7.6/10
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Thank You for Smoking (2005)

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2:31 | Trailer
Satirical comedy follows the machinations of Big Tobacco's chief spokesman, Nick Naylor, who spins on behalf of cigarettes while trying to remain a role model for his twelve-year-old son.

Director:

Jason Reitman

Writers:

Jason Reitman (screenplay), Christopher Buckley (novel)
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Popularity
3,919 ( 409)
Nominated for 2 Golden Globes. Another 12 wins & 30 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joan Lunden ... Joan Lunden
Eric Haberman Eric Haberman ... Robin Williger
Aaron Eckhart ... Nick Naylor
Mary Jo Smith ... Sue Maclean
Todd Louiso ... Ron Goode
Jeff Witzke ... Kidnapper
J.K. Simmons ... BR
Marianne Muellerleile ... Teacher
Cameron Bright ... Joey Naylor
Alex Diaz Alex Diaz ... Kid #1
Jordan Garrett ... Kid #2
Courtney Taylor Burness ... Kid #3 (as Courtney Burness)
Jordan Del Spina ... Kid #4 (as Jordan Orr)
Maria Bello ... Polly Bailey
David Koechner ... Bobby Jay Bliss
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Storyline

The chief spokesperson and lobbyist Nick Naylor is the Vice President of the Academy of Tobacco Studies. He is talented in speaking and spins arguments to defend the cigarette industry in the most difficult situations. His best friends are Polly Bailey that works in the Moderation Council in alcohol business, and Bobby Jay Bliss of the gun business own advisory group SAFETY. They frequently meet each other in a bar and they self-title the M.O.D. Squad, a.k.a. Merchants of Death, disputing which industry has killed more people. Nick's greatest enemy is Vermont's Senator Ortolan Finistirre, who defends in the Senate the use of a skull and crossbones on cigarette packs. Nick's son Joey Naylor lives with his mother, and has the chance to know his father in a business trip. When the ambitious reporter Heather Holloway betrays Nick disclosing confidences he had in bed with her, his life turns upside-down. But Nick is good in what he does for the mortgage. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

"Do you know what time it is Tokyo right now?: 4 pm tomorrow. It's the future nick. " See more »

Genres:

Comedy | Drama

Certificate:

K-11 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

8 September 2006 (Finland) See more »

Also Known As:

Kiitos että poltatte See more »

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Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend USA:

$262,923, 19 March 2006

Gross USA:

$24,793,509

Cumulative Worldwide Gross:

$39,323,027
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39:1
See full technical specs »
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Did You Know?

Trivia

Seventeen minutes into the film, an ad saying "More doctors smoke Alpacas than any other cigarette" can be seen. This is a spoof on Camel cigarettes, which used that slogan on paper, and on old time radio advertisements. See more »

Goofs

When Bobby Jay Bliss enters a National Guard recruiting office in 1971, modern cars are reflected in the door. See more »

Quotes

Nick Naylor: [Narrating] Bobby Jay works for S.A.F.E.T.Y., the Society for the Advancement of Firearms and Effective Training for Youth. After watching the footage of the Kent State shootings, Bobby Jay, then seventeen, signed up for the National Guard so that he too could shoot college students. But, the National Guard recruiter was out to lunch, so Bobby Jay ended up shooting Panamanians instead. Which is almost as fun as shooting college students, only they shoot back.
See more »

Crazy Credits

In the opening credits, printed under "A Jason Reitman Film" is "Established 1977", the year of Jason Reitman's birth. See more »

Connections

Featured in The Tonight Show with Jay Leno: Episode #19.192 (2011) See more »

Soundtracks

Sands of Iwo Jima
Written by Victor Young
Courtesy of Paramount Pictures
See more »

Frequently Asked Questions

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User Reviews

 
Inhale
24 March 2006 | by bitcetcSee all my reviews

You'll need to inhale, then exhale slowly and relax before plunging into the world of Nick Naylor (Aaron Eckhart), lobbyist and bag man for the Tobacco Industry. The laughs are some of the best abdominal exercise I've ever had at the movies. Thank You for Smoking is far and away the best satire to come out of Hollywood in years. The last attempt I remember was WAG THE DOG. This film is far better at true satire, its wit biting do-gooders and do-badders alike. It has been too long since Satire and the Politically Incorrect Sense of Humor have been allowed to point out the absurd in all sides of an issue. If you don't laugh out loud, your sense of humor has become a casualty of malpractice by the Doctors of Spin and the Nursemaids of Political Correctness.

Young Jason Reitman's direction and screenplay are deft and light. He is never heavy-handed, or worse, condescending (as may have happened more than once in WAG THE DOG). Based on a novel by Christopher Buckley (the son of William F. Buckley), the script is the star here. The double, triple, and sometimes quadruple entendres are spoken conversationally by a star-studded ensemble cast, who clearly revel in great material and great lines. Every reviewer opines that this will be Aaron Eckhart's break-out role. With his Dudley-Do-Right face and "that guy who always gets the girl----- on crack" charm and glibness, his Nick Naylor is the ultimate purveyor of the spin doctor's prescription: "the means justify the end".

The casting director should be congratulated in the same breath as the director. Rob Lowe as the "genius" behind Hollywood "EGO", a consultant firm which helps raise financing for movies with strategic product placement, is note-perfect in a "small role". With William H. Macy, the Vermont Senator who takes on the tobacco industry, Maria Bello, a fellow Merchant of Death lobbyist, and Robert Duvall, the "Captain" of this particular industry--- the cast is jaw-dropping, and sublimely funny. Katie Holmes, pre-TomKat, is gorgeous, seductive, and completely believable as the reporter who stops at nothing to get her story.

Nick Naylor's relationship with his son is the lens which focuses Nick on his own behavior. Even that relationship is not treated as a cliché, or completely reverently by the satirist, who remains true to the last frame to the goal of letting the air out of our self-righteousness. It is a breath of fresh air. I not only recommend it, I intend to see it again.


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