About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ...
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In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur Falls in the heart of Guyana, hoping to fly his helium-filled invention above the tree-tops. But this logistic effort will not be without risk. Twelve years ago, a similar expedition into the unique habitat of the canopy ended in disaster when Dorrington's friend Dieter Plage fell to his death. With the expedition is Werner Herzog, setting out now with a new prototype of the airship into the Lost World of the pristine rain forest of this little explored area of the world, to record and tell this unique story.Written by
Marc Anthony Yhap:
Wow, I would like to use this craft to fly up to them, yeah. Even if it takes a whole year, months. I would love to have this craft to fly to them. Maybe land on the rooftop, give them a surprise. Yeah, it would be beautiful there, for me to be in the aircraft early in the morning. There is Marc Yhap at their doorstep saying, 'Hello, good morning.'
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Herzog loves to explore the nature within. He has been doing this ever since he started out as a filmmaker. Aguirre, Wrath of God is a good example. There nature mirrors what is happening with in the persons. He does that same thing here.
A lesser filmmaker would only have concentrated on the technical marvel and the landscape. He/she would have overlooked the dreams and life of Marc Anthony Yhap (a hired hand) and Graham Dorrington's bleeding heart because of mistakes in the past. Inner landscape which are just as fascinating as the thousands of birds diving under the waterfall or the reflection in the raindrop.
I thought this film was like a meditation on life, past, present, dreams, failures, cultures and harmony with nature. I loved how Herzog would keep the shots longer than most directors would have, like when Graham Dorrington puts on his jet suit and pretend to fly like superman. And the landscape pictures where just breathtaking.
This is one of Herzog's best film, and that's saying a lot.
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