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V for Vendetta (2005)

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In a future British tyranny, a shadowy freedom fighter, known only by the alias of "V", plots to overthrow it with the help of a young woman.

Director:

James McTeigue

Writers:

Lilly Wachowski (screenplay) (as The Wachowski Brothers), Lana Wachowski (screenplay) (as The Wachowski Brothers) | 1 more credit »
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790 ( 31)
Top Rated Movies #150 | 7 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
Natalie Portman ... Evey
Hugo Weaving ... V
Stephen Rea ... Finch
Stephen Fry ... Deitrich
John Hurt ... Adam Sutler
Tim Pigott-Smith ... Creedy
Rupert Graves ... Dominic
Roger Allam ... Lewis Prothero
Ben Miles ... Dascomb
Sinéad Cusack ... Delia Surridge
Natasha Wightman ... Valerie
John Standing ... Lilliman
Eddie Marsan ... Etheridge
Clive Ashborn ... Guy Fawkes
Emma Field-Rayner Emma Field-Rayner ... Guy Fawkes Lover (as Emma Field Rayner)
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Storyline

Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in. Written by ameelmore

Plot Summary | Plot Synopsis

Taglines:

An uncompromising vision of the future from the creators of 'The Matrix' trilogy See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK | Germany

Language:

English

Release Date:

17 March 2006 (USA) See more »

Also Known As:

V for Vendetta: The IMAX Experience See more »

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Box Office

Budget:

$54,000,000 (estimated)

Opening Weekend USA:

$25,642,640, 19 March 2006, Wide Release

Gross USA:

$70,511,035, 6 July 2012

Cumulative Worldwide Gross:

$132,511,035, 6 July 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS | Sonics-DDP (IMAX version)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The two tanks used in the Parliament Square scenes were real decommissioned Army tanks. Each night, prior to transporting the vehicles to the shoot, each tank was inspected by government security personnel to ensure the weaponry was not functional and had not been altered in any way. They were then taken via truck to the location, with no stops allowed during transport, and were accompanied by armed security officials the entire way. See more »

Goofs

In the fighting scene with Creedy's men near the end, in one shot, the last of the bodyguards loads his gun and points it at V. The camera then moves to V who throws his knife at the guard. In the next frame, when the knife hits him in the forehead, the guard's gun is down. See more »

Quotes

[first lines]
Evey Hammond: [voiceover] Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot... But what of the man? I know his name was Guy Fawkes and I know, in 1605, he attempted to blow up the Houses of Parliament. But who was he really? What was he like? We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still ...
See more »

Crazy Credits

After the closing credits, the Virtual Studios logo appears. This was done deliberately, to emphasize the V motif. See more »

Connections

Referenced in Designing the Near Future (2006) See more »

Soundtracks

The Duel
From The Count of Monte Cristo (1934)
Written by Alfred Newman and J.H. Wood
See more »

Frequently Asked Questions

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User Reviews

Utterly Spectacular!
8 March 2006 | by Pax WhitmoreSee all my reviews

I was a fan of the "V for Vendetta" graphic novel, and Alan Moore disinheriting the film was a bit discouraging. But he's always been a little crazy. The film version is everything I could have possibly hoped for - gripping, chilling, intense, exciting, heartbreaking. It gets Moore's music if not his exact words; elements are slightly different, subplots removed. But the idea - as V himself would be so proud to say - remains the same.

The plot is surprisingly complex and nuanced, and I don't want to give anything more away than the previews already have. Suffice it to say that a masked anarchist (voiced by Hugo Weaving) must save a young woman (Natalie Portman) during his attempt to expose corruption in the government. Weaving is perfectly cast, using his formidable physicality and imposing voice to give gravitas to the insanity of the character. Portman has gone from child to teen star and is finally emerging as a talented, adult actress following her Oscar-nominated turn in "Closer". Here, she gives her best performance to date as the orphan Evey. John Hurt is characteristically impressive as the enigmatic government leader, and Stephen Rea gives a wonderful supporting turn as the police inspector charged with finding V - before it's too late.

The Wachowski Brothers' former protégé, James McTiegue, takes on the directing duties here and helms an enormously impressive first feature, using every trick in the book in a manner reminiscent of his mentors' breakout hit "The Matrix". Unlike "The Matrix", McTiegue allows the story to be more of a focus than the action, and as a result the film is a tense and emotional thriller, with outbursts of spectacularly filmed and choreographed action. Showing more maturity and restraint than the Wachowskis, McTiegue doesn't show off, and his trickery isn't self conscious. When slow-motion overtakes a late action sequence, it seems as natural as breathing. The late cinematographer Adrian Biddle (the film is dedicated to his memory) does an outstanding job, Oscar-nominated Dario Marianelli's score is a fantastic accompaniment to the piece, and the visual effects are astonishing, terrifying, and deeply moving, especially in the climatic moments in Trafalgar Square.

With solid acting, great action, and fantastic technical wizardry, it sounds just like another "Matrix"-style ripoff. But the biggest difference in "V" is that it is a story of real ideas - not a fantastic, science fiction creation, but a genuine examination of the human condition. The power of fear takes center stage here - the fear of war, of disease, of famine. Fear is a basic human nature, and has been exploited as a weapon - a method of control - for centuries. And for those who would use it, a masked man waits in the shadows to carry out your sentence. The verdict? Vengeance. "V for Vendetta" is a must-see.

10/10


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