Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Number one NASCAR driver Ricky Bobby stays atop the heap thanks to a pact with his best friend and teammate, Cal Naughton, Jr. But when a French Formula One driver, makes his way up the ladder, Ricky Bobby's talent and devotion are put to the test.
John C. Reilly,
Sacha Baron Cohen
Danny and Wheeler, well into their 30s, lack something: Danny feels stuck; he's sour and has driven away his terrific girlfriend. Wheeler chases any skirt he sees for empty sex. When they get in a fight with a tow-truck driver, they choose community service over jail and are assigned to be big brothers - Danny to Augie, a geek who loves to LARP (Live Action Role Play), and Wheeler to Ronnie, a pint-size foul-mouthed kid. After a rocky start, things start to go well until both Danny and Wheeler make big mistakes. Can the two men figure out how to change enough to be role models to the boys?Written by
When Wheeler is being introduced to Ronnie, Gayle introduces him as "Anson" to which he replies "Uh, Wheeler is good." implying he is unfavorable of his first name, this is possibly homaged by legendary author Stephen King in 'Under the Dome' as he and a character share the same full name: Anson Wheeler. See more »
During Danny's party at work, an extra (a black man with dreads) can be seen standing behind him while he's speaking. When the camera switches angles the same man is seen walking in front of Danny, and when the camera cuts back to the original angle, the man is back where he originally was. See more »
Damn, she got some boobies on her.
You sure are a fan of the boobies, kid.
Oh yeah. Sometimes I call myself "The Booby Watcher". I even have my own comic book. "The Adventures of The Booby Watcher".
Okay. You know, I have a theory about boobies.
Oh yeah. You see, there are as many women as there are men in this world.
True dat, true dat.
And every woman has two boobs, for the most part. So there are twice as many boobs as there are men. We're outnumbered and it's overwhelming. We're ...
[...] See more »
Halfway through the end credits, we cut back to Gayle Sweeny repeating her suggestive use of a hot-dog toward Jim Stansel (continuously pushes the end out of its bun while he sticks it back in). See more »
Unrated Version Includes 8 cuts and 2 using alternative footage, total difference is 2:12 min. See more »
Role Models is directed by David Wain who also collectively writes the screenplay with Timothy Dowling, Paul Rudd and Ken Marino. It stars Paul Rudd, Sean William Scott, Christopher Mintz-Plasse, Bobbi'e J. Thompson, Elizabeth Banks and Jane Lynch. Music is by Craig Wedren and cinematography by Russ T. Alsobrook.
Two energy drink salesmen (Rudd and Scott) are ordered to perform 150 hours of community service as punishment for an offence that occurred when their company vehicle was about to be towed. For their service, the two men work at a program called Sturdy Wings that is designed to pair kids with adult role models.
Personally I avoided it until now because it just sounded like another lame American bawdy comedy about two slacker dudes who create chaos and then grow up by the end credits. This in spite of the fact that I rate Rudd highly and have often found Scott watchable in small doses. As it happens, the film follows the standard formula of plotting but rises above it with funny dialogue, a commitment to its characters and an avoidance of the sort of treacle thick sentimentality that is out of place in this type of comedy. It's also expertly performed by the cast, with the youngsters doing their shift admirably.
Yep, there's adherence to poignancy and type, while the odd scene just comes off as being too smug and clever. But there's so much fun to be had here it doesn't hurt the film, it's a true pick me up if you are feeling down, a splendid case of a cast finding chemistry across the board and delivering on the promise of the zippy script. 8/10
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