Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures.Written by
Production on this film was fast-tracked so that the movie could be released before the similarly-themed American film The Cave (2005). Unfortunately, it opened in the same week as the 2005 London bombings, which considerably hurt the film's chances at the box-office. See more »
(at around 46 mins) The characters find cave drawings on the walls, supposedly drawn by the crawlers. Who are completely blind. See more »
[Sarah uses Holly's camera in night vision mode and sees all of the dead animal bones]
Dead animals! Hundreds of them!
This is not good, guys.
Can we get out of here?
[Uses lighter to try and find the breeze]
[the lighter's flame does not move]
I don't know.
What do you mean you don't know?
There's no breeze! It could be any one of these tunnels! Take your pick!
Oh, fuck it!
[...] See more »
While the credits start rolling, there is a picture of all the girls on the background. See more »
SPOILER: The endings of the US and UK versions differ. In the end, Sarah wakes up at the bottom of the cave, crawls out, and makes her way back to the car. When she is driving away, she pulls over and vomits, and when she leans back into the car, she is startled by the ghost of Juno sitting in the passenger seat. The US version cuts to the credits here. In the UK version, this apparition causes Sarah to wake up for real at the bottom of the cave, revealing her escape to be just a dream. She then has a vision of her daughter's birthday cake, which we see is just her torch. The camera backs out, the voices of the creatures can be heard again and are increasing in strength as they are closing in on her, and the movie ends. This ending was considered "too dark" for US audiences. See more »
The Descent is an exceptionally good film. I just wanted to state that at the start of this review, because it is easy to dismiss a film like The Descent as having some good gore scenes, but little else to commend it from a directorial or cinematographic point of view. However, with what must have been a budget that pales into insignificance when compared to films like Ring 2, the film packs in top class gore with exquisitely detailed 'creatures' and brilliantly claustrophobic cinematography.
Films with great gore abound, for example Jason X, with the audience just waiting for the next gruesome killing to end the tedium in between. However, The Descent keeps you at the edge of your seat throughout, struggling for breath as you feel the walls in the cinema closing in. This is a film to watch in a very dark cinema with great surround sound. You almost feel the creatures closing in around you.
I would have given 10 out of 10, but some of the acting is not top class, so that brings it down to 9 out of 10 for me. That aside, this is a must watch film for those who complain that horror films just aren't scary anymore. Just make sure that whoever you take with you is prepared for the experience. Word of mouth is sure to make this film a success.
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