In order to foil a terrorist plot, an FBI agent undergoes facial transplant surgery and assumes the identity of a criminal mastermind, who murdered his only son. The plan turns sour when the criminal wakes up prematurely and seeks revenge.
Possessing the extraordinary ability to see precisely two minutes into the future, the low-profile Las Vegas stage magician, Cris Johnson, has managed to keep his unusual skill under the radar. However, Johnson's rare talent has caught the attention of the tough counter-terrorism FBI agent, Callie Ferris, who intends to use the illusionist's unfailing charisma to thwart the murderous plans of a ruthless group of Russian terrorists. Now, a stolen nuclear device threatens to level California, as Cris' beautiful girlfriend, Liz, is being used by the criminals to gain added leverage. Can Cris save both the hostage and the city of Los Angeles with his peculiar gift?Written by
(at around 42 mins) The Italian painter is Elio Carletti (1925-1980), not Carlotti. He was an Italian impressionist artist and an inspector for the Italian police. The Italian dubbing replaced him with the more famous Leon Battista Alberti who wrote a lot about beauty but, seemingly, not that quote. See more »
(1 hour 27 minutes in) Positioning of the woman and the bed sheet while she wakes up and they talk. Appears to be two different takes, switching back and forth. See more »
Ladies and gentlemen, please welcome the man who knows what you're going to do before you do it. The amazing Frank Cadillac!
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A ticking clock is superimposed on Revolution Studios' and Saturn Films' opening logos. See more »
Next is a much better movie than I expected to see, having read some of the reviews which called it disjointed and silly. Quite to the contrary, I found it deeply absorbing. I quickly picked up on the elements which must have caused some reviewers to accuse it of being disjointed, and began enjoying them. Of course silliness is part of any sci-fi story, we suspend our critical senses in that regard or we do not become sci-fi fans.
I single out one performer among a fine cast. Julianne Moore has really established herself as *the* deadpan action queen. She was a better Agent Starling than Jody Foster was, and she's a terrific, dominant presence in this film. Kudos to her for propelling herself to the top of a tough genre. She makes films more interesting to watch, by dint of her strong performances.
I read Phillip K. Dick's "The Golden Man" many years ago and still remember a lot of it. When I first began hearing about this movie I immediately flashed to it and wondered if this was a movie of that intriguing story. The answers are "yes" and "no." "The Golden Man" is a much more ordinary story, but with resounding insights on the consequences of his existence. And his skin was a compellingly attractive rich golden hue, which helped make him irresistible to women. None of that fits this new story, and was properly omitted.
What is translated so well from the written page to the screen is the government's intense interest in him (although for different reasons), its efforts to get him under official control, and the exceeding difficulty of doing so. And of course, the story ends in a wholly different way than the movie, a very satisfying and inevitable conclusion that bolsters Mr. Dick's reputation for opening the future to us.
*** OK, ONE LITTLE SPOILER ALERT *** READ NO FURTHER (unless you don't mind) ***
I just have to add, the flurry of action sequences which come like a staccato rendition of The Flight Of The Bumblebee during his escape from custody, is thoroughly delectable and brought more than one involuntary "Ha!" from the audience I saw it with, including from me. It's one of the tastiest treats in the film.
And finally, yes, I too wish I knew who the heck these terrorists were and what the heck they were trying to accomplish with their nefarious plot. But I guess that's the brave new world we live in. We just don't get to hear the bad guys' dialogue, their reasons for doing the things they do. In that way Next is giving us another insight, not dropping us cold as others have complained. The only legitimate beef I agree with is the entirely unnecessary and just plain goofy Nicholas Cage business during the final pursuit. It looks like it must have been an idea of somebody too high up among the moguls to deny, but it is a definite distraction causing "Huh? What?" moments when the action is at its most intense.
All in all, a feather in everybody's cap and a movie I fully recommend without reservation. Drama, humor, really fine action sequences, twists, great characters. As baseball great Yogi Berra once said, " Don't miss it if you can."
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