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Good Night, and Good Luck. (2005)

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Broadcast journalist Edward R. Murrow looks to bring down Senator Joseph McCarthy.

Director:

George Clooney
Nominated for 6 Oscars. Another 38 wins & 121 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jeff Daniels ... Sig Mickelson
David Strathairn ... Edward R. Murrow
Alex Borstein ... Natalie
Rose Abdoo ... Mili Lerner
Dianne Reeves ... Jazz Singer
Peter Martin Peter Martin ... Pianist
Christoph Luty Christoph Luty ... Bassist
Jeff Hamilton Jeff Hamilton ... Drummer
Matt Catingub Matt Catingub ... Saxophonist
Tate Donovan ... Jesse Zousmer
Reed Diamond ... John Aaron
Matt Ross ... Eddie Scott
Patricia Clarkson ... Shirley Wershba
Robert Downey Jr. ... Joe Wershba
George Clooney ... Fred Friendly
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Storyline

In the early 1950's, the threat of Communism created an air of paranoia in the United States and exploiting those fears was Senator Joseph McCarthy of Wisconsin. However, CBS reporter Edward R. Murrow and his producer Fred W. Friendly decided to take a stand and challenge McCarthy and expose him for the fear monger he was. However, their actions took a great personal toll on both men, but they stood by their convictions and helped to bring down one of the most controversial senators in American history. Written by Brian Washington <Sargebri@att.net>

Plot Summary | Plot Synopsis

Plot Keywords:

fear | reporter | paranoia | expose | cbs | See All (267) »

Taglines:

We will not walk in fear of one another. See more »


Motion Picture Rating (MPAA)

Rated PG for mild thematic elements and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Kinowelt [Germany]

Country:

USA | France | UK | Japan

Language:

English

Release Date:

4 November 2005 (USA) See more »

Also Known As:

Buenas noches, y buena suerte. See more »

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Box Office

Budget:

$7,500,000 (estimated)

Opening Weekend USA:

$421,446, 9 October 2005, Limited Release

Gross USA:

$31,501,218, 12 March 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The entire set was built on one floor. The elevator interior was built on a turntable, so it could be rotated to a new "floor" during unbroken shots. (In one scene, the CBS Records office is represented by a false wall that was then raised out of shot while the door was closed.) See more »

Goofs

There is a plastic water bottle on the desk in the newsroom when Friendly, Wershba, and Murrow are standing around and talking. See more »

Quotes

[first lines]
Sig Mickelson: In 1935, Ed Murrow began his career with CBS. When World War II broke out, it was his voice that brought the Battle of Britain home to us, through his "This Is London" radio series. He started with us all, many of us here tonight, when television was in its infancy, with the news documentary show, "See It Now." He threw stones at giants. Segregation, exploitation of migrant workers, apartheid, J. Edgar Hoover, not the least of which, his historical fight with Senator McCarthy. He ...
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Crazy Credits

Even the rating band at the tail of the film is in black and white. See more »

Connections

Featured in 2006 Independent Spirit Awards (2006) See more »

Soundtracks

One for My Baby
(1943)
Music by Harold Arlen
Lyrics by Johnny Mercer
Performed by Dianne Reeves and Robert Hurst
Produced by Allen Sviridoff
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Frequently Asked Questions

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User Reviews

Clooney's presentation of McCarthy
13 October 2005 | by bagloonSee all my reviews

The film does not - as some have suggested - unfairly portray McCarthy as a sub-human monster. Its presentation of McCarthy is limited strictly to the thread of the storyline and never does it waver toward name-calling or character assassination. This is particularly striking given that MCarthy was a well-seasoned alcoholic and clearly suffered from a narcissistic personality disorder. He was ripe for parody because his eccentricities were so pronounced, but this film is remarkably even-handed about the Senator's deeds and behavior. There are no allusions either to his peculiar friendship with Roy Cohn, whose notorious homosexual relations with private G. David Schine eventually led to McCarthy's demented charge that the Army was infested with Communists. Some have even suggested that McCarthy was no stranger to gay trysts. All of this could have made for an explosive - and typical - "Hollywood" movie and would indeed have been propagandistic, shallow and simple-minded. Instead Clooney has made an intelligent, cogent, fair-minded film about ethics, high standards and integrity.


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