Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
At 35, Tripp has an interesting job, a hip car, a passion for sailing, and a great house - trouble is, he lives with his parents. They want him out, so they hire Paula, an "interventionist," who has a formula in these cases: chance encounter, get him to ask her out, involve him in a trauma, meet his friends and get their nod, delay sex, have him teach her something, then launch him. It's worked up to now, but this gets complicated when Tripp thinks she's getting too serious and one of his pals is attracted to Paula's deadpan, semi-alcoholic roommate, who's plagued by a mockingbird. Too many secrets may scrub the launch, and what if Paula really likes him? Who can intervene then?Written by
Sarah Jessica Parker and Matthew McConaughey shared screentime before the release of this film, in Sex and the City (1998), in season three, episode thirteen, "Escape From New York", where Carrie Bradshaw goes to Hollywood and meets McConaughey, who played himself. See more »
The shots of Tripp with Mr. Axelrod and of Mr. Axelrod first walking toward the boat were clearly shot later in the day from the other shots in the scene. See more »
I just feel really close to you.
You ARE really close to me.
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I was stunned at how bad this movie was - so predictable, so lame and another one of these Hollywood studio processed films where it doesn't even seem like reality - like it is this parallel universe that Hollywood creates where people have jobs like boat brokers and parent, grown son interventionist! They all have names like Ace, Demo, Kit, Tripp and Captain!! We all knew EXACTLY what was going to happen the minute Sara Jessica Parker says "I never have sex with a client." Gee - wonder if she will with Matthew - er, sorry - Tripp...I also cant believe that the movie invested sooooo much time in a subplot where someone wants to murder a mockingbird. Wow! That's funny! And obviously the studio found it hilarious whenever an animal attacks a human! Woo-hoo, that's some funny comedy - Billy Wilder could learn a thing or two from these fine filmmakers about what is truly funny. A chipmunk attacks, a dolphin attacks, a mockingbird bites the guy's nose like in a Goofy cartoon oh - and a lizard attacks - and after he does - they show him snickering - thus making the snickering lizard more three-dimensional than any of the supporting characters. Plus, it really was truly creepy what SJP's character tries to do - to "date" screwed-up, mainly lonely guys and make them think she likes them to try and get them to move out. The one other scene where they show her "working" - the guy is the typical fat, nerdy slob who quotes Star Wars and you watch her pretend to like him. Man! That is one creepy job there (almost as creepy as being a boat broker. I kid! I kid the boat brokers and all the members of The Boat Brokering Association). This movie is just a mind-freeze - watch point A move to Point B and then to Point C - now go home. The fact that this thing made TONS of money says it all.
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