A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
When the owner of a major elephant camp is murdered, Kham finds himself the number one suspect and on the run from both the police and the deceased's vengeful twin nieces. But luck is on ... See full summary »
Ong Bak 3 picks up where Ong Bak 2 had left off. Tien is captured and almost beaten to death before he is saved and brought back to the Kana Khone villagers. There he is taught meditation ... See full summary »
During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.
A near retired inspector and his unit are willing to put down a crime boss at all costs while dealing with his replacement, who is getting in their way. Meanwhile, the crime boss sends his top henchmen to put an end to their dirty schemes.
In Bangkok, the young Kham was raised by his father in the jungle with elephants as members of their family. When his old elephant and the baby Kern are stolen by criminals, Kham finds that the animals were sent to Sidney. He travels to Australia, where he locates the baby elephant in a restaurant owned by the evil Madame Rose, the leader of an international Thai mafia. With the support of the efficient Thai sergeant Mark, who was involved in a conspiracy, Kham fights to rescue the animal from the mobsters.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to the director on the special edition DVD, the continuous fight scene took five full takes for a variety of reasons, including stunt objects not breaking and the stunt mat not being in place in time. The five takes were filmed over a one-month period. See more »
In the second fight with Johnny the amount of tightrope on Kham's hand varies from shot to shot. See more »
[while chasing after Kham who's in a taxi, Mark looks at Officer Rick, who's driving, in a funny way]
[Both get out of the car and switch places as Mark yells at Rick]
My grandmother drives faster than you! And she's dead!
See more »
US version was cut by the distributor (The Weinstein Company) from 109 minutes to 81 minutes to 'tighten up' the film (which is frequently done with martial arts films owned by them). Additionally it has a new score by RZA. See more »
I have watched this movie several times and have come to a number of conclusions. The first is that 90% of the North American audience knows nothing about Asian films and more to the point, martial arts. Several other IMDb members commented on the repetitiveness of the movie, comparisons to Jackie Chan/Jet Li and its use of Kung Fu.
First of all martial arts flicks will always be redundant to some extent since there are only so many ways to pick a fight, but stories do vary as does the quality of action. Tom Yum Goong is very similar to Ong Bak in its simplistic story and the noble feeling that surrounds Tony Jaa's character. Mind you in this movie Tony is much more violent and brutal to his enemies. His sorrow at the loss of the elephants is a big part of his rage and the simplicity of the story left lots of space for action. Perhaps left simple for international appeal or for the simple fact that a simple, pure story would be more poignant. Anyway, if you go to a martial arts flick looking to pick it apart and analyze the acting skills then your a fool and should never leave your American Hollywood watering hole.
As to comparing Tony Jaa to Jackie Chan or Jet Li, are you insane?! Both Jackie and Jet are in their forties. Both are from China and went through actual training schools and academy's as well competitions. Wu Shu, Crane, Drunken Boxing etc... These are the styles these men made famous. Jackie built his comedic style from the ground up with his amazing acrobatic abilities, fighting skill and on screen charm. Now I'm not a Jackie Chan fan by any means, but credit where it is due. Jet Li was one of the youngest Chinese National Tournament winners ever and blew people away with his Tai Chi and Shaolin style Kung Fu.
How does this relate to Tony Jaa? It doesn't at all and thats the point. Tony was very poor growing up in Thailand idolizing Bruce lee in the movies. He earned every break he has in his own way, and built his style accordingly. This movie is so amazing because it not just Kung Fu and Karate for the thousandth time. Tony is a master of Muay Thai Kickboxing, which he uses 80% of the movie. Now you don't even need to know anything about fighting to notice the difference between karate (or other styles) and Muay Thai. Through the diversity of his fighting style as he battles people who using everything from crane style Kung Fu to Capoeira, you understand why comparing him to others is unfair. While he has trained in similar martial arts its obvious that he is unique. He is in the best shape of his life and just now coming into his prime. His screen presence, skill and experience mean he could be as big or bigger than Jackie or Jet in the next ten years. At the very least he is going to be a major Thai action star for years.
Also people keep in mind this is a Thai movie. Hollywood wouldn't even have finished the credits before they ran out of money if they worked with the same budget. More International success will give Tony Jaa access to a bigger budget, more talent (ie writers, language instructors, studios etc..) and allow him to grow. Its easy to bash but look at the low budget flicks Jackie Chan or any other martial artist made when they where twenty and you'll see that this movie is much much better than most.
Remember it all just opinion people, everyones got one. PacManPolarBear
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