7.5/10
96,489
378 user 148 critic

August Rush (2007)

PG | | Drama, Music | 21 November 2007 (USA)
Trailer
2:30 | Trailer

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A drama with fairy tale elements, where an orphaned musical prodigy uses his gift as a clue to finding his birth parents.

Director:

Kirsten Sheridan

Writers:

Nick Castle (screenplay), James V. Hart (screenplay) | 2 more credits »
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Popularity
1,475 ( 1,667)
Nominated for 1 Oscar. Another 4 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Freddie Highmore ... August Rush
Keri Russell ... Lyla Novacek
Jonathan Rhys Meyers ... Louis Connelly
Terrence Howard ... Richard Jeffries
Robin Williams ... Maxwell 'Wizard' Wallace
William Sadler ... Thomas Novacek
Marian Seldes ... The Dean
Mykelti Williamson ... Reverend James
Leon Thomas III ... Arthur
Aaron Staton ... Nick
Alex O'Loughlin ... Marshall
Jamia Simone Nash ... Hope
Ronald Guttman ... Professor
Bonnie McKee ... Lizzy
Michael Drayer ... Mannix
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Storyline

Lyla Novacek (Keri Russell) is a cellist studying at the Juilliard School and living under strict rule of her father (William Sadler). Louis Connelly (Jonathan Rhys Meyers) is the lead singer of "The Connelly Brothers", an Irish rock band. Lyla and Louis meet at a party after their respective concerts, and have a sexual encounter on the rooftop. The day after, they separate in a hurry, and are unable to maintain contact as Lyla is ushered away by her father to Chicago. Lyla is also aware that she is pregnant. Later, when in New York City, after an argument with her father over her unborn child, she is struck by a car. Due to the accident trauma, she gives birth prematurely, and her father secretly puts the baby boy up for adoption under her name, allowing Lyla to believe that her son died. Eleven years later, Evan Taylor (Freddie Highmore) is living in a boys' orphanage outside New York City, where he meets Richard Jeffries (Terrence Howard), a social worker with Child and Family ... Written by Percy Jackson

Plot Summary | Plot Synopsis

Taglines:

The music is everywhere. All you have to do is listen. See more »

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated PG for some thematic elements, mild violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 November 2007 (USA) See more »

Also Known As:

El triunfo de un sueño See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$9,421,369, 24 November 2007, Wide Release

Gross USA:

$31,655,091, 24 February 2008
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The IND Hoyt-Schermerhorn St. station in Brooklyn was used for the subway scene when August tries to run away. See more »

Goofs

During Louis' unsuccessful trip to Chicago to try to locate Lyla, he's briefly questioned by two police officers in a squad car outside her apartment. Chicago police cars have blue roof lights, but this one has a red light bar on top, and appears to be a New York squad car, filmed from a tight angle to obscure its actual markings. See more »

Quotes

Arthur: [talking to August] Naw, I ain't got no family. My pops was a drunk. My mom, she ran off with this crackhead named Lil' Jesus. But he wasn't no Lil' Jesus, you know what I'm saying?
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Connections

References Jerry Maguire (1996) See more »

Soundtracks

Bari Improv
Written by Mark Mancina and Kaki King
Performed by Kaki King
Kaki King appears courtesy of Velour Music Group
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Frequently Asked Questions

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User Reviews

 
Cynics Need Not Apply
22 November 2007 | by askjudywwSee all my reviews

This is an urban fairy tale. If you go to AUGUST RUSH with the intention of poking holes in it, you can find little glitches and logic flaws. On the other hand, if you are looking for a movie that will sing to your soul (and show you some beautiful eye candy as a bonus), look no farther. The casting director and cinematographer should each get an award. This gem of a movie takes us on a journey, and the people we meet along the way are well worth the ticket price.

A trio of beautiful performances form the heart of this film, although the secondary characters are also crisply compelling. A day after seeing it, I find that specific shots of their faces still glow in mind like pieces of a mosaic. And the music is a genuine addition, as it should be in a film of this kind. I was genuinely moved.


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