Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ...
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Goodbye Charlie Bright is the humorous and heart-warming story of the friendship between two teenage boys from a tough council estate. Set during a long hard summer it charts the close but volatile relationship between Charlie and Justin.
A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash ... See full summary »
Four policemen go undercover and infiltrate a gang of football hooligans hoping to root-out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time... See full summary »
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running the hottest bars in the land and also a South London bank robber and drug kingpin. From here on in Frankie signs up to a lifetime of crime, women and drugs and works his way from the bottom to the top of the Spanish cocaine empire with Charlie and Fellow bank robber and drug kingpin Sammy who does not give Frankie the best reception.
Danny Dyer and Linda Henry both go on to have roles in eastenders where Linda also plays a character called Shirley and is playing Danny Dyer's mum. See more »
The scene repeated twice, when Frankie and Charlie are on the run right before attacking the guys doing drugs, both pass in front of two girls, one is wearing the "Frankie says Relax" t-shirt but, on first the take, Charlie looks at her and says: "fuck off". It must be a warning of things to come. See more »
Two beers please, and I don't suppose there's a chance you'll suck my cock?
Lady at bar:
No, there isn't a chance. My old man's over there, and he's a big cunt.
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Director would like to thank and dedicate the film to The Witch See more »
I can't get enough of gangsters . I saw GOODFELLAS for the 20th billionth time last week and I bought THE DEPARTED on DVD yesterday so earlier tonight I sat down to watch Nick Love's much hyped - At least much hyped by Film Four - gangster movie THE BUSINESS
Did I say I couldn't get enough of gangsters ? Perhaps what I meant to say was I can't get enough of Scorsese because I got the impression that Nick Love was trying to emulate Scorsese's style and that is fatal for any director . Like GOODFELLAS and several other Scorsese classics the musical soundtrack is very important but for some reason Love seems to have thrown as many pop songs as possible into the mix . It's mentioned that towards the end of the story that it's 1987 with much of the narrative taking place before this , but the 80s tracks seem to be placed without any thought being put into their appropriate place within the chronology
The story itself is similar to a Scorsese film in that it's male orientated and misogynistic . Only difference is that the female characters are central to the plot in the Scorsese universe while in THE BUSINESS they seem to exist to just so to set an amusing scene towards the end where Frankie has to earn some money and one can't help thinking perhaps Love should have concentrated on a style of his own and put more thought into his own screenplay or perhaps even have directed a story written by somebody else therefore this audience member wouldn't have structuralist theories while watching a Nick Love movie
As for the cast I do remember writing in my review of BORSTAL BOY that Danny Dyer is an actor who could become a big name and I still stick by that but it's obvious he's rather unconvincing as a big hard gangster . I also couldn't help noticing that Camille Coduri and Linda Henry seem to be playing the same characters ( Though far more foul mouthed ) that they play in DOCTOR WHO and EASTENDERS respectively but as I said their characters are woefully underdeveloped so perhaps I shouldn't blame the actresses
THE BUSINESS is loud , violent and foul mouthed but most of all disappointing . Like OUTLAW the screenplay needed more work on it and perhaps the next film Love makes has a stronger producer who wants to find out like this audience member if he has an idiosyncratic style of his own
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