jones | ... | assistant editor |
Jack Lewars | ... | assistant color timer: Efilm |
P.J. Marsiglia | ... | colorist |
Jamie Okubo | ... | assistant editor |
Sin-Halina Sy | ... | assistant editor |
Production Design by
Jeff Higinbotham |
Makeup Department
Gregory Arlt | ... | makeup artist |
Production Management
Darcy Jennings | ... | production manager |
Sound Department
Christopher S. Aud | ... | sound editor |
Ryan David | ... | mix stage recordist |
Mat Dennis | ... | sound recordist |
Tyler Duuring | ... | sound mixer (as Tyler Tosh) |
Michael J. Fox | ... | adr mixer |
Terry Garcia | ... | assistant sound editor |
David Giammarco | ... | re-recording mixer |
Tim Hays | ... | sound mixer |
J. Paul Huntsman | ... | sound supervisor |
Mark L. Mangino | ... | dialogue editor |
Mark Patino | ... | field sound mixer |
Gregory H. Watkins | ... | re-recording mixer |
Robert Cannon | ... | boom operator (uncredited) |
Visual Effects by
Michael Carter | ... | visual effects artist |
Gregory Creaser | ... | digital intermediate colorist |
Stephen Jennings | ... | digital effects artist |
Ruth LeFaive | ... | visual effects producer |
Gerald Ragland | ... | on-line assistant editor |
Steven J. Scott | ... | digital intermediate colorist: EFilm |
Camera and Electrical Department
Donovan Davis | ... | key grip |
Sean Hellfritsch | ... | camera operator |
Leda Maliga | ... | additional cinematographer |
Barry Norwood | ... | additional photographer |
Haydn Pazanti | ... | film loader |
Sasha Rendulic | ... | camera operator |
James Roddy | ... | camera operator |
Joseph M. Setele | ... | camera operator |
Michael Totten | ... | camera operator |
Music Department
Tim Hays | ... | music playback operator |
Will Kaplan | ... | music editor |
Jonathan McHugh | ... | music supervisor |
Jonathan Scott Miller | ... | soundtrack producer |
Fredrik Sarhagen | ... | score mixer |
Kip Smedley | ... | music engineer |
Anthony Talauega | ... | music producer |
Richmond Talauega | ... | music producer |
Walt 'Liquor' Taylor | ... | music coordinator |
Suren Wijeyaratne | ... | music mixer |
Additional Crew
Monique Barrett | ... | production assistant |
Salar Bil | ... | assistant |
Luca Pizzaroni | ... | production staff |
Irwin M. Rappaport | ... | production attorney |
Natalie Reubens | ... | production coordinator |
Sally Steele | ... | publicist |
Richmond Talauega | ... | choreographer |
Brandon Trones | ... | production assistant |
Thanks
Christina Aguilera | ... | thanks |
John Byrne | ... | special thanks |
Eminem | ... | thanks (as Marshall Mathers) |
Lauryn Hill | ... | thanks |
Elton John | ... | thanks |
Luca Pizzaroni | ... | thanks to |
H. Scott Salinas | ... | special thanks |
Suren Wijeyaratne | ... | thanks |
Production Companies
Distributors
- Lionsgate (2005) (United States) (theatrical)
- Rapid Eye Movies (2005) (Germany) (theatrical)
- Bo Casper (2007) (Italy)
- Eagle Films (2005) (Non-US) (middle east)
- Filmfreak Distributie (2005) (Netherlands)
- La Fabrique de Films (2005) (France)
- Lionsgate (2006) (United Kingdom)
- Officine UBU (2006) (Italy)
- Prorom Media-Trade (2005) (Romania)
- Redbus Film Distribution (2005) (United Kingdom)
- Solopan (2005) (Poland)
Special Effects
Other Companies
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary |
Reveals a groundbreaking dance phenomenon that's exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film bring to first light a revolutionary form of artistic expression borne from oppression. The aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals and features mind-blowing, athletic movement sped up to impossible speeds. We meet Tommy Johnson (Tommy the Clown), who first created the style as a response to the 1992 Rodney King riots and named it Clowning, as well as the kids who developed the movement into what they now call Krumping. The kids use dance as an alternative to gangs and hustling: they form their own troupe and paint their faces like warriors, meeting to outperform rival gangs of dancers or just to hone their skills. For the dancers, Krumping becomes a way of life--and, because it's authentic expression (in complete opposition to the bling-bling hip-hop culture), the dance becomes a vital part of who they are. Written by Sujit R. Varma |
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Parents Guide | Add content advisory for parents » |
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Box Office
Opening Weekend United States | $1,574,787, 26 Jun 2005 |
Did You Know?
Trivia | David LaChapelle was introduced to krump dancing on the set of Christina Aguilera's "Dirrty" video, which he also directed. See more » |
Movie Connections | Featured in Bewitched/Yes/Land of the Dead/Herbie: Fully Loaded/Rize/March of the Penguins (2005). See more » |
Soundtracks | Bye and Bye See more » |
Quotes |
Tight Eyez:
We're not gonna be clones of the commercial hip-hop world... because that's been seen for so many years.Somebody's waitin'on something different... another generation of kids with morals and values... that they won't need... what's being commercialized or tailor-made for them... custom-made, because I feel that we're custom-made. And we're of more value than any piece of jewelry... or any car or any big house that anybody could buy. See more » |