Hannah, who wears a hearing aid, is forced to go on holiday. On holiday she manages to find a job: caring for Josef, a burn victim on an oil rig who temporarily lost his sight, until he's stable enough to be transferred. There is almost no one on the rig, except a cook, an oceanographer and a few others out at sea. Hannah tends to Josef and he slowly breaks her shell of silence.Written by
Yonatan Doron (firstname.lastname@example.org)
The story about a nurse named Cora that Josef tells to Hanna is a short-story named "La señorita Cora" by argentinean writer Julio Cortázar from his book "Todos los fuegos el fuego". See more »
When she arrives at the oil rig by helicopter, Hanna is not wearing a transit or immersion suit. Wearing this is obligatory when travelling to off-shore installations in the North Sea. See more »
Before the holocaust, Adolf Hitler called all of his collaborators together and in order to convince them that he could get away with his plan he asked them who remembers the extermination of the Armenians? That's what he said. Thirty years later nobody remembered the million Armenians exterminated in the cruelest possible way.
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I went to see this last Isabel Coixet's movie three hours ago and its beautiful and powerful story is still bouncing in my head... the sea, Tim Robbin's eyes, Hanna's beautiful voice and her intense way of holding her feelings, Simon's delightful food in the middle of nowhere..
The way it is conceived is somehow simple, a mysterious woman, in my opinion extremely well resolved by Sarah Polley, happens to arrive to a remote place where a bunch of loners have just had a deep dramatic experience. As explicitly mentioned in the movie, 'God makes them..' ('Dios los cria'.., in Spanish), and so as she gets there she expands and relaxes in this environment where no one really expects anything from anybody.
The takes are so beautiful, the thousand different feelings that the same isolated landscape in the middle of the sea projects through the movie is unbeatable. The cast of characters is solid, and the supporting characters are developed enough so as to allow the viewer to understand, in basic terms, what brought them there.
Finally, the use of Tom Waits for the final transition is sublime! but, yeah, how could it not be? Tom Waits's music is the music for these films where the very deep of the heart is at stake.
So, yes, I do recommend this movie for anyone who cares or wants to care or would like to be able to care about people who have been profoundly wounded at some point. And this, I am afraid, hopefully includes you. Thanks Isabel.
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