7.2/10
1,464
8 user 29 critic

Je ne suis pas là pour être aimé (2005)

The (love) life of a man fed up with his work and life routine changes when he enlists into a tango dancing course.

Director:

Stéphane Brizé
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2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Patrick Chesnais ... Jean-Claude
Anne Consigny ... Françoise
Georges Wilson ... Le père de Jean-Claude
Lionel Abelanski ... Thierry, le fiancé de Françoise
Cyril Couton Cyril Couton ... Le fils de Jean-Claude
Geneviève Mnich Geneviève Mnich ... La mère de Françoise
Hélène Alexandridis Hélène Alexandridis ... La soeur de Françoise
Anne Benoît Anne Benoît ... La secrétaire
Olivier Claverie Olivier Claverie ... Le dragueur cours de tango
Marie-Sohna Condé Marie-Sohna Condé ... Rose Diakité (as Marie-Sonha Condé)
Isabelle Brochard Isabelle Brochard ... L'aide-soignante
Stéphan Wojtowicz Stéphan Wojtowicz ... Le médecin
Pedro Lombardi Pedro Lombardi ... Le professeur de tango
Pascal Praud Pascal Praud ... Journaliste sportif (voice)
Géraldine Rojas Géraldine Rojas ... Danseuse tango spectacle
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Storyline

The fifty years old Jean-Claude has a boring life, working in a notary office of his own and as court official evicting tenants or seizing properties, or spending the Sundays afternoons in the retirement home with his sour, rude and bitter father. When he has a minor heart problem, his doctor advises him to exercise, and Jean-Claude begins to have tango lessons in a studio in front of his office. He meets the charming forty and something years old Françoise, who is also having classes for her wedding party, and she recalls she was her neighbor in her childhood. They become close and love flourishes between them, changing their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

France

Language:

French

Release Date:

12 October 2005 (France) See more »

Also Known As:

Inte här för att bli älskad See more »

Company Credits

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Technical Specs

Sound Mix:

Dolby

Color:

Color
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Trivia

Dedicated to Rose and Ferdinand. See more »

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User Reviews

 
True to the Tango "Melancolía"
24 July 2006 | by kabosseSee all my reviews

I went to see this movie because it was advertised as having Argentine tango in it. I am a tango dancer and I was completely blown away by it. But even so let me emphasize that this is not only a movie for tango dancers. I spoke to a non-tango dancer right after the showing and she was equally fascinated. But since this was the reason I wanted to see the film, I choose the tango angle to comment on it.

In this movie tango serves as a metaphor for how people communicate and "meet", in the truest sense of the word. But apart from this Argentinian input it is very French in so far as it has all the significant qualities of a typical French flick: long takes, close-ups, much silence, and intense but subtle emotions -- mostly all of the above at the same time. And altogether quite conducive to the tango content, much more so than an American production could have achieved I daresay.

All throughout the 20th century the Tango and France, especially Paris, have formed a lasting, passionate bond, a love affair that feeds both sides and still prospers. Tango is everywhere in Paris. It's as much part of the upper middle class culture as going to vernissages is. It is useful to know this, otherwise one could wonder how the main protagonist Jean-Claude Delsart, a middle-aged, very reclusive marshal, could so easily end up on the floor of the tango studio across the street from his office.

The way Argentine tango is portrayed in this movie is gracefully true to the soul of tango. It has only one "flashy" scene, a performance by a professional tango couple and as usual with public tango performances, I find this one of its weakest moments: pure form and posture, completely void of feelings and emotions.

But the important scenes in the studio do capture aptly what is so fascinating and endearing about (the mastering of) this dance: the carefulness and timidity in a beginner's approach toward his or her partner's body; the subtlety; the listening; the addictiveness of the intimate atmosphere; the beautiful, beautiful music; the gradually growing confidence and freedom; and

  • sometimes, eventually - the passion.


Tango can, at times, have a quite positive and joyful air about it. But its origins have much more in common with what the Portuguese call "fado". A melancholic mood, full of heartache and longing, with the heaviness of reality weighing down on minds and souls that are capable of enduring deep sorrow and intense passion.

This is what the movie is about. "Je ne suis pas là pour être aimé" could be translated as "I do not exist to be loved". A stark, even cruel normative statement that is the point of departure for Delsart. The rest is a journey and, no, I will not tell where it ends. The story as it evolves is sometimes almost unbearably sad and yet the protagonists keep on living through it. The dance isn't over until the last note is played.

The tango metaphor works extremely well with this story and does so until the end. Compared to other "tango movies", this is one of the better ones. Of course, nothing beats Sally Potter's "The Tango Lesson" - but what could.

The only reason I don't give this movie full marks is the fact that some of the plot turns are a bit too predictable. But nevertheless, this is an engaging story well told, well made, with extraordinary characters. A modern fairy tale -- or maybe not?


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