Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
At 35, Tripp has an interesting job, a hip car, a passion for sailing, and a great house - trouble is, he lives with his parents. They want him out, so they hire Paula, an "interventionist," who has a formula in these cases: chance encounter, get him to ask her out, involve him in a trauma, meet his friends and get their nod, delay sex, have him teach her something, then launch him. It's worked up to now, but this gets complicated when Tripp thinks she's getting too serious and one of his pals is attracted to Paula's deadpan, semi-alcoholic roommate, who's plagued by a mockingbird. Too many secrets may scrub the launch, and what if Paula really likes him? Who can intervene then?Written by
In point of fact, the Miss Paula is a "ketch" i.e. two masts, the rear-most of which (mizzenmast) is set ahead of the rudder post. Boats of this type most often exhibit strong "weather helm" - a tendency to turn into the wind and stop moving if the tiller/wheel is left untended. Such is the case after Trip is knocked overboard. See more »
I just feel really close to you.
You ARE really close to me.
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Romantic comedy with a clever hook and some cute acting but not too much else!
Failure to Launch (2006)
Another decent but sometimes strained interference with love film. I can think of two more classic recent ones, "Hitch" and "Heartbreaker," and this doesn't rise to those modest heights.
The impressive star of the two leads is the lesser name, charming and gorgeous Matthew McConaughey, who is not just believable but also compelling (which is something different). Across from him is the Sex and the City mega-star, Sarah Jessica Parker, who is good, and who does the job as a would-be pretend girlfriend who really does fall in love. Or not. You'll see.
The whole hook is an obvious one--first the woman is hired to make the man fall enough in love with him that he'll finally move out of his parents house. Then she'll collect her fee and boogie. But no, we know from the get-go, as with any screwball comedy, that the two leads are destined to be together. But when one learns the other's secret, what true love there was goes on the rocks. This is exactly what the other two films (above) did, and I'm sure it's a burgeoning new genre.
What drags it down a bit are the side plots and side characters. Many of these are good or even terrific one way or another, but it's all patched together and a little lightweight and thin. The best of these is Parker's roommate, played with Oscar-worthy dreariness by Zooey Deschanel (who also appeared in "(500) Days of Summer"). But the sideshows of the mockingbird, the biting dolphin, and even the baroque arrangement with the t.v. monitors in the final scenes are all a little clunky. Good on paper, maybe, but in the end you have to make yourself enjoy the best of it all, which will make you laugh and have fun.
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