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The Giver (2014)

PG-13 | | Drama, Romance, Sci-Fi | 15 August 2014 (USA)
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In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.

Director:

Phillip Noyce

Writers:

Michael Mitnick (screenplay), Robert B. Weide (screenplay) | 1 more credit »
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Popularity
1,070 ( 714)
2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jeff Bridges ... The Giver
Meryl Streep ... Chief Elder
Brenton Thwaites ... Jonas
Alexander Skarsgård ... Father
Katie Holmes ... Mother
Odeya Rush ... Fiona
Cameron Monaghan ... Asher
Taylor Swift ... Rosemary
Emma Tremblay ... Lilly
Alexander Jillings Alexander Jillings ... Gabriel 12 Months
James Jillings James Jillings ... Gabriel 12 Months
Jordan Nicholas Smal Jordan Nicholas Smal ... Gabriel 3 Months
Saige Fernandes Saige Fernandes ... Gabriel 6 Months
Renate Stuurman Renate Stuurman ... Dinah
Vanessa Cooke Vanessa Cooke ... Elder
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Storyline

After The Ruin, a civil but colorless, drug-dampened, equalitarian society eschewing memories of the past emerged, where everyone followed established rules of politeness enforced by a council of ever-watchful Elders. On the ceremonious day of graduation, teenagers leaving childhood are assigned careers chosen by the Elders. Jonas, who feels different from his appointed parents and his two best friends, Fiona and Asher, finds himself assigned to the rare position of Receiver of Memories, trained by a mentor (later called The Giver), who telepathically imparts memories of the world before The Ruin. Jonas learns emotions such as love, fear, excitement, loss and the concept of family, but when the planned elimination of a baby named Gabriel, whom he comes to love as a brother, enters his awareness, Jonas decides society needs to change, which the Chief Elder will do anything to stop. Written by Claudio Carvalho, Rio de Janeiro, Brazil/revised by statmanjeff

Plot Summary | Plot Synopsis

Taglines:

You can make things better. See more »

Genres:

Drama | Romance | Sci-Fi

Motion Picture Rating (MPAA)

Rated PG-13 for a mature thematic image and some sci-fi action/violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site | Official site [Japan] | See more »

Country:

South Africa | Canada | USA

Language:

English

Release Date:

15 August 2014 (USA) See more »

Also Known As:

El dador de recuerdos See more »

Filming Locations:

Cape Town, South Africa See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$12,305,016, 15 August 2014, Wide Release

Gross USA:

$45,089,048, 5 December 2014
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Given the number of housing clusters and the approximate number of occupants in each house, the total population is approximately 20,000 individuals. The minimum number of people required to maintain a genetically diverse and healthy population is approximately 4,200 people, which makes this "civilization in a bottle" quite viable. See more »

Goofs

One wonders at the physical state of Jonas, particularly his feet, in walking up and over the snowy mountain in nothing but summer clothing and gym shoes (especially after passing out from exhaustion in the snow after his trek through the desert). See more »

Quotes

[first lines]
Title Card: From the ashes of The Ruin, the Communities were built. Protected by the Boundary. All memories of the past were erased.
Jonas: After The Ruin we started over, creating a new society, one of true equality. Rules were the building blocks of that equality. We learned them as Newchildren. Rules like: use precise language, wear your assigned clothing, take your morning medication, obey the curfew, never lie.
Jonas: My name is Jonas. I don't have a last name. None of us did. That day, the day before ...
[...]
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Soundtracks

Ordinary Human
Written by Ryan Tedder
Performed by OneRepublic
Courtesy of Mosley Music/Interscope Records
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User Reviews

 
Not bad but didn't blow me away
13 January 2015 | by xaniverSee all my reviews

Had I known Taylor Swift was in this movie, I might have been less enthusiastic about the film, however, I can promise you that any Taylor Swiftness on posters and in promo is all a marketing ploy. She has a tiny – if important – role in the film and has very little screen time. The real star of the show is Brenton Thwaites as Jonas and he's really quite lovely in his role as the compassionate and curious Receiver.

The Giver film is competing against franchises like The Hunger Games, Divergent and even The Maze Runner. In order to give The Giver more teen appeal and to capture The Hunger Games/Divergent audience, the movie tried to be a lot that the book was not. The movie – despite being adapted from the predecessor of the modern dystopian trend – feels a little too familiar and cliché because it tries a little too hard to fit in aesthetically and tonally with the other YA adaptations. I wish the film had foregone the shiny technology additions and stuck with the utilitarian world-building of the book. I can also understand why the film producers chose to up the age of the protagonists and up the angst as well, but I'm not sure it really added all that much to the overall story except making it feel like another teen movie when it should've been so much more than that.

Where the film did excel was in the cinematography and use of black&white and color. This is described well in the book, but the visual medium of film really brought this to life. I do think they could've done even more with that, although I think they were trying to stay true to the book here. I was also hoping for more of an emotional impact from certain scenes between the Giver and the Receiver in the film. Some of those scenes in the book are brutal and really broke my heart for Jonas. It didn't have quite the same impact for me in the film – perhaps because the character was older.

The ending of the book disappointed me but the film managed to deliver a very similar ending in a way that stayed true to the book while also providing a greater sense of closure. Where I think the book meandered into allegory, the movie developed the plot and made a more compelling story overall, even if some of the 'science' of how all this was possible is dubious at best.

A major highlight from the film for me was seeing the usually uber sexy and seductive Alexander Skarsgård playing a nurturing father figure who worked in the nursery with newborns while his wife – played by the petite Katie Holmes – was involved in politics. Seeing 6'4 Eric Northman – sorry, Alex Skarsgård – so tenderly caring for tiny babies really highlighted the gender dynamics and theme of equality in the book. It was a very clever casting choice.

Overall, this movie was fine but not amazing. Given the source material and how beloved this story is I felt they could've done much more with it.


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