In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ... See full summary »
Almeida Theatre Live makes its debut broadcast with Richard III from the Almeida stage to cinemas in the UK and around the world, in association with Picturehouse Entertainment, produced by Illuminations Media.
In the richly diverse world of a south London estate a broken reputation could be a matter of life and death. Ralph Fiennes leads an exciting young cast in Elliot Barnes-Worrell's debut ... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
A political drama about terrorism, revolution, and the power of memory. In an unnamed place and time, an idealistic soldier named Joe strikes up an illicit friendship with a political prisoner named Thorne, who eventually recruits him into a bloody coup d'etat. But in the post-revolutionary world, what Thorne asks of Joe leads the two men into bitter conflict, spiraling downward into madness until Joe's co-conspirators conclude that they must erase him from history.Written by
The scene of Thorne's death is based on Jacques-Louis David's 1793 painting of "La Mort de Marat" (The Death of Marat). See more »
So many fond memories of Maximilian the First on the tenth anniversary of our glorious leader's death.
Many of course doubted that his son and heir, Maximilian II, could live up to the example of his charismatic father. But the man affectionately called Junior has valiantly continued against the pesky rebellion, led by the playwright turned terrorist, John Thorne.
Once derided as the playboy Prince more interested in the movie business, the President-for-life announced today that ...
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To put it simply, this film is George Orwell's Animal Farm as told by the makers of Memento. It covers a dark subject, and embraces the darkness associated with it.
This film is set in a fictional country that takes elements from many utilitarian countries around the world to give us things to relate to. To me the most interesting was the Kim Jong-il analogy. A president for life who succeeds his father and is very interested in the film industry. Others will likely see other references.
As the film progresses, we follow this country through stages of governmental upheaval. We ride on the shoulder of an idealistic prison guard as he chooses sides, and faces the consequences of that choice.
As the movie was building, I felt like it was building a Pro-Terrorism Utopian government, but in the end I was left hopeless, because of each plot turn making the movie yet more dour.
Symbolism abounds, and you will find yourself trying to locate the meanings of the symbols, which are perhaps a tad too convoluted for my tastes.
I was completely immersed in the story, and I found the progression of the movie to be very compelling, but the overall message of hopelessness clashed with my youthful idealism.
I recommend this movie as debate fodder for political theorists. Its dark themes limit its audience otherwise.
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