Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Four American soldiers who are in Iraq are sent on a mission to recover plates for printing 100 dollar bills that were used to print a billion dollars. After doing the job and returning to the base their commanding officer is killed in an explosion and the plates are stolen by another operative. They would be court martialed and sent to different prisons. 6 months later, the leader, Hannibal Smith is visited by a CIA spook who tells him he knows where the man who took the plates is and wants him and his men to recover it. So he helps him escape and he breaks out the others and they go after the plates. But after doing it, they discover that the spook might not be ok. And a military intelligence officer who was involved with one of them is pursuing them.Written by
Gerald McRaney's character name is Morrison, which is an anagram of "Or R Simon". McRaney's character name in Simon & Simon was Rick Simon. See more »
During the initial helicopter chase sequence, Murdock shuts down the turbine of his UH-1 in order to evade heat seeking missiles. Not only that this certainly would not be a practical evasion technique, since the engine heat of the helicopter would still be significant enough for the missiles to lock on, but it also would not "stop" the rotor blades as depicted in the film. The rotors would retain their inertia and continue to rotate. Furthermore, a turbine shutdown at a very low altitude would require a forced autorotation landing, and would likely not be recoverable. Finally, the engine starter is on the collective handle, not on the overhead panels as depicted. See more »
I want her phones, her computers, any support packages she operates, I want to know everything! I want active intercept taps on everything she's got, I want every move monitored from this moment forwards...
You realize she's D.O.D ?
I don't care if she's G.O.D. ! Do it !
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I remember first hearing about this. Cautious optimism was among my immediate reactions. Later, I caught a trailer(on that, do not think for a second that you saw all the good stuff, there's plenty they didn't give away). I was still not sure what to think. Then I watched it tonight. I enjoyed every single frame. No, I'm not kidding, this works from the very start and never loses you. I love the show, and this pays a lot of respect to it(at times, a tad much... early on, Neeson's every other line contains the word "plan"), and this not only nails the four characters(who all get an unforgettable introduction each, and several individual heroic moments), it doesn't merely imitate, but builds and slightly reinterprets to update them. They are played rather well; Liam looks like he was born with that cigar in his mouth, Bradley genuinely is charming and suave, Sharlto(from District 9; he reverts to his dialect here and there) comes across as a lunatic without that making us dislike him, and Jackson... well, he looks cool, he's not asked to do anything he can't handle, and he's certainly got more charisma than any other wrestlers on the silver screen(or Vin Diesel). The acting is in general marvelous, and every role is well-cast. Everybody is a bad-ass in this(on/off at least), and that does get old every now and then. Biel is largely eye-candy(as is all other females in this), though we know that she can do this kind of thing, and she doesn't let us down. The dialog wants to be as clever and full of banter as 2008's Iron Man, and this leads to it trying too hard some(with that said, two thirds of it works perfectly, and it's not a complete buzz-kill when it doesn't). It is hilarious a lot of the time, and the half-full theater I was in all clearly got a kick out of it. This is two hours of pure fun with non-stop, awesome action that doesn't repeat itself, with shoot-outs, chases and fights. It's not realistic, and it's not meant to be. The plans are *brilliant* and seeing them gather materials for them is a blast. This keeps to an immensely fast pace, without overwhelming us, and it fits in plenty of well-thought out plot(that doesn't confuse, in spite of twists and such, that hold up). The script is by the guy who did Wolverine, Swordfish and Hit-man and a rookie; however, maybe because of help from the director(who I've only seen one other thing by, his outstanding The Hire short), they turn in something magnificent. FX are plentiful(occasionally overshadowing the people... be careful, Carnahan), and excellent with a few brief poor bits. The editing is tight, cinematography stylish. While it's black and white, switch-off-your-brain-at-the-door, Hollywood popcorn flick, it doesn't claim or attempt to be anything else, and it's an utterly well-made and re-watchable one at that. There is a little strong language and brutality to the violence in this(no blood). I recommend this to fans of the television series who don't have impossible-to-reach expectations, and everyone who can get into a movie that just entertains you for a solid 120 minutes. 8/10
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