While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
Paul W.S. Anderson
Years after the Raccoon City disaster, Alice is on her own; aware that she has become a liability and could endanger those around her, she is struggling to survive and bring down the Umbrella Corporation led by the sinister Albert Wesker and head researcher Dr. Isaacs. Meanwhile, traveling through the Nevada Desert and the ruins of Las Vegas, Carlos Olivera, L.J., and new survivors K-Mart, Claire Redfield, and Nurse Betty must fight to survive extinction against hordes of zombies, killer crows and the most terrifying creatures created as a result of the deadly T-Virus that has killed millions.Written by
(at around 26 mins) Domesticating the Zombie in the beginning of this film is clearly a reference to George A. Romero's Day of the Dead (1985) when "Bub" did virtually the same thing with an older phone. See more »
(at around 1h 21 mins) Towards the end when Alice enters the Umbrella HQ and releases a clone of herself from the water/orb, the clone then dies. She is shown laying on the ground with her left hand covering only her left breast, with her elbow resting on the floor. In the next shot, from above, her arm is covering both and her elbow is no longer resting on the ground. See more »
Take a sample of her blood, and then get rid of that.
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At the end of the credits, Alice's voice is heard to say "You're just... another asshole". See more »
Third entry in the series is a dreary, painfully derivative horror-thriller set in the midst of a cataclysmic T-virus epidemic that has plagued most of the known world. With no place to turn and no good options, a motley group of survivors must elude flesh-eating zombies as they make their way across the desolate west hoping to make a new start. Leaden script with a nonexistent plot is redeemed only partially by Jovovich who's in good form as a scrappy, take-no-prisoners survivor, but beyond that it's just a senseless exercise in violence, special effects, and noise. A perfect addition to the undiscriminating/no-brainer genre. *½
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