Based on a very clever comedy by Claire Booth, wife of Time Publisher Henry Luce and later Ambassador to Italy. One of the surprises was an all-woman cast, novel in the 1930's. And although there were no men in the cast, most of the dialog was about them. The story is rather thin and depended on the fact that divorce, in the 1930's, was not only difficult but almost impossible in New York. Mrs. Stephen Haynes learns that her husband is seeing a salesgirl at Saks, and reluctantly divorces him, abetted by her friends, all of whom have romantic problems of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. This one, with an even better looking cast, is definitely not, largely because someone tried to move a 1930's situation comedy into the present.Written by
There is an abundance of the use of the color green, from the color of the sets, props, costumes, in almost every scene throughout the movie. In the final fashion show, except for the models, almost every guest is wearing green. See more »
Before the fashion show, Mary's mother asks Mary to rethink how she is presenting the coats for the show. When we view the fashion show, there are no coats modeled, only dresses. See more »
Written by Samuel Dixon, James Hogarth (as Jimmy Hogarth) and KT Tunstall (as Katie Tunstall)
Performed by KT Tunstall (as KT Tunstall)
Courtesy of Relentless Records
Under exclusive license to Virgin Records
Under license from EMI Film & Television Music See more »
The original 1939 "The Women" garnered some really die hard followers. There are message boards still going on it. "I have two questions; first, what did she say about _______; and, second _________." Someone comes along a few posts later and says she can answer the first part of the question, and does, but not sure yet about the second. It's that embedded. Most of the fan-atics of the original warned against any attempt to remake something so perfect. They jumped on "The Opposite Sex," and trounced that rather thoroughly. It was a bad movie. But, their full fury is earned here. It turns out their dire prediction of failure is vindicated in both cases. At least "The Opposite Sex" changed the name before they changed it all around. Here, it's not only a change-around, but an even further deterioration in flow, timing, direction, authenticity with added errors in casting and performance. Don't directors know how to say "cut" anymore? This should be followed by a firm instruction as to what's really going on here, how the characters feel in this scene, and, let's start again from – whatever point. They used to say at the end of filming that it's in the can, meaning the finished reel is in its metal case and ready to be distributed. Sadly, this weak effort with its canned performances was finished before production ended, and quite unready for distribution.
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