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Fantastic Mr. Fox (2009) Poster

Trivia

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Writer, producer, and director Wes Anderson chose to have the actors and actresses record their dialogue outside of a studio and on-location to increase the naturalness: "We went out in a forest, went in an attic, went in a stable, we went underground for some things. There was a great spontaneity in the recordings because of that."
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The original story was written at a dark time in Roald Dahl's life. He had already lost one of his five children to measles and witnessed another one suffer from water on the brain as the result of a car accident. It was only natural that he would be spurred on to write a tale portraying the father as a protector of the family.
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CGI was only used in one scene, the flooding of the flint mine.
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The color scheme of this movie is primarily autumnal (yellows, oranges, and browns) with virtually no green and blue. However, Kristofferson's (Eric Chase Anderson's) blue-colored wardrobe was intentional, as it emphasized his being a visiting outsider.
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Roald Dahl's "Fantastic Mr. Fox" was the first book writer, producer, and director Wes Anderson owned. His mother, Texas Ann Burroughs, bought it for him at the St. Francis book fair in Austin, Texas when he was about seven years old. Anderson has kept this same copy on his bookshelf ever since.
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When Mr. Fox (George Clooney) and Kylie (Wallace Wolodarsky) are in Fox's study going over the plans for the first heist, Fox is sitting in a large armchair with a board on the armrests that he is using as a table for his microphone. This is exactly how Roald Dahl used to write his stories based on old photographs.
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During one of the outdoor dialogue recording sessions, a best take was almost ruined by the sound of a nearby boat. Open to the randomness, writer, producer, and director Wes Anderson modified the scene in this movie to include an airplane flying through the shot. Anderson said, "I think it was better with the airplane than without. A flaw in the recording gave us a new idea."
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This movie is composed of almost 56,000 shots.
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Altogether, 535 puppets were made for this movie. Mr. Fox had seventeen different styles alone, and each of Mr. Fox's styles had to be done in six different sizes. He has 102 puppets alone.
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Shot digitally using a Nikon D3, which offers a significantly higher resolution than even that of full high definition. It was also shot at a frame rate of twelve frames per second, rather than the more fluid twenty-four, so that viewers would notice the medium of stop-motion itself.
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The look of this movie was inspired by Great Missenden, a village in Buckinghamshire, England, where Roald Dahl lived and worked. The tree where the Fox family lives is based on a prominent beech tree on Dahl's property, and Mr. Fox's study re-creates in minute detail the interior of the famous garden hut in which Dahl did most of his writing.
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It took seven months to perfect the first Mr. Fox puppet.
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Ash's (Jason Schwartzman's) ear twitching was based on a gesture most foxes (and domestic canines) do to show aggression and/or displeasure.
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DIRECTOR CAMEO (Wes Anderson): As the voice of the real estate agent weasel.
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Throughout this movie, the word "cuss" is used in place of actual cussing. When asked about its origin in a radio interview on "Fresh Air" with Terry Gross, Wes Anderson said, "I don't even remember. I think it was just to use the concept of profanity as a replacement for profanity itself. It turned out to be very versatile." In keeping with this theme, one of the buildings seen in this movie bears "CUSS" written as spray-painted graffiti.
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Writer, producer, and director Wes Anderson wanted to use real animal hair for all of the animal puppets, even though it meant that the hair would appear to ripple unnaturally in this movie, due to the puppeteers handling the models between frames. This rippling was apparently intentional.
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Kristofferson's (Eric Chase Anderson's) unaccompanied minor badge reads "Name: Kristofferson Silverfox. Height: 42cm (tall - for a cub). Weight: 3.5kg. Allergies: None. Reason for travel: Ill father."
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For the moving water, writer, producer, and director Wes Anderson used Saran Wrap, and for the smoke, cotton balls.
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The last movie to use the Twentieth Century Fox logo from 1994.
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This is Wes Anderson's first movie that did not feature one of his signature slow-motion sequences.
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Roald Dahl allegedly fashioned Mr. Fox after himself.
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In the original book, humans and animals never directly interacted with one other, so it was never clear if they could understand each other. Here, they clearly can, when Mr. Fox (George Clooney) asks Franklin Bean (Sir Michael Gambon) if he brought the boy, Bean replies, and clearly understands him.
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This movie was critically acclaimed and even had a held-over run from Thanksgiving all the way through the 2009 holiday season, but was not a huge hit financially, and not all that popular with general audiences.
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The train that can be seen passing in the background sometimes is the same one in Ash's (Jason Schwartzman's) bedroom. Its scale was changed using the film technique of forced perspective.
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Wes Anderson's first family movie. Although, it still contains many of the trademarks of his live-action movies, family dysfunction, colorful palettes, et cetera.
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The human characters' hair was actual human hair collected from studio employees at Mackinnon & Saunders, the company that manufactured the puppets for this movie.
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Several bits of dialogue come word-for-word from the original story. For example, "got the tail, but missed the fox".
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Mrs. Felicity Fox (Meryl Streep) was named after Roald Dahl's widow.
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When Ash (Jason Schwartzman) is talking to Agnes (Juman Malouf) at the Whackbat field, there is a plane in the background announcing the grand opening of the Boggis, Bunce, and Bean Supermarket, in which we later see them towards the end of this movie.
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The characters seem to break the fourth wall by being able to read the title cards for each scene, Ash (Jason Schwartzman) seems to know what Mr. Fox (George Clooney) and Kylie (Wallace Wolodarsky) are up to from reading the title card for the scene, and Nathan Bunce (Hugo Guinness) seems to be reading the time card that says how long Mr. Fox and his friends and family have gone without food or water, prompting to ask how long they can go without any.
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Twentieth Century Fox did consider making Mr. Fox the company mascot, but decided not to, because of how the idea was too similar to a joke once made on The Simpsons (1989).
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According to animation director Henry Selick, Wes Anderson would act out scenes while in Paris and send them to the animators via his iPhone.
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The inspiration for the naming of the character Kristofferson came from singer, songwriter, and actor Kris Kristofferson, not only because Wes Anderson and Noah Baumbach are fans of his work, but also because they simply liked the name.
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Franklin Bean (Sir Michael Gambon) has more than a passing resemblance to Roald Dahl.
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The source material makes up roughly one hour of the running time before going into a tangent of its own story that is Wes Anderson's own ideas.
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In the months preceding the opening of this movie, controversy arose concerning the little time that writer, producer, and director Wes Anderson actually spent on-set, choosing to direct the animation via e-mail from his apartment in Paris. In an October 2009 Los Angeles Times article, cinematographer Tristan Oliver was quoted as saying, "I think he's a little O.C.D. Contact with people disturbs him. This way, he can spend an entire day locked inside an empty room with a computer. He's a bit like The Wizard of Oz (1939). Behind the curtain." Informed of Oliver's discontent, Anderson said, "I would say that kind of crosses the line for what's appropriate for the director of photography to say behind the director's back while he's working on the movie. So, I don't even want to respond to it." On the Wes Anderson fan website "The Rushmore Academy" (named after Anderson's Rushmore (1998),) Oliver criticized the article's tone, stating that it made him out to be a villain: "Yes, working with Wes can be frustrating, but that is true of any director, and I've worked with a hundred who were more irritating and less motivated than Wes. So let's just lay to rest the ghost of this particular myth and oh, it would be nice if the death threats stopped too. Thanks."
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When Ash (Jason Schwartzman) and Mr. Fox (George Clooney) are in the sewer talking, Ash is sitting still staring down the viewer. This is what is commonly known as the "Kubrick stare". A technique developed by Stanley Kubrick, and he would often use it when a character had to be intimidating or unsettling.
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The song Mole (James Hamilton) plays on the piano is actually Art Tatum's recording of the Cole Porter song "Night and Day". The use of this recording is something of an inside joke, as Tatum was blind, and moles are known for having very poor vision.
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Mr. Fox's wardrobe was based on Wes Anderson's own brown corduroy suits.
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In the closing scene at the supermarket, all are drinking Bean's Apple Juice boxes, except for Ash, who is drinking Grape Juice. This is just another way which Ash is "different".
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Mr. Fox bares his teeth when scared, which is true to a real fox's instinctive behavior.
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Agnes was played by Wes Anderson's girlfriend, Juman Malouf.
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This movie was one of the first movies to require "Smoking" as one of its content reasons in its rating information.
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Portions of the audio version of the book can be heard in this movie. The music to which Nathan Bunce (Hugo Guinness) is listening when Mr. Fox (George Clooney) first steals from his farm is the theme music from the audio book.
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George Clooney's first starring role in an animated movie.
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The noticeable pauses and slower action in the stop-motion is an homage to the Rankin Bass stop-motion holiday specials of the 1960s and 1970s.
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To keep their contents from evaporating, the test tubes in the science lab scene were all filled with fruit jelly with a various assortment of colors.
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According to Meryl Streep, when she was in London filming Mamma Mia! (2008) in summer 2007, she stayed in an apartment block in central London, and one night she noticed a fox out of her bathroom window. Both Streep and the fox, stone still, stared at each other for twelve minutes. Mesmerized by this experience, she used it as inspiration for her performance.
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Mr. Fox's implanting of sleeping powder into blueberries for unsuspecting guard dogs to consume was taken from another Roald Dahl book, "Danny, the Champion of the World", in which raisins were used similarly on unsuspecting pheasants. When the Dahl attorneys learned of this, they wanted it removed. But, because it had already been filmed, Wes Anderson pleaded with them and was able to keep it in the movie.
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When Rat (Willem Dafoe) is approaching Ash (Jason Schwartzman) with the bag, he is moving his hands from side to side while snapping his fingers. This references West Side Story (1961), when the gang members approach the camera during the Jet Song.
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The character of Kylie was based on a handyman (named Kylie) who was living in Wes Anderson's New York City apartment when he purchased it from painter Larry Rivers: "After I bought it, he continued to live there while the place was gutted, but eventually I had to ask him to move out."
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Theatrical movie debut of chef Mario Batali (Rabbit). Rabbit wears an orange neckerchief, which echoes Batali's penchant for wearing orange shorts and Crocs. On the Fox Searchlight website for this movie, there was even a recipe made available, courtesy of Batali, for Mrs. Bean's Famous Nutmeg Ginger Apple Snaps.
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The American Cathedral in Paris' choir were hired to sing the "Boggis, Bunce, and Bean" limerick. They were recorded at Abbey Road Studios in London, England, in Studio Two, which is most famous for having been where The Beatles recorded almost all of their music.
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Mr. Fox's suits were modelled on the same suits that Wes Anderson wears, with the animators obtaining fabric swatches from Anderson's tailor.
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Early versions of this movie cast Jarvis Cocker as an on-screen narrator, which baffled test audiences. Cocker said in an interview with the Observer, "I may turn up as a DVD extra in the future." In the theatrical cut, Cocker's spoken (not sung) dialogue is reduced to one line.
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The cinematography has a lot of homages to classic 2-D traditional animation, such as the flat dimensional perspective, and the panning down shots such as those in the fox's tree and the sewer.
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Although widely well-received, this movie did not do well enough to recoup production costs. As a result, no other Roald Dahl adaptations were made until The BFG (2016), which also failed to break even.
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The titles and text used in the production design are in Helvetica Bold. All previous Wes Anderson movies have utilized Futura Bold.
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Premiered two days after Where the Wild Things Are (2009). Both movies were based on popular children's books and directed by cult indie directors.
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When reciting the Latin names of each animal, Mr. Fox says he doesn't know the one for opossum. It is Didelphis virginiana.
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The text seen on the paper that Mr. Fox is reading (the one that contains the advertisement for Bandit Hats) consists of parts from the book.
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Two songs from Disney productions can be heard in this movie. One is "Love" from Disney's Robin Hood (1973), a movie that also featured anthropomorphic animals and specifically main characters that are foxes.
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One of two movies released in 2009 that featured a talking fox. The other was Lars von Trier's Antichrist (2009). Both featured Willem Dafoe, and have been released by the Criterion Collection.
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Kylie's (Wallace Wolodarsky's) World Traveler Titanium Card [which he lends to Mr. Fox (George Clooney) to open a deadbolt lock] has the number "3737 321345 61008". Valid from 10/06 to 10/10, it also gives his full name as "Kylie Sven Opossum".
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The character Petey was modelled after Jarvis Cocker, the lead singer of Pulp. He bears a physical resemblance, and even performs his unique dance moves.
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The posters hanging on the walls in the science lab were all painted with translucent materials. This way, they would light up when the scene was shot.
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At one point during production, Wes Anderson had twenty-nine units working simultaneously for him.
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The first animated movie distributed by Regency Pictures, the first stop-motion animated movie for Twentieth Century Fox, and the first animated movie for Fox Searchlight Pictures since Waking Life (2001).
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Development began in 2004 at Revolution Studios between Wes Anderson and animation director Henry Selick, who had worked with Anderson on The Life Aquatic with Steve Zissou (2004) (and who had directed another stop-motion animated film based on a Roald Dahl work, James and the Giant Peach (1996).) When Revolution folded, Selick left the project to direct Coraline (2009), and was replaced by Mark Gustafson.
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Lost both of the Oscars for which it was nominated to Pixar's Up (2009).
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Though the cover of Ash's comic reads "White Cape Vs. Black Dog", there is speculation that he is actually reading Art Spiegelman's Maus. The pages inside are very similar in color and design to Maus, and a picture on the back is a direct image from the book.
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During the battle in the town near the end of this movie, we see the signs of several businesses. One sign, "Dutronc Detective", is in the same shape and neon style as a well-known sign in Paris, "Duluc Détective". As Wes Anderson directed much of this movie from Paris, it is certainly possible that he saw this distinctive sign and wanted to reference it in this movie. The name references Jacques Dutronc, French musician and actor.
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When Mr. Fox finds the "Bandit Hat Sale" in the newspaper, the surrounding text is the original Mr. Fox story.
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The second animated feature film to enter the Criterion Collection after Akira (1988). However, it was the first animated movie to be available on Criterion since the Blu-ray upgrades.
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This film is part of the Criterion Collection, spine #700.
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At one point in this movie, Mrs. Fox (Meryl Streep) tells Ash (Jason Schwartzman) that he has "twenty-nine minutes to come up with a proper apology" for Kristofferson (Eric Chase Anderson). In terms of this movie's run time, his apology occurs approximately thirty-nine minutes later.
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Before he runs up the manhole, Rabbit (Mario Batali) blesses himself, saying "domino Santa Maria", a prayer to St. Mary in Latin.
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Asterisks are a recurring visual throughout this movie. They can be seen on the unconscious beagles' eyes, on Kylie's palm around the blueberry note, on the motorcycle ramp, and on Bean's apples, amongst other places.
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The villains seem to be modified from their original personalities in the book. Walter Boggis (Robin Hurlstone) and Nathan Bunce (Hugo Guinness) stay calm and collected throughout most of this movie. Franklin Bean (Sir Michael Gambon) loses his temper and has an outburst only once. There is no mention of Bean being filthy and smelly from never washing or bathing, as it was described in the book. He also seems to have all of his teeth, unlike the book, which hinted at his missing some.
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Third adaptation of a Roald Dahl story to be done using animation, and the second to use stop-motion animation.
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The illustrations for English-language editions of the novel from 1996 onward by Quentin Blake made the farmers (especially Bean) look more like stereotypical "hicks", dressed in grimy overalls and caps, which matches their descriptions in the book, as opposed to the more refined and country-squire designs featured in this movie.
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The voices were recorded at a farm house in Connecticut, which was owned by a friend of writer, producer, and director Wes Anderson. Willem Dafoe's dialogue, however, was recorded in Paris at a later date.
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Despite being the secondary and tertiary villains, Boggis (Robin Hurlstone) and Bunce (Hugo Guinness) only say three to four lines each for four scenes, and they have the least lines of the entire main cast.
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Tim Burton and Henry Selick were attached to the production at different times. Both had worked on stop-motion animation before.
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When everyone toasts with juice boxes in the supermarket at the end of this movie, Ash is the only one holding a grape juice box, as opposed to the others' apple juice boxes.
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Roald Dahl is one of Wes Anderson's heroes.
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It was rumored that Cate Blanchett was originally the voice of Mrs. Fox, but was replaced by Meryl Streep. According to Wes Anderson, however, he had spoken to Blanchett about the part around the time of filming The Life Aquatic with Steve Zissou (2004), but never got further than that: "I think that was on the Internet before it was really meant to be. For a long time there were versions of the cast out there that were not very accurate."
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The door in the science lab reads: "Co-ed, all species / ELEMENTARY CHEMISTRY / Grade: 6 ¾ / Miss Muskrat's Class".
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Featured in this movie are three songs sung by Burl Ives. Ives voiced Sam the Snowman in Rudolph the Red-Nosed Reindeer (1964), a stop-motion animated production by Rankin-Bass that influenced the style of this movie. Furthermore, all three of the songs featured were first released on Ives' 1960 album "Burl Ives Sings Little White Duck and Other Children's Favorites".
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To protect his costume between shooting, the lower half of Ash's body had to be wrapped in cling film.
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This is the second time a George Clooney character lies about being a thief while winning the girl back by taking a chance with "one last job". The first time was Danny Ocean in Ocean's Eleven (2001).
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Franklin Bean's (Sir Michael Gambon's) walkie-talkie is almost identical to the U.S. BC-611 (or SCR-536), which saw widespread use in World War II, and was the first hand-held two-way radio.
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The red façade of the "Little Theatre" in the scene where Mr. Fox throws burning pines was modelled after the real Little Theatre in Bath, Somerset, England.
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Theatrical movie debut of Hugo Guinness (Nathan Bunce). Wes Anderson is a fan of Guinness, a British artist whose work can be seen on the walls of the Tenenbaums' house in The Royal Tenenbaums (2001).
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According to an interview with Wes Anderson for "The Treatment" with Elvis Mitchell, the look of this movie was inspired by the artwork by Donald Chaffin for the book by Roald Dahl.
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At one time, it was rumored that Brad Pitt would make a voice cameo appearance. During the making of this movie, Wes Anderson directed Pitt in a thirty-second television advertisement for the Japanese cellphone company Softbank Mobile.
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The cast includes three Oscar winners: George Clooney, Meryl Streep, and Adrien Brody; and eight Oscar nominees: Bill Murray, Willem Dafoe, Owen Wilson, Hugo Guinness, Roman Coppola, Jeremy Dawson, Steven Rales, and Wes Anderson.
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The gun held by Franklin Bean (Sir Michael Gambon) was an Artillery Luger, which is a rare German 9mm Luger produced in World Wars I and II, that included an eight-inch barrel, a removable stock, and a thirty-two round drum magazine.
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Marks the first appearance of The Beach Boys' music in a Wes Anderson movie. Anderson had originally thought of using their recording of "Sloop John B" for the final scene in The Royal Tenenbaums (2001), but later changed his mind.
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In the beginning when Mr. Fox and Mrs. Fox are infiltrating the farm, three different sized puppets were used.
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The song being played during the scene is the security room while Mr. Fox (George Clooney) and Kylie (Wallace Wolodarsky) are robbing Nathan Bunce's (Hugo Guinness') smokehouse is the finale of Mozart's Horn Concerto No. 4 in Em. A version of this song was previously used in the opening of Wedding Crashers (2005), which starred Wes Anderson's long time friend and collaborator Owen Wilson. In this movie, Wilson played the gym coach.
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When Bean trashes his trailer, he comes outside and lifts his arm to smash the cider making machine. The noises used for that machine are exactly the same as those used for the machine that Alec Guinness' character builds in the 1951 Ealing Comedy, The Man In The White Suit.
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Mr. Fox's trademark "whistle" is the same as the one Donald Sutherland has as Dr. "Hawkeye" Pierce in the movie MASH.
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The version of "Ol' Man River" by The Beach Boys used in this movie, is actually a combination of two versions: the first half is taken from the 2002 rarities compilation "Hawthorne, CA: Birthplace of a Musical Legacy" (which is the version available on the "Fantastic Mr. Fox" soundtrack,) while the second half is taken from a medley entitled "Old Folks At Home/Ol' Man River", available on the "Friends/20/20" two-fer.
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Production began in London in 2007.
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The launch film for the 2009 London Film Festival.
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The exterior of the cinema in the town is based on, and closely resembles The Little Theatre in Bath, Somerset, England.
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The song "Looking For A Fox" by Clarence Carter was featured in the first trailer, though it doesn't appear in the film.
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The second animated film for William Dafoe and Owen Wilson respectively after Finding Nemo (2003) and Cars (2006) which are both from Pixar.
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Almost all credit card numbers are sixteen digits, typically expressed in four groups of four digits each. Kylie's World Traveler Titanium Card has a fifteen-digit number (3737 321345 61008). Among the major credit cards today, this format is exclusive to American Express. It makes American Express tricky to enter into point-of-sale systems which all seem to prefer the sixteen-digit standard.
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The eleventh theatrically released animated film released in the 21st century with a November release date outside of a Thanksgiving week after Rugrats in Paris: The Movie (2000), Monsters, Inc. (2001), Brother Bear (2003), The Incredibles (2004), The Spongebob Squarepants Movie (2004), Chicken Little (2005), Flushed Away (2006), Happy Feet (2006), Bee Movie (2007), and Madagascar: Escape 2 Africa (2008).
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Director Trademark 

Wes Anderson: [The Rolling Stones ]: Features "Street Fighting Man".
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Spoilers 

The trivia items below may give away important plot points.

Rat's (Willem Dafoe's) death was almost re-shot because the MPAA thought it showed a rat bleeding to death and Mr. Fox (George Clooney) making him drink his own blood (it was sewer sludge).
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Wes Anderson and Noah Baumbach worked on the screenplay at Gipsy House, which was Roald Dahl's estate. They added a new beginning and ending, adapting the latter part of the story, (the war scenario), as the main plot. Unsatified with the book's ending, they found that the author's original manuscript contained a different ending, with sketches, taking place in a supermarket. Anderson later said, "That was awfully lucky, because we needed a new ending".
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The scene in which Rat and Mr. Fox fight to the death originally included Rat making reference to his wristwatch, stating, "I've still got the watch. She never asked for it back.", referring to Mrs. Fox. The dialogue was inspired by an actual on-stage aside from Keith Richards to Eric Clapton at a rehearsal of a concert staged by Sheryl Crow, which was witnessed by Wes Anderson. However, the scene was ultimately changed for the final movie.
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See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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