Three interwoven stories about a terrible curse. A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo; a mean high school prank goes horribly wrong; a woman with a deadly secret moves into a Chicago apartment building.
In Pasadena, Mrs. Davis sends her daughter Aubrey Davis to Tokyo to bring her sister Karen Davis, who is interned in a hospital after surviving a fire, back to the USA. After their meeting, Karen dies and Aubrey decides to investigate what happened to her and gets herself trapped in the same situation, being chased by the ghost of the house. Meanwhile in Tokyo, the three high school mates Allison, Vanessa and Miyuki visit the famous haunted house and are also chased by the ghost. In Chicago, Trish moves to the apartment of her boyfriend Bill, who lives with his children, the teenager Lacey and boy Jake. On the next door, weird things happen with their neighbor.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This is the longest film in the series, with a runtime of 102 minutes (theatrical cut) and 108 minutes (unrated cut), as opposed to The Grudge (2004) and The Grudge 3 (2009), which have a runtime of 91 (or 98 if including the unrated cut) and 90 minutes, respectively. See more »
(at around 14 mins) Right before Audrey walks into the house, there's a table lined with pictures and as the camera is passing by you can get a quick second-long glimpse of the camera as it passes. See more »
[while Trish is frying bacon]
You're gonna burn them... You gonna go shopping for three hours again today? Leave your cellphone off? You think I don't know what you're doing? You think I'm stupid, eh? Yet you can't make me a simple... damn breakfast.
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The Torch Lady in the Columbia Pictures logo gets possessed by Kayako, causing the logo to flicker (during which the film title briefly appears) and go dark. See more »
In the unrated director's cut DVD are various shots included that were missing from the theatrical release, including extended shots of Karen's death in which blood spatters all over Eason and Aubrey, and a longer shot of blood gushing out from Karen's head. Many extra scenes were included in the unrated Directors cut DVD. See more »
I was very excited about seeing this, as I love the original series, I didn't think the first remake was that bad, Takashi Shimizu directed it, and I have gradually become a fan of Amber Tamblyn. Unfortunately, it was nowhere near as good as I had hoped. Of course, given the genre, and the fact that it was a sequel to a remake and not really a remake of a sequel, it was exactly what I expected. (Yes, I have high hopes, but realistic expectations.)
I prepped myself for this by watching the unrated DVD of the previous film just a few short hours before heading to the theater, which, in hindsight, was probably a mistake. While the first film relied heavily on cheap scares and "gotcha" moments, the second toned it down a little and aimed at being a little more suspenseful. The end result is a chaotic mess with a convoluted storyline that weaves through time without ever indicating it (slightly confusing at the start, as there is a two year difference between the events we see throughout the film, but I will refrain from spoilers).
The attempts at building suspense fall flat, as every significant event is telegraphed and, therefore, incredibly predictable even when you're not trying to think ahead of the film's pace. The kills themselves are far from satisfying, as they are simply more of the same that we saw the first time around. I'm sorry, but even if you have never watched the Asian originals, the creepy girl with the hair in her face and the hitch in her step fails to frighten after two Ring films, Dark Water, Pulse, and, of course, the previous Grudge film.
I had seriously hoped that Takashi Shimizu would bring some of his style to the film. Alas, we are the real victims here, not those portrayed on the screen, as we have to pay hard-earned dollars to witness (yet another) American Cinema (read: Hollywood) bastardization of a quality film. When will they learn that the true appeal of Asian cinema lies not with the creepy girl and the cheap scare, but with the overall feel of the film? The "boo!" moments may work for the casual viewer (and the target PG-13 audience), but it is the oppressive aura that haunts the viewer and keeps them awake at night.
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