Ricardo Tubbs is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy, as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.Written by
This movie, along with Heat (1995) and Collateral (2004), all feature a white supremacist or supremacists. Waingro has various tattoos of his affiliation. Max is robbed while tied to the steering wheel. Apart from their boots, quilted jackets, and generally all being Caucasian, the thug holding the gun to Max has a small, faint swastika on the corner of his lower eye. See more »
When Crockett and Tubbs are driving to meet the chief after their confidential informant jumps in front of the truck, the lights in the bottom of the Ferrari's visor, used to light their faces in the car for the camera, are visible. See more »
Although there were no opening credits in the theatrical release, the Unrated Director's Cut contains credits over a new sequence that opens the film. Once the credits are done, the film begins in the nightclub scene that opened the theatrical version. See more »
The unrated director's cut adds 7 minutes of unseen footage:
A 3 minute long boat race with opening credits
After the boat race there is a 1 minute scene where Crockett and Tubbs watch Detective Switek negotiate a deal with Neptune.
A line of dialogue from Alonzo (when hes driving) where he says "pick up some sh*t" has been removed
A line of dialogue where Crockett says "those are some skill sets" when looking at the satellite images of the speed boats has been removed
A brief, 30 second, scene where Nicholas calls Yero to set up the deal with Crockett and Tubbs
A scene from the theatrical cut when Crockett and Tubbs walk around an outside balcony at their hotel and walk in on Isabella and her men has been deleted. In the unrated cut, they go into their hotel room, they get a phone call, and they go to meet Montoya.
4 minutes of new footage over two scenes: After meeting Montoya, Tubbs calls Trudy to ask if everything is alright. She thanks him for some flowers that were sent to her. Tubbs tells her he didn't send them. After this phone call Tubbs and Trudy are in a diner talking about the flowers and how its part of being undercover.
A new shot in the airplane sequence where Tubbs identifies himself as flight zero-zero-zero and Zito in the other plane acknowledges him.
A 1 minute scene of Crockett and Isabella on a balcony when they are in Cuba. Isabella tells Crockett that she grew up in this house and how her mother was a surgeon.
The song "In the air tonight" performed by Nonpoint now plays leading up to the final shootout
When Isabella is coming over for the exchange before the shootout, someone saying "where you going bitch?" has been removed
A 1 minute scene after Crockett and Isabella leave the shootout, she hits and punches Crockett while he's driving. The car skids out and he ties her hands up.
A brief shot at the safe house when Crockett cut Isabella's hands free
The end credits have been shortened (because of the new opening credits) and Nonpoint's "In the air tonight" no longer plays. Now the credits play "One of these mornings" performed by Moby. (The Moby song is the second song during the theatrical credits)
Strict Machine (We Are Glitter Goldfrapp Mix)
Written by Alison Goldfrapp, Will Gregory (as William Owen Gregory), Nick Batt
Performed by Goldfrapp / Sasha Edit
Courtesy of Mute Records
Under license from EMI Film & Television Music See more »
confusing and unsatisfactory
From director Michael Mann and based on the 1980s television series comes this flashy, but overlong and unfocused Miami action flick about Vice detectives Sonny Crockett (Farrell) and Ricardo Tubbs (Foxx) who must go deep undercover and throw their personal lives into disarray in order to stop an international drug trafficking scheme. Pulls you in with its stylish direction and flamboyant visuals, but the two leads have poor chemistry, character development is almost nonexistent, and the film drags on from one convoluted plot twist to the next. Action scenes provide a spark every once in a while, but overall the film is frustrating and never provides one single reason to care about any of its characters! A disappointment considering the cast and crew involved. **
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