5.8/10
24,148
177 user 114 critic

Friends with Money (2006)

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After she quits her lucrative job, Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends.

Director:

Nicole Holofcener
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Popularity
3,234 ( 303)
2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Catherine Keener ... Christine
Jason Isaacs ... David
Timm Sharp ... Richard
Joan Cusack ... Franny
Greg Germann ... Matt
Hailey Noelle Johnson ... Tammy
Simon McBurney ... Aaron
Frances McDormand ... Jane
Jake Cherry ... Wyatt
Jennifer Aniston ... Olivia
Bob Stephenson ... Marty
Marin Hinkle ... Maya
Scott Caan ... Mike
Troy Ruptash ... Brad
Elizabeth Keener ... Lancome Saleswoman
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Storyline

Four women friends: three are wealthy and married plus there's Olivia, a former teacher who's now a maid. The marriages are in various states of health: Franny and Matt are happy and very rich. Christine and David write screenplays together, are remodeling their house, and argue. Jane is angry all the time and Aaron, who's an attentive husband, strikes everyone as gay. Franny sets up Olivia with a friend of hers, Mike, a personal trainer, and Olivia takes him with her to a couple of housecleaning jobs. A benefit dinner for ALS, an awkward guy named Marty whose place Olivia cleans, and a French maid's outfit figure in the story. Is there more to life than its problems? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language, some sexual content and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 April 2006 (USA) See more »

Also Known As:

Amigos con dinero See more »

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Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend USA:

$589,332, 9 April 2006, Limited Release

Gross USA:

$13,367,101, 13 August 2006
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Outside the restaurant where Mike and Olivia have their date, if you look closely you can see a black fuzzy mass on the patio of the House of Pies restaurant across the street. According to Nicole Holofcener on the DVD commentary, those were all members of the paparazzi. See more »

Goofs

Camera/crew reflection on the car when Jane is trying to park at the 7-11. See more »

Quotes

[first lines]
Richard: So the corrugated metal not only reflects the beauty of the common, off-the-shelf material but also emphasizes the invisible line between the old and the new construction.
Christine: Wait. There'll be a line?
Richard: It's invisible.
David: Just let him finish.
Christine: Oh, sorry.
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Connections

References Nip/Tuck (2003) See more »

Soundtracks

At the Checkout Counter
Written and Performed by William Joseph Martin
Published by Red Engine Music (ASCAP)
Courtesy of MasterSource
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User Reviews

 
A Great Movie for Grown-Ups!
19 October 2006 | by TheTatmeisterSee all my reviews

What a rare delight - to see four talented actresses rising to the challenge of such a smart script. With each additional interesting project that she accepts, Jennifer Aniston edges away from the baggage of that daft and shallow TV show upon which she built her name. Frances McDormand, as a wife undergoing an existential crisis, is grittily beautiful and 100% believable.

I doubt whether most twenty-somethings will find much with which to connect in this film; in fact the message boards seem to indicate that they're hankering for a 'plot' ("Wot? No murder?"). Having said that, younger viewers with decent attention spans whose tastes tend toward more stimulating, 'art house' fare, might well feel rewarded.

The movie's characters are real people with real issues; issues which aren't necessarily wrapped up neatly and tied with a bow by the end of the movie, as is the case in most sitcoms. Their issues are recognisably human, and not the standard, manufactured, Politically Correct ones, such as those didactic "gender issues" that are so frequently wheeled out in mainstream Hollywood movies. (How dull that could've been...)

Furthermore, rather than serve up a neat 'Beginning, Middle & End', the film gives us a sense that the characters' lives and issues continue beyond the scope of the film, and that we've simply been privy to a slice of their timeline.

The dialogue, which crackles like a pine-cone in a blazing fire, is also worthy of being singled out for praise. While the film isn't a comedy, it boasts some wicked, laugh-out-loud lines. This is a beautiful, sad, funny, and engaging drama for discerning audiences. Bravo, Nicole Holofcener!


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