A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Tells the story of Evey Hammond and her unlikely but instrumental part in bringing down the fascist government that has taken control of a futuristic Great Britain. Saved from a life-and-death situation by a man in a Guy Fawkes mask who calls himself V, she learns a general summary of V's past and, after a time, decides to help him bring down those who committed the atrocities that led to Britain being in the shape that it is in. Written by
Alan Moore, writer of the original graphic novel, greatly disliked the film, criticizing the script for "having plot holes you wouldn't have gotten away with on Wizzer and Chips in the 1960s". He ended cooperation with his publisher, DC Comics, after its corporate parent, Warner Brothers, failed to retract statements about Moore's supposed endorsement of the film. Joel Silver said at a press conference that Lana Wachowski had talked with Moore, and that "Moore was very excited about what Lana had to say." Moore disputed this, reporting that he told Wachowski "I didn't want anything to do with films. I wasn't interested in Hollywood," and demanded that DC Comics force Warner Brothers to issue a public retraction and apology for Silver's "blatant lies". Although Silver called Moore directly to apologize, no public retraction appeared. Moore was quoted as saying that the comic book had been "specifically about things like fascism and anarchy. The words 'fascism' and 'anarchy' occur nowhere in the film. It's been turned into a Bush-era parable by people too timid to set a political satire in their own country." This conflict between Moore and DC Comics was the subject of an article in The New York Times on March 12, 2006, five days before the U.S. release. In the New York Times article, Silver stated that about twenty years prior to the film's release, he met with Moore and David Gibbons when Silver acquired the film rights to V For Vendetta and Watchmen. Silver stated: "Alan was odd, but he was enthusiastic and encouraging us to do this. I had foolishly thought that he would continue feeling that way today, not realizing that he wouldn't." Moore did not deny this meeting, nor Silver's characterization of Moore at that meeting, nor did Moore state that he advised Silver of his change of opinion in those approximately twenty years. The New York Times article also interviewed David Lloyd about Moore's reaction to the film's production, stating, "Mr. Lloyd, the illustrator of V for Vendetta, also found it difficult to sympathize with Mr. Moore's protests. When he and Mr. Moore sold their film rights to the comic book, Mr. Lloyd said: "We didn't do it innocently. Neither myself nor Alan thought we were signing it over to a board of trustees who would look after it like it was the Dead Sea Scrolls."" See more »
In a revolver, fired casings do not merely drop out by tilting the revolver backwards as Creedy does. The cases swell slightly upon firing and as such, they cling to the chamber walls. To remove them, the ejector rod needs to be pushed at the front of the cylinder which in turn pushes a star-shaped plate at the rear of the cylinder. The plate then pushes the casings out by their rims so that the spent shells can be removed. At no time does Creedy ever push the ejector rod. See more »
Remember, remember, the Fifth of November, the Gunpowder Treason and Plot. I know of no reason why the Gunpowder Treason should ever be forgot... But what of the man? I know his name was Guy Fawkes and I know, in 1605, he attempted to blow up the Houses of Parliament. But who was he really? What was he like? We are told to remember the idea, not the man, because a man can fail. He can be caught, he can be killed and forgotten, but 400 years later, an idea can still ...
See more »
The Warner Bros, DC Comics, Vertigo and Silver Pictures logos are on black-and-white film, and are accompanied by part of the 1812 Overture, thus forming the impression that V is starting a transmission. See more »
I am speechless. I just came back from the theatre, where I watched 'V for Vendetta'. There are three main elements in the movie and it excels on all three of them.
First off the dialogues and script. Intense, witty, honest but not patronising, intelligent but not pretentious. That's the first level at which the movie surprises you. You don't except such high level of script from an action movie. But it is slowly revealed to the audience that V for Vendetta is not just an action movie. The story is filled with current events and has a definite strong political sense.
Secondly Hugo Weaving's performance. It is definitely what grabs you from the start. He delivers some of the hardest lines with incredible charisma. His performance shines throughout the movie and honestly he sounds as good as any of the best actors out there. He should be nominated for an academy award.
Finally the visual part. Incredible, yet no "Matrix" effects used. Everything looks beautiful, dark yet vibrant. The cinematography is top notch. The final battle scene brought tears to my eyes.
Do not miss 'V for Vendetta'. It's one of the best movies of all time, an eternal classic.
1,061 of 1,331 people found this review helpful.
Was this review helpful to you?
| Report this