The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
Woody, Buzz and the whole gang are back. As their owner Andy prepares to depart for college, his loyal toys find themselves in daycare where untamed tots with their sticky little fingers do not play nice. So, it's all for one and one for all as they join Barbie's counterpart Ken, a thespian hedgehog named Mr. Pricklepants and a pink, strawberry-scented teddy bear called Lots-o'-Huggin' Bear to plan their great escape.Written by
Walt Disney Studios
Charlie Bright (Andy at a younger point) and John Cygan (Twitch) have also appeared in Illumination Entertainment's Despicable Me franchise on separate occasions Bright was in the first film as the boy with melting ice cream at the start of the film while Cygan appeared in Despicable Me 2 (2013), Minions (2015), and Despicable Me 3 (2017) as credited in the additional voices. See more »
During the opening train robbery sequence, the numerous trolls are seen as 'orphans'. Yet after the sequence is over, the trolls are nowhere to be seen, although all other characters seen in the sequence are present and accounted for. See more »
[Mr. Potato Head, portraying One-Eyed Bart, jumps out of a train while carrying money sacks]
Mr. Potato Head:
Ah, ha ha ha! Money, money, money!
[Woody lassoes a rope to grab the money from Mr. Potato Head's hands, then trips him]
You've got a date with justice, One-Eyed Bart!
Mr. Potato Head:
Too bad, Sheriff! I'm a married man!
[Mrs. Potato Head jumps onto the train, giving karate yells]
[...] See more »
As with all Pixar movies released since "A Bug's Life", there are no opening credits aside from the studio logos and the title of the movie. See more »
In foreign versions, Buzz Lightyear's manual is written in the language of the country's release See more »
Lee Unkrinch directed "Toy Story 3," the third and presumably final installment in the "Toy Story" movie franchise. One could argue that this is probably the best one yet (1999's "Toy Story 2" remains my personal favorite of the three), and I won't argue with those who think otherwise. I still hold onto "Toy Story 2" for deep personal reasons, but "Toy Story 3" does build upon events foreshadowed in the previous installment, which does gives this film a weighty emotional punch - a rarity in animated films these days.
As foreshadowed in "Toy Story 2," Andy (John Morris) has finally grown up; he's 17 now, and is on his way to college in just a few days. His mom is putting pressure on him to get rid of his old toys, either by throwing them out with the garbage, donating them to other needy children, or simply putting them in the attic (a sort of gone-but-not-forgotten-and-within-reach-type of deal).
Woody (Tom Hanks), brave leader of the toys and Andy's favorite, manages to dodge a bullet somewhat, but puts himself in the line of fire when Buzz Lightyear (Tim Allen) and the other toys are accidentally thrown out but somehow or another wind up at Sunnyside Daycare, where they are welcomed with open arms by the resident toys there. This introduces us to Lotso (Ned Beatty), the strawberry-scented teddy bear who runs the place, along with the metro-sexual Ken doll (Michael Keaton) and others. As it turns out, this daycare center is actually a prison, and Lotso runs this place with an iron fist; of course, Lotso has a very tragic back-story that explains his evil ways, much like with Jessie (Joan Cusack), who first appeared in "Toy Story 2." So Woody and the other toys must mount a valiant escape if they are to be reunited with their beloved owner before he leaves for college.
"Toy Story 3" is an amazing film, and a fitting end to a wonderful film series that started in 1995 with the first "Toy Story," which also signaled the arrival of the very illustrious and extremely talented Disney-owned animation studio Pixar. They have yet another significant hit on their hands with this picture. The animation here is at its most life-like and real and it's damn-near flawless and strikingly beautiful, which signals just how far Pixar has come in the 15 years since their first hit with "Toy Story." And every film since then has added significant amounts of realism, weight, and dimension to their animated stories.
While "Toy Story 2" had a high nostalgia factor for days long gone by, "Toy Story 3" is a film about the inevitability of children growing up and putting away their toys. There are also themes about the effect of loss, love, and friendship going in the proceedings here. In addition, "Toy Story 3" can also be an incredibly dark film at times - a bold move considering that this is a family film - but there's no need to worry because the fact is that it's all perfectly balanced out amazingly well with some very light-hearted humor, fast and furious action scenes, and stirring emotional moments that just might bring a few tears to your eyes.
"Toy Story 3" is a triumph of animation and imagination, and I say that as a die-hard "Toy Story 2" fan. What we get here, is a fitting closer (?) to an amazing film series that just continues to surprise again and again with each new entry. It's just a great reminder for all of us heartless adults of better days in our youth that have long gone bye-bye.
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