When her brother decides to ditch for a couple weeks, Viola heads over to his elite boarding school, disguised as him, and proceeds to fall for one of his soccer teammates, and soon learns she's not the only one with romantic troubles.
Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
Tracy Turnblad, a teenager with all the right moves, is obsessed with the Corny Collins Show. Every day after school, she and her best friend Penny run home to watch the show and drool over the hot Link Larkin, much to Tracy's mother Edna's dismay. After one of the stars of the show leaves, Corny Collins holds auditions to see who will be the next teen regular. With the help of her friend Seaweed, Tracy is chosen, angering evil dance queen Amber Von Tussle and her mother Velma. Tracy then decides that it's not fair that black kids can only dance on the show once a month (on "Negro Day"), and with the help of Seaweed, Link, Penny, Motormouth Maybelle, her father, and Edna, she's going to integrate the show.....without denting her 'do.Written by
According to the DVD commentary, director Adam Shankman made Zac Efron make out with the picture frame in the "Without Love" sequence for "hour after hour after hour". See more »
In "Miss Baltimore Crabs" There is a man with a clipboard standing in the background and he disappears from shot to shot. In the same number Penny moves closer and farther away from the group of girls auditioning. See more »
Oh, oh, oh, woke up today, feeling the way I always do. Oh, oh, oh, hungry for something that I can't eat. Then I hear that beat. That rhythm of town starts calling me down. It's like a message from high above. Oh, oh, oh, pulling me out to the smiles and the streets that I love. Good morning, Baltimore!
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In an alternate ending on the Hairspray DVD, Corny Collins convinces the police chief to arrest Velma von Tussle during the "You Can't Stop the Beat" finale. In addition, Amber von Tussle reforms her ways and dances with one of the "Negro Day" dancers during the final refrain of the song. See more »
Viciously satirical, deeply irreverent and wonderfully fun!
Had it not been for a free pass to an advance screening, I must admit that my friends would have had trouble getting me to see 'Hairspray.' I don't mind musicals but 'Hairspray' didn't seem like something I'd enjoy. Not for the first time in my life was I wrong.
'Hairpsray' is about tolerance, integration and acceptance of others. The film uses the racial divide between blacks and whites but the subtext of the film is Heterosexuals and Homosexuals. 'Hairspray' viciously lampoons bigots and reserves specific devastation for Ultra-conservative religious zealots, figures of authority and WASPs. The satire is white hot (Alison Janney steals every scene she is in), the music catchy, the movie's spirit is irreverent.
I had no problems with the cast and their performances. John Travolta isn't bad and when he gets his chances to dance he's great fun. Christopher Walken and Travolta have a song and dance number duet that rates among the best moments of the film and isn't to be missed. Queen Latifah adds some dignity and balance while Michelle Pfeiffer plays a terrific screen villainess. Amanda Bynes has few lines to deliver but gives perfect comic deadpan when she does for excellent comic effect. Keep a sharp eye out for the hilarious John Waters cameo during the opening number.
Of recent major movie musicals, this is easily better than 'The Producers,' (better comedy and music) and last year's 'Dreamgirls' (weaker songs but better pacing and strong beyond the first half). Although it doesn't have the star power or scale, I also prefer it to 'Chicago' -- 'Hairspray' takes itself less seriously and not many movies have me laughing and smiling from start to finish. If you're looking for a little pure counter-culture escapist fun, 'Hairpsray' is your movie.
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