A detective examines the mysterious death of George Reeves, the star of the television series Adventures of Superman (1952).


Allen Coulter


Paul Bernbaum
3,998 ( 458)
Nominated for 1 Golden Globe. Another 3 wins & 7 nominations. See more awards »





Cast overview, first billed only:
Adrien Brody ... Louis Simo
Diane Lane ... Toni Mannix
Ben Affleck ... George Reeves
Bob Hoskins ... Eddie Mannix
Robin Tunney ... Leonore Lemmon
Kathleen Robertson ... Carol Van Ronkel
Lois Smith ... Helen Bessolo
Phillip MacKenzie ... Bill Bliss
Larry Cedar ... Chester Sinclair
Eric Kaldor Eric Kaldor ... Barbell Man (as Eric Kolder)
Caroline Dhavernas ... Kit Holliday
Kevin Hare ... Robert Condon
Molly Parker ... Laurie Simo
Zach Mills ... Evan Simo
Neil Crone ... Chuck


Struggling private investigator Louis Simo treats his work more as a means to make a living than a want to do right by what few clients he has. Through connections with the investigation firm for which he used to work, Simo is hired by Helen Bessolo to investigate the death of her son, actor George Reeves. Reeves was best known for his title role in Adventures of Superman (1952), a role which he always despised, in part since it typecast him as a "cartoon", despite it bringing him a certain fame. His June 16, 1959 death by a single gunshot wound while in his bedroom in his Los Angeles home was ruled a suicide by the police, the death which occurred when the house was filled with people. Reeves' story is told in part in flashback as Simo, who is trying to make a name for himself with this case, talks to or tries to talk to some of the players involved, most specifically the wife of MGM General Manager E.J. Mannix, Toni Mannix, with whom Reeves was having a relatively open and ... Written by Huggo

Plot Summary | Add Synopsis


Living in Holly wood can make you famous. Dying in Hollywood can make you a legend. See more »

Motion Picture Rating (MPAA)

Rated R for language, some violence and sexual content | See all certifications »

Parents Guide:

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Did You Know?


The first episode of Adventures of Superman (1952) aired in September of 1952. The premiere of From Here to Eternity (1953) was in August of the following year. The audience reaction to seeing "Superman" was accurate. See more »


When Simo buys the newspaper from the stand, there is a red Corvette parked in front of it carrying chrome 5-spoke Cragar rims. The earliest street rim Cragar produced that looked like this, the Cragar S/S, was not released to the public until 1964. See more »


Toni Mannix: She's a lesbian, you know.
George Reeves: Who?
Toni Mannix: The one playing Lois.
George Reeves: Phyllis? Is she really?
Toni Mannix: No. She is now, as far as you're concerned.
George Reeves: Well... there it is.
See more »


References Gone with the Wind (1939) See more »


Aquellos ojos verdes
Written by Nilo Menendez and Adolfo Utrera
Performed by Ben Affleck
See more »

User Reviews

1 October 2006 | by tedgSee all my reviews

Its not impossible to be a clever writer of films today. But it is hard if you want to play with the noir genre. I've seen two recently that know what they are doing: "Brick" and "Kiss, Kiss, Bang, Bang." The notion of noir is so well developed now, it is hard to play with. There's a parallel in Jazz, I think, the other uniquely American invention in popular art. It seems innovation has stopped in Jazz — some say it is impossible — and matters of style now rule, together with degrees of deviation from the form.

This tries something different and fails tremendously. I would appreciate it if what they attempted were bold and engaging. But it isn't and the most I can say is that it is an uninteresting failure.

What's attempted here is a sort of layered noir. In genuine noir, you have two worlds, the world of the hapless folk we see and the world of fate that jerks them around. The viewers are assumed into that second world.

In this project, the two worlds are both put on screen. One world is the world of chumps, occupied by Reeve, and our mannered noir detective. He's strictly noir, with the required boozing, womanizing, injury-attracting, money chasing qualities.

The other world is the world of movies, their producers and watchers together. Its a vast conspiracy, protected by the police (and all of the government, presumably).

This isn't the same as Billy Wilder's "Sunset Blvd" which puts the world of movies in that first world, subject to the same capricious twists as the aging actress and her new monkey-boy.

No, this is different, but it isn't well worked out. Halfway through we realize that we should have "gotten it" by now, or at least been given a thread to follow to later loose. Instead, there isn't anything developed. Yes, we see a man get sad. Yes, we see a mystery, played Rashomon-like with multiple truths. Yess we see loyalties formed and broken, and a bunch of other narrative fragments thrown in.

But we get nothing we can follow. There are four or five ways to give us an unfollowable narrative that we can follow. Not here. This movie committed suicide before it came to us.

The only nice things I can say are that Diane Lane does her character well, but then she really does worry about looking pretty in Hollywoodland. And there is a nice visual touch in the Sacred Heart cards, that in real life were placed by Ms Mannix after the death.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

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English | Spanish

Release Date:

8 September 2006 (USA) See more »

Also Known As:

Truth, Justice, and the American Way See more »


Box Office


$28,000,000 (estimated)

Opening Weekend USA:

$6,008,000, 10 September 2006

Gross USA:


Cumulative Worldwide Gross:

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Technical Specs


Sound Mix:

DTS | Dolby Digital



Aspect Ratio:

1.85 : 1
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