5.0/10
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Voici venu le temps (2005)

In the land of Obitania, a bandit, a warrior and a mercenary become involved in a struggle between a wealthy shepherd and his underlings.

Director:

Alain Guiraudie

Writers:

Catherine Ermakoff (contributing writer), Alain Guiraudie
Reviews
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Eric Bougnon Eric Bougnon ... Fogo Lompla
Guillaume Viry Guillaume Viry ... Jonas Soforan
Pierre Louis-Calixte Pierre Louis-Calixte ... Radovan Remila Stoï
Jacques Buron Jacques Buron ... Rimamba Stomadis Bron
Jean Dalric Jean Dalric ... Toba Louhan
François Gamard François Gamard ... Rixo Lomadis Bron
Sylvie Milhaud Sylvie Milhaud ... Gala Lomadis
Marie Félix Marie Félix ... Aube Lomadis Bron
Jean Lescot Jean Lescot ... Chaouch Malines
Valérie Donzelli ... Soniéra Noubi-Datch
Guillaume Rannou Guillaume Rannou ... Domano Réhon
Alain Figlarz Alain Figlarz ... Urbanos
Dominique Bettenfeld ... Manjas Kebir
Stéphane Boucher Stéphane Boucher ... Manganala Rivonne
Emmanuel Avena Emmanuel Avena ... Saphir du Matin
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Storyline

In the land of Obitania, a bandit, a warrior and a mercenary become involved in a struggle between a wealthy shepherd and his underlings.

Plot Summary | Add Synopsis

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Details

Country:

France

Language:

French

Release Date:

13 July 2005 (France) See more »

Also Known As:

Aquí ha llegado el tiempo See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »

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User Reviews

 
Originality of voice in this world of dream-logic.
15 November 2005 | by magus-9See all my reviews

Guiraudie seems to be carving out a very individual niche in French cinema, and this seems to me to be his most consistent film to date, though the others are certainly worth looking at. Here he creates a small, discreet universe with its own rules, currency, economy, political struggles and caste system. To an extent this alternative world reflects our own, but, thankfully, this is not some "clever" allegory about contemporary life, but rather a hermetically sealed dream world. But whereas most cinematic dream worlds concentrate on the bizarre or the nightmarish or the flamboyant, Guiraudie's oneiric space more closely resembles the real world of dreams - at least of those rambling but strangely coherent dreams that leave you tired the next morning (at least I know what I'm talking about... maybe not everyone has this kind of dream, but I do). It is a world that verges on the banale at times, but which also verges on the poetic at others. It's a perplexing but highly stimulating (and often funny) film to watch, and personally I am grateful for any 90 minutes in the cinema which feels completely fresh, original and quite unlike anything else I have seen. There may be "better" films this year, but I treasure this one for being unique: there is complete originality of voice here, and a great ambition to try and achieve something banale but at the same time ineffable - an ambition in which, amazingly, Guiraudie very nearly succeeds.


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