An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Diana the 'People's Princess' has died in a car accident in Paris. The Queen and her family decide that for the best, they should remain hidden behind the closed doors of Balmoral Castle. The heartbroken public do not understand and request that the Queen comforts her people. This also puts pressure on newly elected Tony Blair, who constantly tries to convince the monarchy to address the public.Written by
When Tony Blair is riding to the airport in the back of his Jaguar, in the background you can see a Mercedes Benz S-class with an 02 number plate (ie March-August 2002). There also appears to be an out-of focus 52 plate (September 2002-February 2003) later in the same scene. At this point in the film it is 1997. See more »
After weeks of campaigning on the road, Tony Blair and his family finally strolled the few hundred yards to the polling station this election day morning. Amongst the Labour faithful up and down the country, there is an enormous sense of pride in Mr. Blair's achievements, and the confidence that he is about to become the youngest prime minister this century.
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The paparazzi kissed the princess that fateful week in 1997, but all the English people wanted was their Queen. Stephen Frears' competent, well written, expertly cast and intimate look into the Royal Family and British government in the aftermath of Princess Diana's death is a straightforward, no-nonsense stunner.
Operating both as a comedy of manners where the newly elected Prime Minister Tony Blair (an excellent Michael Sheen) must save the Royal Family from themselves before the Monarchy is tossed aside completely by an angry, guilt-ridden public desperately wanting a statement, a word of comfort, or at very least the presence in London of their Queen Elizabeth II (played masterfully by Helen Mirren, who is as cold and stubborn here as she was conflicted and passionate as Elizabeth I in the HBO miniseries of the same name earlier this year), and also as a surprisingly touching testament to the British people's love affair with Princess Diana and more importantly the Monarchy, "The Queen" succeeds splendidly on multiple levels.
Frears combines archival footage of a grieving public and newscasts with intertwining splices of historical recreations and fictionalized riffs on what it must've been like inside the Royal Chambers. The writers get the mannerisms of the Royals down perfect, as people with stiff upper lips who declare their outrage with words like "quite" and "that's not how it's done!" One miscalculation is when the writers try to create a connection between Blair's love for his deceased mother and his newfound sense of protectionism over Elizabeth. It's only surface level, and Freudian, and seems rather out of place in an otherwise totally British film. The rest of the Royals serve as a sideshow, with Prince Charles wimpy and ineffective in the presence of his mother, Prince Phillip (James Cromwell) a rowdy lout, and the Queen Mother (Sylvia Sims) providing equal parts comic relief and aristocratic wisdom to her daughter.
In the end, "The Queen" is a film that sneaks up on you, funnier and more touching than you imagined, and anchored by a classic turn from a consummate British actress as a Queen who desires to understand her people and do them proud while honoring the traditions of her lineage.
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