The chief spokesman of a tobacco lobby wants to excel at his job while trying to remain a role model for his young son.The chief spokesman of a tobacco lobby wants to excel at his job while trying to remain a role model for his young son.The chief spokesman of a tobacco lobby wants to excel at his job while trying to remain a role model for his young son.
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Featured reviews
Inhale
Young Jason Reitman's direction and screenplay are deft and light. He is never heavy-handed, or worse, condescending (as may have happened more than once in WAG THE DOG). Based on a novel by Christopher Buckley (the son of William F. Buckley), the script is the star here. The double, triple, and sometimes quadruple entendres are spoken conversationally by a star-studded ensemble cast, who clearly revel in great material and great lines. Every reviewer opines that this will be Aaron Eckhart's break-out role. With his Dudley-Do-Right face and "that guy who always gets the girl----- on crack" charm and glibness, his Nick Naylor is the ultimate purveyor of the spin doctor's prescription: "the means justify the end".
The casting director should be congratulated in the same breath as the director. Rob Lowe as the "genius" behind Hollywood "EGO", a consultant firm which helps raise financing for movies with strategic product placement, is note-perfect in a "small role". With William H. Macy, the Vermont Senator who takes on the tobacco industry, Maria Bello, a fellow Merchant of Death lobbyist, and Robert Duvall, the "Captain" of this particular industry--- the cast is jaw-dropping, and sublimely funny. Katie Holmes, pre-TomKat, is gorgeous, seductive, and completely believable as the reporter who stops at nothing to get her story.
Nick Naylor's relationship with his son is the lens which focuses Nick on his own behavior. Even that relationship is not treated as a cliché, or completely reverently by the satirist, who remains true to the last frame to the goal of letting the air out of our self-righteousness. It is a breath of fresh air. I not only recommend it, I intend to see it again.
"Thank You" for a good satire!
The majority of the credit, however, needs to go to first-time feature director Jason (son of Ivan) Reitman. Adapting from Christopher Buckley's novel, Reitman has fashioned an enormously clever script, consistent and strong in character, yet not forgetting to be incredibly funny. The style is also perfect - brisk, light-hearted, with impeccable timing marred only by a tangental subplot including Sam Elliott that is, sadly, not very funny. Overall, however, the pace is fast enough where the laughs keep coming.
Reitman also does the unthinkable: he keeps the satire dark and funny to the very end. While most comedies stray blindly into the sentimental, "Thank You" avoids unnecessary emotional tripe and - thankfully - avoids sermonizing about the dangers of smoking or of the flaws of the political process. Eckhart's flawless performance and Reitman's wonderful screenplay anchor an uncommonly perceptive comedy, provided you take yours black. If you need a little cream and sugar, "Fun with Dick and Jane" might still be at the dollar theater.
'Argument Or Negotiation?'
Coughing And Laughing In Another Planet
Funny movie: looks at ALL sides of the debate
Aaron Eckhart did a fine job in his role, as did Sam Elliot, Rob Lowe, Katie Holmes...I could go on and on. It's fascinating to watch Eckhart's character spin and spin so that he brings people around to his way of thinking. He has to be representing one of the most hated industries in the United States, yet he is able to convince people as to the opposite! I highly recommend this film!
Did you know
- TriviaAs part of the message the movies promotes, no one is shown smoking a cigarette throughout the entire movie. In fact, except in the black and white film that Nick Naylor (Aaron Eckhart) watches, no one is seen even holding a cigarette. Naylor holds an empty packet, The Captain (Robert Duvall) holds an (unlit) cigar, and at about the 18:35 mark as the camera is panning around the club, a man on the right can be seen putting a pipe in his mouth although it is not clear if it is lit or not.
- GoofsDuring the MoD squad meeting, when Polly takes a bite of the pie she messes the cheese up, but in the next scene it's fine. Also, when Nick sees the cheese on top of the pie it is not melted, but when he pauses to think and stares at the pie, the cheese is clearly melted around the edges.
- Quotes
Joey Naylor: [eating fast food, next to Ferris wheel, at the Santa Monica Amusement Pier] ... so what happens when you're wrong?
Nick Naylor: Whoa, Joey I'm never wrong.
Joey Naylor: But you can't always be right...
Nick Naylor: Well, if it's your job to be right, then you're never wrong.
Joey Naylor: But what if you are wrong?
Nick Naylor: OK, let's say that you're defending chocolate, and I'm defending vanilla. Now if I were to say to you: 'Vanilla is the best flavour ice-cream', you'd say...
Joey Naylor: No, chocolate is.
Nick Naylor: Exactly, but you can't win that argument... so, I'll ask you: so you think chocolate is the end all and the all of ice-cream, do you?
Joey Naylor: It's the best ice-cream, I wouldn't order any other.
Nick Naylor: Oh! So it's all chocolate for you is it?
Joey Naylor: Yes, chocolate is all I need.
Nick Naylor: Well, I need more than chocolate, and for that matter I need more than vanilla. I believe that we need freedom. And choice when it comes to our ice-cream, and that Joey Naylor, that is the definition of liberty.
Joey Naylor: But that's not what we're talking about
Nick Naylor: Ah! But that's what I'm talking about.
Joey Naylor: ...but you didn't prove that vanilla was the best...
Nick Naylor: I didn't have to. I proved that you're wrong, and if you're wrong I'm right.
Joey Naylor: But you still didn't convince me
Nick Naylor: It's that I'm not after you. I'm after them.
[points into the crowd]
- Crazy creditsThe opening credits are styled to appear as cigarette boxes.
- ConnectionsFeatured in Today: Episode dated 3 June 2005 (2005)
- SoundtracksSmoke, Smoke, Smoke That Cigarette!
Written by Merle Travis and Tex Williams
Performed by Tex Williams and The Western Caravan
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Details
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $24,793,509
- Opening weekend US & Canada
- $262,923
- Mar 19, 2006
- Gross worldwide
- $39,323,027
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1













































