4.8/10
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125 user 102 critic

The Return (2006)

Joanna Mills, a traveling business woman, begins having nightmares of a murder that occurred 15 years ago. Soon she is drawn to an old farmhouse, where the murder took place.

Director:

Asif Kapadia

Writer:

Adam Sussman

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Cast

Complete credited cast:
Sarah Michelle Gellar ... Joanna Mills
Peter O'Brien ... Terry Stahl
Adam Scott ... Kurt
Kate Beahan ... Michelle
Sam Shepard ... Ed Mills
J.C. MacKenzie ... Griff / Young Griff
Erinn Allison ... Annie
Darrian McClanahan ... Young Joanna Mills
Wally Welch ... Snack Stand Vendor
Frank Ertl ... Ambrose Miller
Brad Leland ... Mr. Marlin
Bonnie Gallup Bonnie Gallup ... Bella
Brent Smiga ... Higgins
Robert Wilson Robert Wilson ... Billy
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Storyline

The restless sales representative of a transport company Joanna Mills travels from Saint Louis to Texas in a business trip. She is haunted by violent visions and after meeting her client, she visits her lonely father. On the next morning, she decides to visit La Salle, a small town where she has never been before, but she had recollections of many locations. She lodges in a hotel and later she meets and is befriended by the local widower Terry Stahl, who helps her from an aggression. Her daydreams and nightmares increase and she becomes obsessed for disclosing the truth about her visions of a brutal murder of a woman in a barn. Along her investigation, Joanna gets close to the killer and feels that her life is in danger. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

This November, fear comes home. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, terror and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

10 November 2006 (USA) See more »

Also Known As:

Revolver See more »

Filming Locations:

Granger, Texas, USA See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$4,479,621, 12 November 2006, Wide Release

Gross USA:

$7,749,851, 14 December 2006

Cumulative Worldwide Gross:

$11,987,890, 29 March 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This film was originally titled Revolver, but it was later changed when another film titled Revolver (2005) came out beforehand. See more »

Goofs

Near the beginning, Joanna skids to a quick stop onto the shoulder to investigate the odd music. The shoulder is a full shoulder, completely paved and her truck fits on it completely. She gets out of the truck and walks backward and is always on a solid surface. However, when she awakens, the shoulder is noticeably narrower. Only the drivers side tires are actually on pavement. The rest is just dirt. See more »

Quotes

Joanna Mills: [talking to Terry] This farmhouse, you, the town, they're all connected to me somehow.
See more »

Crazy Credits

When the credits first start to roll, everyones name's turn and blur away to the next name which does the same. This represents the characters Joanna and Annie and how they co-existed in the same body. See more »

Connections

Referenced in Yes Man (2008) See more »

Soundtracks

Sweet Dreams (Of You)
Written by Don Gibson
Performed by Patsy Cline
Courtesy of Geffen Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more »

User Reviews

 
Visually amazing, story falls flat
14 November 2006 | by csnl_20See all my reviews

OK. Well...The Return. Sarah Michelle Gellar's latest genre addition finds her running from a cowboy with a killer past. Asif Kapadia's sophomore effort, after 2001's The Warrior, will likely disappoint more than entertain. The story is convoluted and under developed, and aside from Gellar's Joanna, we really don't have any idea why any of the other characters are there. However, in stark comparison to the other filler thrillers we have seen for years, The Return boasts excellent camera work and even better art direction and cinematography. It is told in heavy visual style, which is a refreshing take on an old tale. Twitchy camera movement heightens the suspense and paranoia of the film while the bleak colors and atmosphere add themes of isolation and desolation. Gellar is exceptional as Joanna Mills, a successful midwesterner constantly on the road to elude some painful past, not to mention the hallucinations and creepy visions she keeps enduring. It is a solid transition from horror to... something else. And while we as an audience may not have any idea what Gellar is pulling, it's certain that she does, and is making some very interesting and risky role choices which adds to her versatility. (Keep your eyes peeled for her work in Southland Tales as a porn-star come reality-television conoisseur) I am not going to bore you with the details of the story, since every other review basically regurgitates the little material there is to work with. The plot isn't bad, it's just very minimalistic and sparse on character detail, which, for an atmosphere and mood-driven film like this one, is a fatal mistake. The suspense is good, it holds enough tension to keep you entertained enough to keep watching. The supporting cast are all pretty good, no Oscar contenders here but take it for what it is. The score is effective, using violins and chimes to purvey a sense of dread and malice. The visual style is very compelling, we feel like we're in Texas, seeing this happen through a series of well thought out, well lit shots that subtley take us deeper into Joanna's psychological state. The scene where she awakes in the field is one of the best, and proves that Kapadia's second feature may not be the greatest, but started out to be a very different, innovative project that got a little muddled in post-production. A good film, I'd wait for DVD, but the creepy soundbytes and ghostly whispers won't have the same effect as in the theatre. The Return is definitely misunderstood, but for those keen enough to see it through, you will get a glimpse of isolated, lonely people just looking to connect and get over the issues that have brought them together.


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