Inspector Nick Cafmeyer seems to have it all - looks, brains and a successful career. But a dark cloud hangs over his life: since the age of nine, he has been haunted by the unsolved ... See full summary »
Geert Van Rampelberg,
Johan van Assche
Jonas Bechmann, a defense attorney, is a man of the system. Until the day he himself is accused of murder. Taking matters into his own hands, he throws himself into the hunt for a group of ... See full summary »
Nikolaj Lie Kaas,
13-year-old Sinikka vanishes on a hot summer night. Her bicycle is found in the exact place where a girl was killed 23 years ago. The dramatic present forces those involved in the original case to face their past.
Mick and Tom are an unlikely father-son team of petty thieves. They've been hired to steal a painting from a museum. By accident, they steal the wrong painting: Denmark's only original Rembrandt masterpiece, worth millions.
While changing the pipes in the tanningbeds at Golden Sun, Tommy meets the owner. A middleaged former Miss Fyn called Susse. Slowly an unusual love affair begins. Tommy's two friends Ole & ... See full summary »
Tomas Villum Jensen
Nikolaj Lie Kaas,
Thomas Bo Larsen
Wanted for a long time, serial killer Gabriel Engel gets arrested in a spectacular police raid. Small town cop Michael Martens travels to the big city to interrogate him and finds out more then he is looking for.
Christian von Aster,
Life in the suburbs as a father of two has worn down Jonas. When a victim of a car crash mistakes him for her boyfriend Sebastian, things take a very dramatic turn as the line between truth and deception is erased.
Anders W. Berthelsen,
Nikolaj Lie Kaas
A psychological drama about Ulrich, a workaholic whose life takes a drastic turn when he is involved in a fatal accident. As his guilt grows, his life slowly crumbles around him. Next, an ... See full summary »
Anne Sofie Espersen,
In Copenhagen, the writer and journalist Jacob and his girlfriend Nina are surprised when his beloved sister Julie, who became handicapped after an attempt of suicide, informs that she is going to marry her Internet acquaintance Anker. However, on her wedding night, Julie commits suicide in the bathtub of the hotel, dying in the hands of Anker. After the funeral services, Anker leaves Copenhagen and while packing Julie belongings, Jacob finds a book that belongs to Anker with an obituary identical to the one Anker had written in Julie's grave. The intrigued Jacob calls Anker, but his cellular is out of service. Jacob decides to investigate the destination of Anker and finds him in the small town of Mørke in the Midden-Jutland. When he meets his former son-in-law, he finds that he is going to marry the handicapped Hanne on the next Saturday. Jacob tells Hanne's sister Sonja his fears about Anker, but neither she nor the local deputy Carl believe on his words. Jacob decides to stay for ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I watched this movie on late night TV because Nikolaj Lie Kaas headed the cast; he is always astounding, and gives such rounded, often so-believable-it's-painful, performances. Then on to the screen walked Nicolas Bro (as Anker, the serial wedder) and I knew this would be a film worth staying up late for. Bro can walk that fine line between comfortingly believable nice guy and crazy nut job, so that one is forever questioning judgements formed about his character's true motives. His physical size alone is at once both reassuring and threatening.
There are layers to this excellent, but dark story which are still emerging for me. Kaas' character is drawn into a search for how his beloved sister, disabled from an earlier suicide attempt, could have suicided on her wedding night to the (decidedly creepy) Anker. So many times I wanted to scream at Kaas 'Go home - you really don't want to be going there!!' as he relentlessly pursued the truth about his sister's death.
I was always aware that Nikolaj Lie Kaas' parents had each suicided, and so this film would have been a necessary, and perhaps cathartic experience for him. I hadn't known that the Danes were a death-denying country, but perhaps this is a feature of all Western countries, as we go about kidding ourselves that we're happy, and that we'll surely live forever! Death and death-denial are favourite subjects of mine, so this film spoke to me at a deeper level than it may for other viewers.
Don't let the subject matter put you off. This is a truly remarkable film, and is worth seeing, just for the performances alone.
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