Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
Director:
Darren Lynn Bousman
Stars:
Tobin Bell,
Scott Patterson,
Louis Ferreira
Two strangers, who awaken in a room with no recollection of how they got there, soon discover they're pawns in a deadly game perpetrated by a notorious serial killer.
Following Jigsaw's grisly demise, Mark Hoffman is commended as a hero, but Agent Strahm is suspicious, and delves into Hoffman's past. Meanwhile, another group of people are put through a series of gruesome tests.
Director:
David Hackl
Stars:
Scott Patterson,
Costas Mandylor,
Tobin Bell
Agent Strahm is dead, and FBI agent Erickson draws nearer to Hoffman. Meanwhile, a pair of insurance executives find themselves in another game set by Jigsaw.
As a deadly battle rages over Jigsaw's brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for over 10 years.
Directors:
Michael Spierig,
Peter Spierig
Stars:
Matt Passmore,
Tobin Bell,
Callum Keith Rennie
After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
This comic, set in the world of SAW goes back in time to explore the events that spurred the transformation of mild-mannered John into the monstrous Jigsaw.
A student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from Death itself, which seeks out those who escaped their fate.
Director:
James Wong
Stars:
Mary Elizabeth Winstead,
Ryan Merriman,
Kris Lemche
Detective Matthews and the Swat-team goes on a mission to arrest Jigsaw who strikes again, but even that is only a part of Jigsaws detailed plan. Matthews soon get to know that eight people are trapped in an old house and are playing Jigsaw's game. One of them is his own son.Written by
ahmetkozan
David Hackl, the film's production designer, took three weeks to construct 27 sets on one sound stage. See more »
Goofs
(at around 18 mins) When Jigsaw is explaining Daniel's situation to Eric, the clock on the wall says 7:30. After the timer in the monitor room has gone down by 90 minutes (at around 59 mins), a shot of the wall clock shows the time as 8:00 - only half an hour later. See more »
Differences in the Unrated version of SAW II include:
When the police are entering the Wilson Steel warehouse, three short cuts are shown of Jigsaw upstairs, realizing the police have arrived. When he realizes this, he calmly goes back to what he was working on.
When the police are approaching Jigsaw several scenes are added where he is eating Cheerios (as stated in the commentary on the original R-rated DVD).
Jigsaw has a few extra lines of dialogue with Detective Matthews, mentioning that he has "wiped the slate clean", and that most people are merely "sleepwalking".
When Obi is trapped in the oven, he attempts to break the glass on the far side as he is burning alive.
The scene of Amanda thrashing around in the syringe pit is extended.
In the bathroom, Charlie Clouser's score begins as Xavier begins cutting off his skin, and continues until he dies from his throat being slashed.
The opening scene with "The Venus Headtrap" is extended and the song "Irresponsible Hate Anthem (Venus Headtrap Mix)" is playing in the background.
The scene where Matthews is beating up Jigsaw is extended with one extra punch.
Why is it that so many critics, movie-goers and film patrons see such bold and unique forms of film as nothing but bloody and un-needed garbage? Isn't it about time to enter the age of the modern horror film, and to realize that audiences these days have already seen it all when it comes to the horror movie, so one-of-a-kind ideas such as the SAW series should be seen as a much needed godsend to the film industry. They say that this is what is takes to scare people these days: untrue. Take the original Texas Chainsaw Massacre for instance, upon close examination, one can notice that it is essentially a bloodless film. So what is it about such movies that scare us? Well, it's the idea, the cinematography, and the boldness to plant such a terrifying seed into the world of movies. It isn't a man sawing his foot off or a man being set on fire that scares audiences, it's the fact that it has NEVER...EVER been done before on the big screen that engulfs the audience into a trance-like cloak of fear over a movie. The people who conjure these ideas for movies are not on the mindset to create something for the SOLE PURPOSE of making someone cringe and fray, they want to be their own level, nay, rank of movies for others to, essentially, build off of. Are SAW and SAW II the last of their kind? By no means, if anything they are merely predecessors of the film noir that is going to eventually rise into the R-rated spectrum. Forgive me for not stressing on the movie's actual content, but I feel it is the very ideas behind SAW that make us have to see it for ourselves. And I highly recommend those of you skeptical about it to do so. Will you be frightened? Yes. Will you see things never before shined onto the screen? Yes. And will you leave the darkness of the theater in a sense that you have witnessed movie history unfold before your eyes? YES.
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Why is it that so many critics, movie-goers and film patrons see such bold and unique forms of film as nothing but bloody and un-needed garbage? Isn't it about time to enter the age of the modern horror film, and to realize that audiences these days have already seen it all when it comes to the horror movie, so one-of-a-kind ideas such as the SAW series should be seen as a much needed godsend to the film industry. They say that this is what is takes to scare people these days: untrue. Take the original Texas Chainsaw Massacre for instance, upon close examination, one can notice that it is essentially a bloodless film. So what is it about such movies that scare us? Well, it's the idea, the cinematography, and the boldness to plant such a terrifying seed into the world of movies. It isn't a man sawing his foot off or a man being set on fire that scares audiences, it's the fact that it has NEVER...EVER been done before on the big screen that engulfs the audience into a trance-like cloak of fear over a movie. The people who conjure these ideas for movies are not on the mindset to create something for the SOLE PURPOSE of making someone cringe and fray, they want to be their own level, nay, rank of movies for others to, essentially, build off of. Are SAW and SAW II the last of their kind? By no means, if anything they are merely predecessors of the film noir that is going to eventually rise into the R-rated spectrum. Forgive me for not stressing on the movie's actual content, but I feel it is the very ideas behind SAW that make us have to see it for ourselves. And I highly recommend those of you skeptical about it to do so. Will you be frightened? Yes. Will you see things never before shined onto the screen? Yes. And will you leave the darkness of the theater in a sense that you have witnessed movie history unfold before your eyes? YES.