Refusing to believe her story about cave-dwelling monsters, the sole survivor of a spelunking exploration gone horribly wrong is forced to follow the authorities back into the caves where something awaits.
Michael J. Reynolds,
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
A woman goes on vacation with her friends after her husband and daughter encounter a tragic accident. One year later she goes hiking with her friends and they get trapped in the cave. With a lack of supply, they struggle to survive and they meet strange blood thirsty creatures.Written by
The filmmakers considered it too dangerous to film in an actual cave. It also would have been far too time-consuming, so they opted to build one instead. See more »
(at around 1h 25 mins) When one of the girls falls and tries to get up to a tunnel, she grabs a large rock to help herself up. You can see the rock bend and wiggle under her weight. See more »
Sam's gonna be Doctor Van Ney in like a year's time.
Please tell me it's longer than that.
See more »
The creature's snarling sound can be heard at the end of the credits. See more »
SPOILER: The endings of the US and UK versions differ. In the end, Sarah wakes up at the bottom of the cave, crawls out, and makes her way back to the car. When she is driving away, she pulls over and vomits, and when she leans back into the car, she is startled by the ghost of Juno sitting in the passenger seat. The US version cuts to the credits here. In the UK version, this apparition causes Sarah to wake up for real at the bottom of the cave, revealing her escape to be just a dream. She then has a vision of her daughter's birthday cake, which we see is just her torch. The camera backs out, the voices of the creatures can be heard again and are increasing in strength as they are closing in on her, and the movie ends. This ending was considered "too dark" for US audiences. See more »
An unrelenting, claustrophobic and subversive film that relishes its unique horrors and never relents.
What's remarkable about this low-budget British horror film is just how much tension and, frankly, sheer terror it's able to eke out of the central situation before we're even given but a glimpse of the carnivorous creatures that dwell in the dark. There's a claustrophobic, and almost panic-inducing, sense of isolation and entrapment that expertly escalates from the central cave-in in 'The Descent (2005)'. It's also thanks to the subtle yet consistent character development that we care for each and every person trapped in the caverns below and are on the edge-of-our-seats as their lives are almost constantly threatened. What's also refreshing, and somewhat exciting, is that most of the brutality comes not from the so-called crawlers - whose very existence centres around catching, killing and eating their prey - but rather from the group of women fighting their way through the caves as their battle for survival forces them to lose their innocence almost as quickly as they might lose their sanity. This brutality also makes each encounter unpredictable, with the violence always having tangible consequences. The scares are well crafted and mature too, meaning the whole picture comes together to form a cohesive and taut thrill-ride that relishes its unique horrors and never relents. 8/10
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